Directed by
Richard Glatzer | ||
Wash Westmoreland | ... | (as Wash West) |
Writing Credits
Wash Westmoreland | ... | (as Wash West) |
Cast (in credits order)
Produced by
Dennis Gilbert | ... | associate producer |
Rose Kuo | ... | executive producer |
Victoria Robinson | ... | producer |
Pat Scanlon | ... | line producer |
Sue Simon | ... | associate producer |
Gill Sperlein | ... | associate producer |
John Sylla | ... | producer (as John R. Sylla) |
Music by
John Vaughn | ||
Micko Westmoreland | ... | (as The Bowling Green) |
Cinematography by
Mark Putnam | ... | director of photography |
Editing by
John Binninger |
Casting By
Elisabeth Jereski |
Production Design by
Devorah Herbert |
Art Direction by
Mark Helmuth |
Set Decoration by
Gill Sperlein |
Costume Design by
Gitte Meldgaard |
Makeup Department
Rob Rumsey | ... | assistant makeup artist |
Dimas Vasquez | ... | makeup artist |
Production Management
Ross Guidici | ... | post-production supervisor |
Second Unit Director or Assistant Director
Rayne Knudson | ... | first assistant director |
Brad Robinson | ... | second assistant director |
Chris Young | ... | second second assistant director |
Art Department
Phillip Clarke | ... | assistant art director |
Bill Kelley | ... | assistant property master |
Sarah Keough | ... | art production assistant |
Ralph McGinnis | ... | art production assistant |
John Owen | ... | property master |
Stephanie Sapienza | ... | art intern |
Matthew Starkey | ... | lead person |
Donovan Whittemore | ... | storyboard artist |
Sound Department
Mandy Allen | ... | assistant sound supervisor / foley artist |
Alicia Francis | ... | additional boom operator |
Lawrence Fried | ... | additional sound mixer |
Bob Goold | ... | dialogue editor |
Dennis Grzesik | ... | sound mixer |
Jim Henderson | ... | post-production sound |
Jeff Layton | ... | sound effects editor |
Ken Novak | ... | re-recording mixer / sound supervisor |
Michael Perricone | ... | post-production sound |
Chris Philp | ... | adr mixer / foley mixer / sound effects editor |
Mark A. Rozett | ... | re-recording mixer / supervising sound editor |
Stacey A. Washer | ... | boom operator |
Camera and Electrical Department
Tarin Anderson | ... | additional electrician |
Greg Cloud | ... | still photographer |
Kyle Coventry | ... | grip |
David Delgado | ... | electrician |
Olivier Desplat | ... | electrician |
Vincent Dow | ... | gaffer |
Hank Fischer | ... | additional best boy electric (as Charles H. Fischer) |
Michael E. Gonzales | ... | first assistant camera |
Piers Hanmer | ... | still photographer |
Timothy Horsley | ... | electrician |
Joel Ides | ... | grip |
Thomas Kuo | ... | additional grip |
Ralph Lake | ... | camera loader |
Eric Mas | ... | still photographer |
David William McDonald | ... | second assistant camera |
Matthew Pearce | ... | assistant camera: second unit |
Diego Quemada-Diez | ... | additional camera operator (as Diego Quemada) / director of photography: second unit (as Diego Quemada) |
Rod Reyes | ... | best boy grip |
Sean Takaki | ... | grip |
Todd Wade | ... | best boy electric |
Jonathan Wenstrup | ... | gaffer: second unit |
Matt Wilbur | ... | key grip (as Matthew Wilbur) |
Terry Kramer | ... | electrician (uncredited) |
Costume and Wardrobe Department
Nick Dawe | ... | wardrobe assistant |
Bethany Ritz | ... | wardrobe supervisor |
Editorial Department
Michael Hatzer | ... | color timer |
Lara Mazzawi | ... | assistant editor |
Geraldine Peroni | ... | editorial consultant |
Martha Savelio | ... | telecine operator |
Location Management
Ian Root | ... | location manager |
Music Department
Bobby Lavelle | ... | music consultant (as Bobby LaVelle) |
Script and Continuity Department
Sharyn Bamber | ... | additional script supervisor |
Trisha Burton | ... | script supervisor |
Barry L. Caldwell | ... | additional script supervisor |
Transportation Department
Carlos M. Serrano | ... | driver: honeywagon |
Additional Crew
Lawrence L. Artis | ... | security officer |
Paula Chudd | ... | production assistant |
Katherine Connella | ... | voice |
Mickey Cottrell | ... | set publicist |
John Curtis | ... | production legal counsel (as John F. Curtis Esq.) |
Margaret Ekiring | ... | set intern |
Heather Fucinari | ... | set intern |
Bob Gallagher | ... | stage director |
Cindy Garcia | ... | craft service |
Nicole Goodwin | ... | key set production assistant |
Amy Gross | ... | assistant production coordinator |
Eric Handel | ... | title designer |
Tim Honiball | ... | set production assistant |
Matt Howell | ... | set production assistant |
Vickie M. Hsieh | ... | production coordinator |
Selene Luna | ... | production coordinator: Mexico |
Jason Rein | ... | set production assistant |
John Sylla | ... | story developer |
Mike Szymanski | ... | unit publicist |
Thanks
Bruce R. Anderson | ... | special thanks |
Chris Belden | ... | special thanks |
Peter Bryson | ... | special thanks |
Michael Childers | ... | thanks |
Anthony Cianciolo | ... | special thanks |
Dan Cross | ... | special thanks |
Bob East | ... | special thanks |
Rick Ford | ... | special thanks |
Kevin Glover | ... | special thanks |
Blake Harper | ... | thanks |
Todd Haynes | ... | thanks |
Michael Knight | ... | thanks |
Eva Kolodner | ... | special thanks |
Ké | ... | thanks |
Nicole LaLoggia | ... | special thanks |
Thomas Lloyd | ... | thanks |
Jack Simmons | ... | thanks |
John Simon | ... | special thanks |
Mickey Skee | ... | special thanks |
Jim Steel | ... | thanks |
David Winters | ... | special thanks |