No Tomorrow (1999)

Director:

Master P

Writer:

Terry Cunningham (writer)

Release Date:

21 September 2000 (Peru)

Genre:

Action | Crime | Drama

Tagline:

Trust no one. Believe Nothing. Watch your back.

Plot:

A major arms deal is going down, and 3 seperate characters are desperately trying to get in on it. Each is either a true career criminal...

Plot Keywords:

Independent Film

Cast

Gary Busey	...	Noah
Gary Daniels	...	Jason
Master P	...	Maker
Pam Grier	...	Diane
Jeff Fahey	...	Davis
Frank Zagarino	...	Pollack
Larry Manetti	...	Lewis
Jodi Bianca Wise	...	Lara
Jerry Vale	...	Janasen
Eric Cadora	...	Lancaster
Tracy Fraim	...	Harry
George Cheung	...	Ming
Gina Mari	...	Chloe
Clifton Powell	...	Styles
Michael Grenne	...	Blake

MPAA:

Rated R for violence, sex and language.

Runtime:

USA:99 min | Argentina:100 min

Country:

USA

Language:

English

Color:

Color

Sound Mix:

Stereo

Certification:

Finland:K-18 | UK:18 | Netherlands:12 | South Korea:15 | Netherlands:16 | Iceland:16 | Argentina:13 | Germany:16 | Peru:14 | USA:R

Filming Locations:

USA

Company:

No Limit Films

Somewhat dreadful

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Noah (Gary Busey) one of the world's most wanted arms dealers, has a multi-million dollar arms transaction that some of the most fierce criminal gangs are desperate to be a part of. A young FBI agent (Gary Daniels) goes undercover to infiltrate the deal and bring Noah down- only to encounter deception and deceit on all sides and discover that no one is who they appear to be.

Cockney action hero wannabe Daniels tried (like many others) to make it big in the action game, only to land himself supporting parts in films like Submerged and leading roles in forgettable video works like Fist of the North Star and this convoluted misfire. He's as wooden an actor as the best of them, and his refusal to drop his noticeable London accent only makes him stick out like a sore thumb more here. But he's really only a very small part of the problem with No Tomorrow. Honestly, what could you expect from a film directed by an (unheard of) rap star? It would seem, a complicated, incomprehensible storyline, a distinct lack of exciting action and a grainy camera style through-out, indicative of it being a video work. But you could also mention a wasted Busey and a ten minute action sequence in which the director and star flatters his own ego by blasting away an entire SWAT team with two handguns and even handing arses on a plate to one or two of them unlucky enough to get into some hand to hand shenanigans with him. One of the few good points, I suppose, is that at least it knows it's place. *