Yukon Manhunt (1951) Poster

(1951)

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6/10
The stuff of memorable Saturday matinées years ago
AlsExGal22 December 2012
Corporal Rod Webb (Kirby Grant), of the Royal Canadian Northwest Mounted Police, and Chinook, his trusty husky dog, were the star of a series of these one hour action pieces, mainly created to compete with the likes of the Lone Ranger about 60 years ago.

In this case one mining company has been repeatedly robbed of its payroll and the guardian of the payroll murdered in each case. Webb is instructed to accompany the payroll as it makes its way via train to the mining camp. Webb is disguised as a civilian so that the criminals will make a move and they can be captured. However, while Webb is in the baggage car trying to quiet a suddenly barking Chinook, he is struck unconscious, the passenger car gassed, and when the smoke clears the payroll is missing and the man who was carrying it is dead.

Now this is where the story loses me just a bit. Webb knows he has the killer on board this moving train, but for some reason after searching the passengers, he just lets them and their cargo go on their way. I guess this was just to keep the story moving. After leaving the train, all of the previous passengers are under suspicion and all of them are doing suspicious things. Although the audience has been able to see the actual killers/robbers all through the film, only at the end are the masterminds of these crimes revealed.

This was a pretty good entry in the series. The actors are credible and the story fast-paced and of course although there's no time for character development to speak of, Grant's performance as Cpl.Rod Webb has really stood the test of time. There's plenty of gun play from ambushers and probably more fancy knife throwing than you'd normally see in a western. And as is usual in the series, Webb has the spark of a romance going with one of the characters.

The Warner Archive has restored three of these films so far - this film, "Yukon Gold", and "Northwest Territory". If you like the old westerns of sixty years ago with a little canine action and some humor thrown in, I'd recommend this series.
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5/10
Middling!
JohnHowardReid26 April 2018
Warning: Spoilers
A William F. Broidy Production. Copyright 8 July 1951 by Monogram Pictures Corp. No recorded New York opening. U.S. release: 8 July 1951. U.K. release (on the lower half of a double bill) through Associated British-Pathé: 25 February 1952. No theatrical release in Australia. 63 minutes.

SYNOPSIS: A Mountie and his dog investigate murder and robbery in the frozen North.

NOTES: One of a series featuring Kirby Grant and "Chinook" in James Oliver Curwood stories. The others: Trail of the Yukon (1949), Snow Dog (1950), Call of the Klondike (1950), Yukon Gold (1952), Fangs of the Arctic (1953), Northern Patrol (1953), Yukon Vengeance (1954).

COMMENT: The Canadian scenery looks rather flat, dull and gray in this one, but Kirby Grant certainly earns his keep by running all over it. In fact, he and Chinook are hardly ever off-camera, a fact which doubtless delights their fans. (I assume they have some, though both are very middling performers and have rather nondescript persoinalities).

What the fans won't like, however, is the abrupt and jerky manner in which the action sequences often climax. All the same, there is plenty of chasing and shooting and the sequences on the train create the right claustrophobic atmosphere. Sickener can light interiors much more deftly than exteriors. Another photographer should have been employed for the locations, one who could bring out the freshness and sparkle and sharpness that some of the other entries in this series have.

A competent but not particularly interesting support cast includes only two players that will not equally appeal to viewers: John Doucette (whose part is neither large nor well-suited) and Rand Brooks (who is killed off before given much of a chance to develop his character).

The mystery itself is mildly intriguing. McDonald's direction, aside from his inability to deliver punchy climaxes to the action spots, is capable but steadfastly routine. Other production credits rate likewise. Production values are only fair.
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