Boys Don't Cry (1999)
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- R
- 1h 58min
- Biography, Crime
- 31 Mar 2000 (USA)
- Movie
A young man named Brandon Teena navigates love, life, and being transgender in rural Nebraska.
Director:
Writers:
Awards:
- Won 1 Oscar. Another 49 wins & 39 nominations.
- See more »
Photos and Videos
Cast verified as complete
| Hilary Swank | ... |
Brandon Teena
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| Chloë Sevigny | ... |
Lana Tisdel
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| Peter Sarsgaard | ... |
John Lotter
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| Brendan Sexton III | ... |
Tom Nissen
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| Alicia Goranson | ... |
Candace
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| Alison Folland | ... |
Kate
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| Jeannetta Arnette | ... |
Lana's Mom
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| Rob Campbell | ... |
Brian
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| Matt McGrath | ... |
Lonny
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Cheyenne Rushing | ... |
Nicole
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Robert Prentiss | ... |
Trucker
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Josh Ridgway | ... |
Kwik Stop Cashier
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Craig Erickson | ... |
Trucker in Kwik Stop
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Stephanie Sechrist | ... |
April
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| Jerry Haynes | ... |
Judge
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Lou Perryman | ... |
Sheriff
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Lisa Renee Wilson | ... |
Pam
(as Lisa Wilson)
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Jackson Kane | ... |
Sam Phillips
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Joseph Gibson | ... |
Tom
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Michael Tripp | ... |
Nerdy Teen
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Shana McClendon | ... |
Girl in Car
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| Libby Villari | ... |
Nurse
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| Paige Carl Griggs | ... |
Dave - Deputy
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| Gail Cronauer | ... |
Clerk
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| Rest of cast listed alphabetically: | |||
| Guilford Adams | ... |
Teena Brandon's Father (uncredited)
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Chad Briley | ... |
Extra (uncredited)
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| Ryan Thomas Brockington | ... |
Kiss (uncredited)
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Christophe Dahlkvist | ... |
Truck Driver (uncredited)
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Taylor Eaves | ... |
Toddler (uncredited)
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Michelle Fairbanks | ... |
Girl in Car (uncredited)
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| Sheila Gordon | ... |
Brandon Teena's Mom (uncredited)
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| Gabriel Horn | ... |
Lester - Restraining Order Guy (uncredited)
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Spencer Kayden | ... |
Lottie - Lester's Friend (uncredited)
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| Renee McClellan | ... |
Valley Girl (uncredited)
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| Gavin Perry | ... |
Deputy (uncredited)
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Robert A. Steffenino | ... |
Bartender (uncredited)
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| Timmy Thomas | ... |
Timmy Thomas (uncredited)
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| Caitlin Wehrle | ... |
Valley Girl (uncredited)
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Directed by
| Kimberly Peirce | ||
Written by
| Kimberly Peirce | ... | (written by) & |
| Andy Bienen | ... | (written by) |
Produced by
| Jill Footlick | ... | line producer |
| John Hart | ... | producer |
| Caroline Kaplan | ... | executive producer |
| Pamela Koffler | ... | executive producer |
| Eva Kolodner | ... | producer |
| Jon Marcus | ... | line producer: additional photography, New York |
| Jonathan Sehring | ... | executive producer |
| Jeffrey Sharp | ... | producer |
| Brad Simpson | ... | associate producer (as Bradford Simpson) |
| John Sloss | ... | executive producer |
| Morton Swinsky | ... | co-producer (as Mort Swinsky) |
| Christine Vachon | ... | producer |
Music by
| Nathan Larson | ||
Cinematography by
| Jim Denault | ||
Editing by
| Tracy Granger | ||
| Lee Percy | ||
Editorial Department
| Matthew Ballen | ... | post-production intern |
| Janna Bilski | ... | post-production intern |
| Marc Bruni | ... | post-production intern (as Mark Bruni) |
| Fred Chandler | ... | post production executive |
| Gabrielle Demeestere | ... | post-production intern |
| Emily Digiacomo | ... | post-production intern |
| Ryan Ganimian | ... | post-production intern |
| Joe Graceffa | ... | post-production intern |
| Rebecca Green | ... | post-production intern |
| Fred Grinstein | ... | post-production intern |
| Michelle Harrison | ... | associate editor |
| Elizabeth Heeden | ... | second conform assistant editor (as Elizabeth R. Heeden) |
| Kit Hui | ... | post-production assistant |
| Irene Kassow | ... | first assistant editor |
| Jonatan Kaye | ... | second conform assistant editor |
| Marc Landers | ... | post-production intern |
| Jordan Leff | ... | post-production intern |
| Addison MacDonald | ... | post-production intern (as Addison Macdonald) |
| Berndt Mader | ... | post-production intern |
| Aleeza Marashlian | ... | post-production intern |
| Dennis McNeill | ... | color timer |
| Daishiro Narita | ... | post-production assistant |
| Andy Newcomer | ... | post-production intern |
| Tina Pacheco | ... | first assistant editor |
| Maxime Pardo | ... | post-production intern |
| Seyi Peter-Thomas | ... | post-production intern |
| Cecile Rebbot | ... | post-production intern |
| Olivia Relova | ... | post-production intern |
| Sebastien Robeis | ... | post-production intern |
| April Roth | ... | post-production intern |
| Jennifer Ruff | ... | avid support |
| Lousine Shamamian | ... | apprentice editor |
| Michael Sledd | ... | post-production intern |
| Patricia Sztaba | ... | negative cutter |
| Stan Sztaba | ... | negative cutter (as Stan) |
| Laura Weinberg | ... | conform assistant editor |
| Virginia Williams | ... | post-production intern |
| Tanya Yokum | ... | post-production intern |
| John McNulty | ... | apprentice editor (uncredited) |
| Ken Rubenfeld | ... | dailies colorist (uncredited) |
Casting By
| Kerry Barden | ||
| Suzanne Crowley | ||
| Billy Hopkins | ||
| Jennifer McNamara | ||
Production Design by
| Michael Shaw | ||
Art Direction by
| Shawn Carroll | ||
Costume Design by
| Vicki Farrell | ... | (as Victoria Farrell) |
Makeup Department
| Angela Angel | ... | hair assistant / makeup assistant |
| Jane Choi | ... | key makeup artist: additional photography, New York |
| Jeff Francis | ... | hair stylist: Ms. Sevigny, additional photography, New York |
| Kalen Hoyle | ... | makeup artist |
| Renee Lecuyer | ... | key hair stylist (as Renee Le Cuyer) / key makeup artist (as Renee Le Cuyer) / key makeup effects (as Renee Le Cuyer) |
| Kerrie R. Plant | ... | key hair stylist: additional photography, New York (as Kerrie Plant) / makeup stylist: additional photography, New York (as Kerrie Plant) |
| Nicki Ledermann | ... | makeup consultant (uncredited) |
Production Management
| Jon Marcus | ... | unit production manager: additional photography, New York |
| Rachel Peters | ... | executive in charge of production: Hart Sharp |
| Katie Roumel | ... | executive in charge of production: Killer Films |
| Jamie H. Zelermyer | ... | production manager |
Second Unit Director or Assistant Director
| Alfie Kiernan | ... | second assistant director |
| W. Alex Korp | ... | second second assistant director |
| Jim LaClair | ... | first assistant director (as Jim Laclair) |
| Jay Richard Piro | ... | first assistant director: additional photography, New York (as Jay Piro) |
| Jeanine Rohn | ... | first assistant director |
Art Department
| Phyllis Detrich | ... | property master |
| Sherief Elkatsha | ... | set dresser: additional photography, New York |
| Jimmy Estrada | ... | assistant props (as Jimmy Joe Estrada) |
| Lynn A. Johanson | ... | leadperson |
| Lissa Murphy | ... | set dresser (as Lisa Murphy) |
| Amy Beth Silver | ... | art director: additional photography, New York (as Amy Silver) |
| Andrea Stanley | ... | art director: additional photography, New York |
| Debra Sugarman | ... | set dresser |
| Sarah J. Thompson | ... | set dresser |
| Minda Work | ... | leadperson |
Sound Department
| Gina Alfano | ... | adr editor |
| Jeremy Brill | ... | sound intern |
| Eric A. Christoffersen | ... | sound consultant: Dolby (as Eric Christoffersen) |
| Robert Fernandez | ... | re-recording mixer |
| Sean Garnhart | ... | sound effects editor |
| Lewis Goldstein | ... | supervising sound editor |
| Matthew Haasch | ... | foley engineer |
| Alex Herrera | ... | boom operator (as Alex A. Herrera) |
| William Kozy | ... | sound mixer: additional photography, New York |
| Hal Levinsohn | ... | adr editor (as Hal Levinson) |
| Mack Melson | ... | production sound mixer |
| Cate Montana | ... | sound intern |
| Igor Nikolic | ... | assistant editor |
| Glenfield Payne | ... | sound effects editor |
| Jay Peck | ... | foley artist |
| Will Ralston | ... | foley supervisor (as Jennifer Ralston) |
| Jac Rubenstein | ... | dialogue editor |
| Matthew C. Beville | ... | adr mixer (uncredited) |
| Kate Eales | ... | background sound editor (uncredited) |
| Sean Garnhart | ... | sound designer (uncredited) |
| Will Ralston | ... | sound effects editor (uncredited) |
| John Soukup | ... | sound transfer (uncredited) |
| Eric Thompson | ... | adr mixer (uncredited) |
Special Effects by
| Jack Bennett | ... | special effects |
Visual Effects by
| Mark Dornfeld | ... | optical effects: Custom Film Effects |
| Vincent Lavares | ... | digital asset manager (uncredited) |
| Mark Sawicki | ... | optical camera (uncredited) |
Stunts
| Tim Buchanan | ... | stunts |
| Jeramy Hill | ... | stunts |
| Ben Loggins | ... | stunt coordinator |
| Diane Towery | ... | stunts |
| Russell Towery | ... | stunt coordinator |
Camera and Electrical Department
| Troy Anderson | ... | third electric |
| Joe Arcidiacono | ... | director of photography: additional photography, New York |
| Paul Armstrong | ... | additional camera assistant |
| Rhett Bakke | ... | second assistant camera |
| Hugo Bonilla | ... | best boy grip: additional photography, New York |
| John Cadenhead | ... | third grip (as John T. Cadenhead III) |
| Claire F. Cario | ... | first assistant camera (as Claire Cario) |
| Elizabeth Casinelli | ... | best boy electric |
| Jack Cocker | ... | grip/electric swing |
| Christopher Davis | ... | additional electric |
| Lance Dooley | ... | additional swing |
| James D. Faust | ... | additional electric (as Jhames D. Faust) |
| Hank Fischer | ... | grip/electric swing |
| Tom Graybael | ... | first assistant camera: second unit, Dallas (as Tom 'Barney' Graybael) |
| Matthew Hale | ... | best boy grip (as Matthew D. Hale) |
| Carrie Huff | ... | additional grip |
| Daniel Jacob | ... | additional electric (as Daniel Jacobs) |
| Ruben Levins | ... | camera production assistant: second unit, Dallas |
| Russell Lindsay | ... | additional grip |
| Seth Loft | ... | key grip: additional photography, New York |
| Bill Matlock | ... | still photographer |
| Brian McKee | ... | key grip |
| Scott Miller | ... | gaffer / gaffer: additional photography, New York |
| Michael Mizell | ... | best boy electric: additional photography, New York |
| Eric Montes | ... | additional grip |
| Nathan O'Neal | ... | camera loader |
| John Pirozzi | ... | director of photography: time-lapse photography |
| Chris Reynolds | ... | additional camera assistant |
| Antonio Rossi | ... | first assistant camera: additional photography, New York |
| James Soward | ... | additional electric |
| Seamus Tierney | ... | additional electric |
| Joshua Van Praag | ... | grip/electric swing |
| Matt Walters | ... | additional grip |
| Sebastian Widmann | ... | camera loader: additional photography, New York |
| John Wilcox | ... | additional swing (as John 'J.D.' Wilcox) |
| Jason May | ... | grip (uncredited) |
| Paul S. Shapiro | ... | grip (uncredited) |
Casting Department
| Emily Abt | ... | extras casting assistant |
| Elizabeth Beck | ... | extras casting director |
| Mark Bennett | ... | casting assistant: New York |
| Deborah Maxwell Dion | ... | casting assistant: Los Angeles |
| Amy Grappell | ... | casting director: local |
Costume and Wardrobe Department
| Sarah Beers | ... | wardrobe supervisor: additional photography, New York |
| Mary McCormick | ... | seamstress |
| Michelle Elaine Teague | ... | wardrobe supervisor |
Location Management
| John Cadenhead | ... | location manager |
| Judson Davenport | ... | location production assistant |
| Tony Estrada | ... | location scout |
| Andrea Friedman | ... | additional location manager |
| Sherri Lennon | ... | location manager |
| Pamela Mount | ... | location scout |
| Bill Perkins | ... | location production assistant |
| Mark Shelby | ... | location scout |
Music Department
| Jim Dunbar | ... | executive music producer |
| Christopher S. Parker | ... | music clearances (as Chris Parker) |
| Randall Poster | ... | music supervisor |
| Allan Zaleski | ... | music editor |
| Thomas Cavanaugh | ... | music business & legal affairs (uncredited) |
Script and Continuity Department
| Pamela Richardson | ... | script supervisor |
Transportation Department
| Marty Carrington | ... | driver |
| Robert C. Fite | ... | driver |
| Wally Welch | ... | driver |
| Jeff Milburn | ... | picture car mechanic (uncredited) |
Additional Crew
| Laird Adamson | ... | assistant: Christine Vachon |
| Aaron Bartz | ... | production assistant |
| Paul Brennan | ... | legal services: Sloss Law |
| Peter Burns | ... | assistant: John Hart |
| Ronnie Butler | ... | security |
| Terry K. Cahill | ... | security |
| George Camarda | ... | script supervisor: additional photography, New York |
| Rachel Dawson | ... | production office coordinator: additional photography, New York |
| Bob Dillon | ... | production assistant |
| Stephen Dupree | ... | production assistant |
| Barak Epstein | ... | intern |
| Dee Evans | ... | production office coordinator |
| Mark M. Faulkner | ... | security |
| Tommy Garrett | ... | security |
| Kyle Gross | ... | security |
| Jeremy Haak | ... | intern (as Jeremy Slade Haak) |
| Gabriel Harris | ... | production assistant: additional photography, New York |
| Beverly G. Hendley | ... | security |
| Jeff Hill | ... | publicist |
| Gates Houp | ... | production assistant |
| Susanne Jones | ... | travel |
| Louis Katz | ... | physician: New York (as Louis Katz MD) |
| Kim Kyle | ... | intern |
| Maria Lee | ... | intern |
| Joni Linton | ... | script supervisor: second unit, Dallas |
| Jennifer Lobban | ... | accounting intern / production intern |
| Ann Marsland | ... | office production assistant |
| Jen McGowan | ... | production assistant: additional photography, New York (as Jennifer McGowan) |
| Gerald Michaelson | ... | physician: California (as Gerald Michaelson MD) |
| Randy Miears | ... | key set production assistant |
| Susan R. Millard | ... | security |
| Ross Miller | ... | insurance: D.R. Reiff And Associates |
| Leora Mohr | ... | assistant production office coordinator (as Leora Backer) |
| David O | ... | production assistant |
| Roman Ostrowski | ... | physician: New York (as Roman Ostrowski MD) |
| Michael Raines | ... | production assistant |
| Jack Riccobono | ... | production assistant: additional photography, New York (as Jack Ricobono) |
| Stanton Grant Richardson | ... | security |
| Cody Rogers | ... | office production assistant / set medic |
| Bob Roizman | ... | projectionist: additional photography, New York |
| Ben Schoen | ... | titles: Scarlet Letters |
| Paula Schoen | ... | physician: California (as Paula Shoen MD) |
| M.K. Shaw | ... | production accountant |
| Fred Siegel | ... | tax accountant (as Fred Siegel CPA) |
| Anitra K-M Smith | ... | office production assistant |
| Maya Stowe | ... | assistant: Kim Peirce |
| Paul Worrel | ... | physician: Texas (as Paul Worrel MD) |
| Jason Zampino | ... | production assistant: additional photography, New York |
| Sarah Nean Bruce | ... | production advisor (uncredited) |
| Robert P. Campbell | ... | product placement (uncredited) |
| Bobby Shue | ... | intern (uncredited) |
| Dylan Verrechia | ... | assistant: Kim Peirce (uncredited) |
Thanks
| Rob Albright | ... | thanks |
| Lynn Auerbach | ... | thanks |
| Consuelo Saah Baehr | ... | thanks |
| Tonyee Barretonetto | ... | thanks |
| Kate Bornstein | ... | thanks |
| Nancy Brody | ... | thanks |
| Sarah Nean Bruce | ... | thanks: Dallas/Fort Worth Film Commission (as Sara Bruce-Craft) |
| Eliza Byard | ... | thanks |
| Lorne Cameron | ... | thanks (as Loren Cameron) |
| Mark Christopher | ... | thanks: for development in the film's initial stages |
| Dan Cowherd | ... | thanks |
| DeMane Davis | ... | thanks (as Demane Davis) |
| Lenore Dekoven | ... | thanks |
| Esther Drill | ... | thanks |
| Huong Duong | ... | thanks |
| Nicole Eisenman | ... | thanks |
| Alli Farrell | ... | thanks (as Ali Farrell) |
| Tony Faulkner | ... | thanks |
| Daphne Fitzpatrick | ... | thanks |
| Ellen Franning | ... | thanks |
| Alison Froling | ... | thanks |
| Linda Gutierres | ... | thanks |
| Lori E. Seid | ... | thanks (as Lori E. Side) |
| Lana Tisdel | ... | thanks |
Production Companies
- Searchlight Pictures (present)
- The Independent Film Channel Productions (present)
- Killer Films
- Hart Sharp Entertainment
Distributors
- Fox Searchlight Pictures (1999) (United States) (theatrical)
- 20th Century Fox Argentina (2000) (Argentina) (theatrical)
- 20th Century Fox India (2000) (India) (theatrical)
- FS Film (2000) (Finland) (theatrical) (VHS)
- Filmes Castello Lopes (2000) (Portugal) (theatrical)
- Kommunenes Filmcentral (KF) (2000) (Norway) (theatrical)
- Twentieth Century Fox (2000) (Germany) (theatrical)
- Twentieth Century Fox (2000) (Japan) (theatrical)
- Twentieth Century Fox (2000) (United Kingdom) (theatrical) (as 20th Century Fox Film Co. Ltd)
- UGC-Fox Distribution (UFD) (2000) (France) (theatrical)
- 20th Century Fox Home Entertainment (2000) (Germany) (VHS)
- 20th Century Fox Home Entertainment (2000) (United States) (DVD)
- Gativideo (2000) (Argentina) (DVD)
- Gativideo (2000) (Argentina) (VHS)
- 20th Century Fox Home Entertainment (2001) (United Kingdom) (DVD)
- 20th Century Fox Home Entertainment (2003) (Germany) (DVD)
- Sub (2003) (Finland) (tv)
- Mainostelevisio (MTV3) (2005) (Finland) (tv)
- FS Film (2006) (Finland) (DVD)
- Twentieth Century Fox (2006) (Brazil) (DVD)
- 20th Century Fox Home Entertainment (2011) (Germany) (Blu-ray)
- 20th Century Fox Home Entertainment (2011) (Germany) (DVD)
- 20th Century Fox Home Entertainment (2011) (United States) (Blu-ray)
- 20th Century Fox Home Entertainment (2011) (United States) (DVD)
- 20th Century Fox Home Entertainment (2014) (United States) (DVD) (Blu-ray included in "Fox Searchlight 20th Anniversary Collection")
- The Criterion Channel (2022) (United States) (tv) (streaming)
- 20th Century Fox Home Entertainment (Brazil) (DVD)
- 20th Century Fox Home Entertainment (Brazil) (VHS)
- Odeon (Greece) (DVD)
Special Effects
- Custom Film Effects (optical effects)
Other Companies
- AC Delco Co. (thanks to)
- All Payments Services (payroll)
- American Auto Rental (picture cars)
- Arent Fox (thanks to)
- Automotive Fabrication (picture cars)
- Bank of America (bank)
- Broadway Skateland (thanks to)
- Budget Rent-a-Car (trucks)
- C5 (audio post production services)
- Candlewood Suites (accommodations)
- Cape Cod Chips (thanks to)
- Celis Beer (thanks to)
- Cine Shop (prop/set dressing shop)
- City of Crandall, Texas (thanks to)
- City of McKinney, Texas (thanks to)
- Club Tassas (thanks to)
- D.R. Reiff & Associates (insurance)
- DTA Tours & Travel (travel)
- Dallas Peterbilt (picture cars)
- Direct Events (prop/set dressing shop)
- Double Duece Bar (thanks to)
- Falco Ink. (publicity)
- Farkas Films (thanks to)
- Fina (thanks to)
- Fossil (thanks to)
- Goodedit (conform room)
- Hand Held Films (camera equipment by: additional photography, New York)
- Hill Top Classics (picture cars)
- Honest John's Caddy Corner (picture cars)
- Independent Studio Services (prop/set dressing shop)
- JP Morgan Chase Bank (bank)
- Karaoke Capital (karaoke equipment)
- Koch Records (soundtrack available on)
- Kodak (motion picture film)
- MPS Studios (expendables)
- Mach II Travel (travel)
- Mama's (catering by: additional photography, New York)
- Manhattan Transfer (dailies)
- McKinney Chamber of Commerce (thanks to)
- McKinney Grain Company (thanks to)
- Nantucket Nectars (thanks to)
- New York Foundation for the Arts (thanks to)
- New York State Council on the Arts (thanks to)
- North Dallas R.V. (picture cars)
- Ozarka Natural Spring Water, Co. (thanks to)
- Panavision (cameras & lenses)
- Paris Film Productions (lighting equipment by: additional photography, New York)
- Post 391 (editing room)
- Presbyterian Hospital of Kaufman (thanks to)
- PrimeCo Personal Communications (mobile phones)
- Reels on Wheels (shipping/freight)
- Reliable Go Carts (picture cars)
- Scarlet Letters (titles by)
- Slosslaw (legal services)
- Sound One Corporation (re-recording mixer)
- Spice of Life Catering (caterers)
- Spin Cycle Post (ADR studio: NY)
- Sundance Film Festival (festival)
- Sundance Institute (developed with the assistance of)
- TMT (thanks to)
- Texas Metal Industries (thanks to)
- The Astraea Foundation (thanks to)
- The Falls City Journal (thanks to)
- The Health Nut (caterers)
- The Lesbian Herstory Archives (thanks to)
- The Mill - McKinney, Texas (thanks to)
- The New York City Mayor's Office of Film, Theatre & Broadcasting (thanks to)
- The Red Derby Tavern (thanks to)
- The Wilshire Stages (ADR studio: CA)
- Thrifty Car Rental (cars)
- Toronto International Film Festival (festival)
- Trade Audio Visuals (walkies)
- Transsexual Menace (thanks to)
- Ugly Duckling (picture cars)
- Utility Trailer of Dallas (picture cars)
- Women Make Movies (thanks to)
- World Cinevision Services (negative cutter)
Storyline
| Plot Summary |
Based on actual events. Brandon Teena is the popular new guy in a tiny Nebraska town. He hangs out with the guys, drinking, cussing, and bumper surfing, and he charms the young women, who've never met a more sensitive and considerate young man. Life is good for Brandon, now that he's one of the guys and dating hometown beauty Lana; however, he's forgotten to mention one important detail. It's not that he's wanted in another town for GTA and other assorted crimes, but that Brandon Teena was actually born a woman named Teena Brandon. When his best friends make this discovery, Brandon's life is ripped apart. Written by Zhe |
| Plot Keywords | |
| Taglines | A true story about finding the courage to be yourself. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $2,000,000 (estimated) |
| Opening Weekend United States | $73,720, 10 Oct 1999 |
Did You Know?
| Trivia | When Hilary Swank was living as a man to prepare for the role of Brandon Teena, her neighbors believed that the young man coming and going from Swank's home (Swank in male character) was her visiting brother. See more » |
| Goofs | When the girls (and Brandon) go on a trip to Kansas City, the Dallas skyline can be seen. See more » |
| Movie Connections | Featured in Double Jeopardy/Jakob the Liar/Mumford (1999). See more » |
| Soundtracks | Just What I Needed See more » |
| Crazy Credits | A special thanks to all of the transmen and butch dykes who helped, advised and auditioned for this project and supported the process of bringing this story to the screen. See more » |
| Quotes |
Lana:
Shut up. That's your business. Look, I don't care if you're half monkey or half ape, I'm gettin' you out of here. See more » |