The story of the romance between the King of Siam and widowed British schoolteacher, Anna Leonowens, during the 1860s.The story of the romance between the King of Siam and widowed British schoolteacher, Anna Leonowens, during the 1860s.The story of the romance between the King of Siam and widowed British schoolteacher, Anna Leonowens, during the 1860s.
- Nominated for 2 Oscars
- 14 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaOn the French audio track on the DVD, Jodie Foster dubs her own character's voice.
- GoofsThe Thai language used between the King and his prime minister is not royal Thai language, but everyday Thai language. Everyday Thai language is never used to speak to a member of the royal family, especially the King.
- Quotes
King Mongkut: [to Anna] When a woman who has much to say says nothing, her silence can be deafening.
- SoundtracksJade Cong
Written by Simon Rowland-Jones
Courtesy of Zomba/Firstcom/Chappell Music
Featured review
Flawed, but good anyway. The romance felt real; the visuals are spectacular!
This is a good movie, and it's very much worth seeing. Visually it is stunning-- the fake palace they built, and the geography is well worth the price. There are some complications that make it less than great, however. These problems might be inherent in the material-- adapting an actual English lady's actual diary. Should one poke fun at the colonializing 19th century British? The various "local" political rivals who evidently were more than willing to accept British trade and other "help" in exchange for fulfillment of personal ambitions? Or does one go entirely modern and politically correct, and pretend that the entire planet was a Berkeley coffee house just waiting for a chance to express neo-Marxist thought?
This movie tried really hard to appear "p.c." and historical at the same time. There were some glaring inconsistencies, however-- e.g., the British woman was evidently "shocked" by the death penalty being applied for what amounted to treason against the king, and yet in her own country, just 15 years before, the death penalty was routinely applied to shoplifters, petty thieves, vagrants, and anyone else the English nobility found inconvenient, annoying, or simply yucky.
The domestic montages were at times awkward and fakey. E.g., when the camera tried to build a sense of "Hey, we're getting along now!" by roaming around the palace grounds, showing the king, his kids, his old ladies and Anna all noticing birds and smiling at each other; noticing ducks and smiling at each other; noticing cutesy-poo antics of the young ones and smiling at each other. That was very stilted and phony feeling.
But this movie was much better than the critics mostly said. For example, for me, the relationship between the king and the teacher was actually very realistic, quite believable, and powerful. So maybe it's just that many professional critics don't like to see what real humans might do in a love situation with complications-- after all, they do go apoplectic whenever a movie wants you to feel something deep and real. So ignore them, and enjoy it for what it is-- a valiant and earnest effort to tell a complicated and difficult story. I gave it an "8."
This movie tried really hard to appear "p.c." and historical at the same time. There were some glaring inconsistencies, however-- e.g., the British woman was evidently "shocked" by the death penalty being applied for what amounted to treason against the king, and yet in her own country, just 15 years before, the death penalty was routinely applied to shoplifters, petty thieves, vagrants, and anyone else the English nobility found inconvenient, annoying, or simply yucky.
The domestic montages were at times awkward and fakey. E.g., when the camera tried to build a sense of "Hey, we're getting along now!" by roaming around the palace grounds, showing the king, his kids, his old ladies and Anna all noticing birds and smiling at each other; noticing ducks and smiling at each other; noticing cutesy-poo antics of the young ones and smiling at each other. That was very stilted and phony feeling.
But this movie was much better than the critics mostly said. For example, for me, the relationship between the king and the teacher was actually very realistic, quite believable, and powerful. So maybe it's just that many professional critics don't like to see what real humans might do in a love situation with complications-- after all, they do go apoplectic whenever a movie wants you to feel something deep and real. So ignore them, and enjoy it for what it is-- a valiant and earnest effort to tell a complicated and difficult story. I gave it an "8."
helpful•60
- bopdog
- Jan 16, 2000
Details
Box office
- Budget
- $92,000,000 (estimated)
- Gross US & Canada
- $39,263,420
- Opening weekend US & Canada
- $5,223,416
- Dec 19, 1999
- Gross worldwide
- $113,996,937
- Runtime2 hours 28 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content
![Jodie Foster and Chow Yun-Fat in Anna and the King (1999)](https://m.media-amazon.com/images/M/MV5BZWQzMmY1ZDktMjk0Yi00MGJmLWI0ZWQtYzQzNjU2MTk5ZjA5XkEyXkFqcGdeQXVyMjQwMjk0NjI@._V1_QL75_UY133_CR0,0,90,133_.jpg)