| Photos (see all 36 | slideshow) | Videos |
Directed by | |||
| Jim Jarmusch | |||
Writing credits | ||
| Jim Jarmusch | (written by) | |
Produced by | |||
| Richard Guay | .... | producer | |
| Jim Jarmusch | .... | producer | |
| Diana Schmidt | .... | co-producer | |
Original Music by | |||
| RZA | |||
Cinematography by | |||
| Robby Müller | |||
Film Editing by | |||
| Jay Rabinowitz | |||
Casting by | |||
| Ellen Lewis | |||
| Laura Rosenthal | |||
Production Design by | |||
| Ted Berner | |||
Art Direction by | |||
| Mario Ventenilla | |||
Set Decoration by | |||
| Ron von Blomberg | (as Ronnie Von Blomberg) | ||
Costume Design by | |||
| John A. Dunn | (as John Dunn) | ||
Makeup Department | |||
| Clifford Booker | .... | hair stylist (as Cliff Booker) | |
| Judy Chin | .... | makeup artist | |
| Todd Kleitsch | .... | assistant special makeup effects | |
| Neal Martz | .... | special makeup effects artist | |
Second Unit Director or Assistant Director | |||
| Cindy Craig | .... | second assistant director | |
| Jude Gorjanc | .... | first assistant director | |
| Jessica Piscitelli | .... | second second assistant director | |
Art Department | |||
| Shirley Belwood | .... | assistant property master | |
| Jeff Butcher | .... | property master | |
| Bill Cassidy | .... | key construction grip | |
| Peter DeCurtis | .... | set dresser (as Pete DeCurtis) | |
| Susan Glod | .... | second scenic | |
| Mario Herrera | .... | charge scenic artist | |
| Richard S. Kamin | .... | construction foreman (as Richard Kamin) | |
| Nathalie Leslie-Cassergrain | .... | art department coordinator | |
| Louis Mucci | .... | carpenter | |
| Joseph Proscia | .... | lead man (as Joe Proscia) | |
| Danny Rovira | .... | construction coordinator | |
| Philip Saccio Jr. | .... | on-set dresser (as Phil Saccio Jr.) | |
| Philip Saccio | .... | assistant lead man (as Phil Saccio Sr.) | |
| Jennifer Snoeyink | .... | scenic | |
| Ken Sperling | .... | stand-by construction grip | |
| Steve Swanson | .... | set dresser | |
| Clayton Thomas | .... | shop production assistant (as Clayton 'Massive' Thomas) | |
| Roman Turovsky | .... | on-set scenic | |
Sound Department | |||
| David Boulton | .... | adr mixer | |
| Jason Canovas | .... | adr editor | |
| John Chamberlain | .... | adr recordist | |
| Eric A. Christoffersen | .... | stereo sound consultant: Dolby | |
| Anthony J. Ciccolini III | .... | sound designer (as Chic Ciccolini III) | |
| Anthony J. Ciccolini III | .... | sound effects editor (as Chic Ciccolini III) | |
| Ryan Collison | .... | foley artist | |
| Keith Culbertson | .... | sound re-recordist | |
| Joe Dohner | .... | foley recordist (as Joseph Dohner) | |
| Jeanne Gilliland | .... | cable person | |
| Thomas A. Gulino | .... | dialogue editor | |
| Ann Hadsell | .... | adr mixer | |
| Drew Kunin | .... | sound mixer | |
| Kevin Meehan | .... | boom operator (as Kevin V. Meehan) | |
| Yvette Nabel | .... | foley editor | |
| Daniel Pagan | .... | sound effects editor | |
| Alex Raspa | .... | adr recordist | |
| Lynn Sable | .... | assistant sound editor | |
| Dominick Tavella | .... | sound re-recording mixer (as Dom 'The Dominator' Tavella) | |
| Brian Vancho | .... | foley artist | |
| John Werner | .... | assistant sound editor (as John Michael Werner) | |
| Karl Wasserman | .... | additional sound utility (uncredited) | |
Special Effects by | |||
| Drew Jiritano | .... | special effects coordinator | |
| John Stifanich | .... | special effects assistant | |
| Andrew Mortelliti | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| John Furniotis | .... | optical effects | |
| Don Nolan | .... | digital and optical effects | |
| Trevor Bajus | .... | digital artist (uncredited) | |
| Dave Salter | .... | animation cameraman (uncredited) | |
| Mark Tureski | .... | optical effects (uncredited) | |
Stunts | |||
| Norman Douglass | .... | stunt coordinator | |
| Manny Siverio | .... | stunt coordinator | |
| Jeff Ward | .... | stunt coordinator | |
Casting Department | |||
| Anthony Ortiz | .... | extras casting (as Anthony 'Dust' Ortiz) | |
| Jessy Terrero | .... | extras casting | |
| Ulysses Terrero | .... | extras casting | |
| Blythe Cappello | .... | casting associate (uncredited) | |
| Gayle Keller | .... | casting associate (uncredited) | |
| Jeanne McCarthy | .... | casting: Los Angeles (uncredited) | |
Costume and Wardrobe Department | |||
| Kevin Brainerd | .... | assistant costume designer | |
| David Davenport | .... | wardrobe supervisor | |
| Amy Habacker | .... | wardrobe supervisor (as Amy S. Habacker) | |
Editorial Department | |||
| Jennifer Apel | .... | assistant editor | |
| Héctor Cordero | .... | apprentice editor | |
| Tony Grocki | .... | first assistant editor | |
| Ricardo Olivero | .... | color timer | |
| Catherine Rankin | .... | negative cutter | |
| Peter Phillips | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Jay Rabinowitz | .... | music editor | |
Transportation Department | |||
| John Arena Jr. | .... | driver | |
| Ralph Astarita | .... | driver | |
| Bill Buckman | .... | driver | |
| Tom Buckman Jr. | .... | driver | |
| Christopher Cilento | .... | driver (as Chris Cilento) | |
| Danny Houghton | .... | driver | |
| Joe Irwin | .... | driver | |
| Bob Lansing | .... | driver | |
| Leonard Luizzi | .... | driver (as Lenny Luizzi) | |
| John Lynch Jr. | .... | driver | |
| Joe Mallon | .... | driver | |
| George Moran | .... | driver | |
| John Raffone | .... | driver | |
| Ed Stewart | .... | driver | |
| Francis Volpe | .... | driver (as Francis Volpe Jr.) | |
| Louis Volpe | .... | transportation captain (as Lou 'Sonny' Volpe) | |
| Ralph Volpe | .... | transportation co-captain | |
Other crew | |||
| Carl Archibald | .... | location assistant | |
| Cynthia Bauer | .... | intern | |
| Jesse Bodine | .... | office production assistant | |
| Brian Cantaldi | .... | set production assistant | |
| Jen Cox | .... | payroll accountant | |
| Ged Dickersin | .... | location manager | |
| Aaron Douglas | .... | accountant | |
| Sara Driver | .... | story consultant | |
| Jennifer Ehman | .... | intern | |
| Joe Facey | .... | craft service | |
| Orlando Ferreyra III | .... | intern | |
| Kathleen Gallagher | .... | intern | |
| Mara Galus | .... | set production assistant | |
| Jill Goldstein | .... | legal services | |
| Ariel Greene | .... | intern | |
| Joe Guest | .... | intern | |
| Tucker Hartsorne | .... | assistant animal wrangler | |
| Richard Heller | .... | legal services | |
| Vanessa Jacobs | .... | assistant production coordinator | |
| Tom Jarmusch | .... | location scout | |
| Paul Johnson | .... | security officer | |
| Chiemi Karasawa | .... | script supervisor | |
| Damon Keller | .... | intern | |
| Stefanie Koseff | .... | assistant: Stacey Smith | |
| Brian Lampf | .... | office production assistant | |
| Susan Lawlor | .... | production secretary | |
| Nemo Librizzi | .... | spirit balance | |
| Gabrielle Mahon | .... | assistant: Richard Guay | |
| Suk Yi Mar | .... | assistant location manager | |
| Alfredo Martinez | .... | gun consultant | |
| Steve McAuliff | .... | animal wrangler | |
| Tony McKray | .... | security officer | |
| Kelly Mearkle | .... | office production assistant | |
| Macho Mendez | .... | security officer | |
| Kevon Murphy | .... | location assistant | |
| Chris O'Brien | .... | legwork | |
| David Phillips | .... | parking coordinator | |
| Jennifer Pietzryh | .... | set medic | |
| Reid Rosefelt | .... | publicist | |
| Christa Saredi | .... | world sales | |
| Kate Schultz | .... | location scout | |
| Jeffrey B. Seymann | .... | intern (as Jeffrey Seymann) | |
| Harris Smith | .... | intern | |
| Stacey E. Smith | .... | assistant: Jim Jarmusch (as Stacey Smith) | |
| Michele Soddano | .... | assistant accountant | |
| Jim Sotet | .... | philosophical consultant | |
| Demond Stafford | .... | location assistant | |
| Thea St. Omer | .... | intern | |
| Eliza Thomas | .... | intern | |
| Daira Torres | .... | intern | |
| Alfonso Trinidad | .... | key set production assistant | |
| Mimi Turner | .... | location scout | |
| Dana Wisher | .... | set production assistant | |
| Heathar Wynne | .... | set medic | |
| Randall Balsmeyer | .... | title designer (uncredited) | |
| Al Cerullo | .... | helicopter pilot (uncredited) | |
| Michael K. Reynolds | .... | chef (uncredited) | |
Thanks | |||
| Akira Kurosawa | .... | personal thanks | |
| Jean-Pierre Melville | .... | personal thanks | |
| Mary Shelley | .... | personal thanks | |
| Bart Walker | .... | very special thanks | |
![]() |
![]() |
![]() |
![]() |
![]() |
| Kill Bill: Vol. 1 | Léon | Kill Bill: Vol. 2 | Pulp Fiction | Beantown |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
| Add this title to MyMovies |
The movie is about codes of conduct, with 2 main codes that are dying out or are dead.
One is the code of the Mafia the other is the Samurai.
The basic plot is this. One of the Mafia wiseguys must be killed as he is having an affair with the daughter of the Mafia Don.
The person they get to do it is an African American who lives by the code of the Samurai and goes by the name of Ghost Dog. To be honest, I have met many Japanafiles so this is not so unbelievable.
But the code of the Mafia means that if you kill a wiseguy then you must be killed or the Mafia person who hired him must be killed.
Jim Jarmusch makes movies where the characters close relations based on only very small things. The Mafia wiseguy saved Ghost Dogs life, so now he must be his retainer. He lives off the land (lives on a roof, steals the cars and equipment he needs to do a job). There is also a friendship between 2 people who don't speak the same language. It is the connection between people that is so important here.
If you saw Dead man and like it, then you will love Ghost Dog. It is funny, serious, dark, tragic and beautiful all at the same time. Dead man missed the mark with some similar themes (though the DVD of Dead man has some deleted scenes that would have made the movie much better and reflected better the idea of small connections being strong connections).
I loved this movie, and I don't expect everyone else to. Art house movies have small audiences for this exact reason. I know a lot of people who avoided this movie because they thought it was cheesy. The answer is, yes it is, and most of the bad reviews reflect this same idea.
Also I love the sound track, with lots of Phat beats, and uses Hip Hop (African American culture) to reflect Japanese culture.