0 out of 1 people found the following comment useful :- A Breath of Fresh Air, 28 October 2005
Author:
dunmore_ego from Los Angeles, California
*** This comment may contain spoilers ***
Chuck Noland (plump Tom Hanks), inextricably married to his
time-sensitive, nerve-fraying job as FedEx consultant, instead of to
quietly-suffering fiancé Kelly (Helen Hunt), finds himself suddenly and
unceremoniously negated from Civilization's jetstream when a plane
crash leaves him Stranded On A Desert Island.
A "Crusoe 2000" tale, by way of Thoreau's *Walden*, director Zemeckis
audaciously grants his audience their intelligence, in making Chuck's
island interlude all the more powerful and poignant by what he leaves
*out*. There is minimal dialogue and no soundtrack, no undercurrent of
computers and electrical paraphernalia pulsating subliminally - the
bedrock of ambient sound upon which our society runs; no lawnmower
growling on faraway lawn, no cell phones, iPods, piped jazz, TV
commercials bombarding lies of "whitening whites" in essence, a slice
of Heaven! Nonetheless, for thematic closure, Chuck must necessarily
escape back to First World indolence, where he finds he cannot
reconcile his new Life-awareness with that of society's stultifying
rigors, nor can he rekindle the "love" which kept hope alive whilst
marooned, enabling him to then embrace a free-wheeling optimism, only
evidenced in the film's final shot.
For those who value their quietude and the welcome respite from
rat-racing it brings.
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Cast Away (2000)
0 out of 1 people found the following comment useful :-

A Breath of Fresh Air, 28 October 2005
Author: dunmore_ego from Los Angeles, California
*** This comment may contain spoilers ***
Chuck Noland (plump Tom Hanks), inextricably married to his time-sensitive, nerve-fraying job as FedEx consultant, instead of to quietly-suffering fiancé Kelly (Helen Hunt), finds himself suddenly and unceremoniously negated from Civilization's jetstream when a plane crash leaves him Stranded On A Desert Island.
A "Crusoe 2000" tale, by way of Thoreau's *Walden*, director Zemeckis audaciously grants his audience their intelligence, in making Chuck's island interlude all the more powerful and poignant by what he leaves *out*. There is minimal dialogue and no soundtrack, no undercurrent of computers and electrical paraphernalia pulsating subliminally - the bedrock of ambient sound upon which our society runs; no lawnmower growling on faraway lawn, no cell phones, iPods, piped jazz, TV commercials bombarding lies of "whitening whites" in essence, a slice of Heaven! Nonetheless, for thematic closure, Chuck must necessarily escape back to First World indolence, where he finds he cannot reconcile his new Life-awareness with that of society's stultifying rigors, nor can he rekindle the "love" which kept hope alive whilst marooned, enabling him to then embrace a free-wheeling optimism, only evidenced in the film's final shot.
For those who value their quietude and the welcome respite from rat-racing it brings.
(Movie Maniacs, visit: www.poffysmoviemania.com)
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