Lulu is put on trial by talking musical instruments for neglecting her violin.Lulu is put on trial by talking musical instruments for neglecting her violin.Lulu is put on trial by talking musical instruments for neglecting her violin.
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Jack Mercer
- Mini-Harp
- (voice)
- …
Carl Meyer
- Judge Violin
- (voice)
- …
Mae Questel
- Little Violin
- (voice)
- …
Arnold Stang
- Tubby
- (voice)
Jackson Beck
- Lulu's Father
- (voice)
- (uncredited)
- …
Cecil Roy
- Little Lulu
- (voice)
- (uncredited)
- Directors
- Izzy Sparber
- Myron Waldman(uncredited)
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- Quotes
[title credits]
Chorus: # Oh, Lulu! / Little Lulu, Little Lulu, with freckles on your chin, / Always in and out of trouble, but mostly always in. / Using Daddy's necktie for the tail on your kite, / Using Mommy's lipstick for the letters you write. / Though the clock says 7:30, it's really after 10; / Looks like Lulu's been repairing it again. / Though you're wild as any Zulu, / And you're just as hard to tame, / Little Lulu, I love you-lu just the same, the same, / Little Lulu, I love you-lu just the same. #
Featured review
Little Lulu and The Musical Court of Justice
The 26 Little Lulu cartoons made during 1944-1948 (and the two made in the early 60s) were uneven (individually and the series as a general overview) but watchable.
While there are, previous to 'Bored of Education', some good or more Little Lulu cartoons such as 'Hullaba-Lulu', 'Magica-Lulu' and 'Beau Ties', there are also mediocre or less ones such as 'Lulu Gets a Birdie', 'Lulu at the Zoo' and 'Lulu's Birthday Party' (two of those three having the character of Mandy as one of the main problems). 'Musica Lulu' is another one of the better Little Lulu cartoons, doing wonders with an old-hat and pretty clichéd for Famous Studios premise.
'Musica-Lulu's' first 2 minutes is basically set up and pretty sedate and predictable. It is also a shame about the racial stereotyping of the notes in the dream sequence, just when the series was improving with no longer having the grotesque character of Mandy, though it is nowhere near as bad here.
However, once 'Musica-Lulu' gets to MusicLand and The Musical Court of Justice, it picks up significantly. Just love the highly immersive rendering of the musical world, the inspired visual puns and the snappy dialogue (took me a while when younger to get the "he's a lyre" line but as of now it stands as a very amusing if endearingly corny musical pun). Then there is the escape sequence, which is deliciously hallucinatory with some of the most imaginative visuals of any Little Lulu cartoon.
As to be expected, the animation is nice. The style of it may take some getting used to but when you compare this cartoon to Little Lulu's debut 'Eggs Don't Bounce' the difference is staggering, here the drawing is more refined and the colours more vibrant. Winston Sharples' music score is whimsical, beautifully orchestrated and characterful as always. The main song is infectious.
Little Lulu is engaging without being too cutesy or bratty, and the musical instruments are cute and hugely entertaining characters, being a musician myself it was so much fun to spot the instrument and such and to be able to fully understand the humour. The voice acting is good.
In conclusion, very good Little Lulu cartoon and one of the better ones. 8/10 Bethany Cox
While there are, previous to 'Bored of Education', some good or more Little Lulu cartoons such as 'Hullaba-Lulu', 'Magica-Lulu' and 'Beau Ties', there are also mediocre or less ones such as 'Lulu Gets a Birdie', 'Lulu at the Zoo' and 'Lulu's Birthday Party' (two of those three having the character of Mandy as one of the main problems). 'Musica Lulu' is another one of the better Little Lulu cartoons, doing wonders with an old-hat and pretty clichéd for Famous Studios premise.
'Musica-Lulu's' first 2 minutes is basically set up and pretty sedate and predictable. It is also a shame about the racial stereotyping of the notes in the dream sequence, just when the series was improving with no longer having the grotesque character of Mandy, though it is nowhere near as bad here.
However, once 'Musica-Lulu' gets to MusicLand and The Musical Court of Justice, it picks up significantly. Just love the highly immersive rendering of the musical world, the inspired visual puns and the snappy dialogue (took me a while when younger to get the "he's a lyre" line but as of now it stands as a very amusing if endearingly corny musical pun). Then there is the escape sequence, which is deliciously hallucinatory with some of the most imaginative visuals of any Little Lulu cartoon.
As to be expected, the animation is nice. The style of it may take some getting used to but when you compare this cartoon to Little Lulu's debut 'Eggs Don't Bounce' the difference is staggering, here the drawing is more refined and the colours more vibrant. Winston Sharples' music score is whimsical, beautifully orchestrated and characterful as always. The main song is infectious.
Little Lulu is engaging without being too cutesy or bratty, and the musical instruments are cute and hugely entertaining characters, being a musician myself it was so much fun to spot the instrument and such and to be able to fully understand the humour. The voice acting is good.
In conclusion, very good Little Lulu cartoon and one of the better ones. 8/10 Bethany Cox
helpful•10
- TheLittleSongbird
- Feb 18, 2017
Details
- Release date
- Country of origin
- Language
- Also known as
- Musical Lulu
- Production company
- See more company credits at IMDbPro
- Runtime7 minutes
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