Directed by
| Martin Davidson | ||
Writing Credits (WGA)
| Jeffrey Goldenberg | ... | (written by) & |
| Robert Held | ... | (written by) and |
| Martin Davidson | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Tim Christenson | ... | associate producer |
| Martin Davidson | ... | producer |
| Anthony Esposito | ... | co-producer |
| Matt Janes | ... | line producer (as Matt L. Janes) |
| Paul Kurta | ... | producer |
| Robert Levi | ... | producer: opening title sequence |
| Mary Jo Slater | ... | co-producer |
| Steve Tisch | ... | executive producer |
| Joel Tuber | ... | associate producer |
Music by
| Phillip Namanworth | ||
| Kenny Vance | ||
Cinematography by
| Charles Minsky | ... | director of photography |
Editing by
| Jerrold L. Ludwig | ||
Casting By
| Stephanie Corsalini | ||
| Bruce H. Newberg | ||
Production Design by
| Andrew Bernard | ||
Costume Design by
| Sandy Davidson | ||
Production Management
| Trish Adlesic | ... | production supervisor |
| Paul Kurta | ... | unit production manager |
| Scott F. Kaplan | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
| Joan G. Bostwick | ... | second assistant director |
| Joel Tuber | ... | first assistant director |
Sound Department
| Willy Allen | ... | adr editor |
| Bradford Bell | ... | transfer engineer |
| Barbara Delpuech | ... | dialogue editor |
| Tammy Douglas | ... | boom operator |
| Dan Ferat | ... | sound mixer |
| Shawn Kennelly | ... | adr recordist |
| Andrew Lackey | ... | sound editor |
| Noel McIntosh | ... | assistant sound editor |
| Theodore Sharpless | ... | sound intern |
| James Wright | ... | stereo sound consultant: Dolby |
Visual Effects by
| Christopher Dusendschon | ... | in-show optical compositor: THDX (uncredited) |
Stunts
| Jery Hewitt | ... | stunt coordinator |
Camera and Electrical Department
| Ruark Behan | ... | dolly grip |
| Lorenzo Bevilaqua | ... | still photographer |
| Maurizio Dotto | ... | assistant camera |
| Ray Flynn | ... | gaffer |
| Jeremy Graham | ... | best boy electric |
| David Harges | ... | grip |
| James Harker | ... | electrician |
| Robert Levi | ... | camera operator |
| Alexa D. O'Brien | ... | additional electric |
| Melissa St. Hilaire | ... | electrician |
Casting Department
| Byron Crystal | ... | extras casting |
| Sig De Miguel | ... | casting assistant |
Editorial Department
| Kenny Becker | ... | color timer |
| Paul Millspaugh | ... | assistant editor |
Music Department
| Mark Ambrosino | ... | drums |
| Stephen M. Galvin | ... | music editor |
| Patrick M. Griffith | ... | music editor |
| Phillip Namanworth | ... | score producer |
| Kenny Vance | ... | music producer / music supervisor / score producer / singing voice: Armand Assante |
| Ken Weiss | ... | executive music coordinator |
Script and Continuity Department
| Seth Copans | ... | script supervisor |
Additional Crew
| Vashti Anderson | ... | location scout |
| Marco Assante | ... | assistant: Armand Assante |
| Helene Nielsen Beal | ... | director of distribution |
| Loretta Black | ... | production assistant |
| David Blackman | ... | assistant: Steve Tisch |
| Debra Fallek | ... | assistant production office coordinator |
| Harmon Kaslow | ... | production legal counsel |
| Steve Lee | ... | production assistant |
| Patricia Porter | ... | production accountant |
| Peggy Robinson | ... | production assistant |
| Kimberly Shea | ... | key office production assistant |
| Kim Skeeters | ... | accounting production assistant |
| Angie Toomsen | ... | assistant: director |
| Godfrey Townsend | ... | live stage consultant |
| Bartow Church | ... | production assistant (uncredited) |
| Peter Menich | ... | title designer (uncredited) |
