Zatoichi's Vengeance (1966) User Reviews

This isn't a tale of vengeance

[kluseba · 7/10 · 10 March 2018]

The blandly mistitled Zatoichi's Vengeance is a typical movie of the franchise about the skilled gambler, blind masseur and pitiless swordsman. Zatoichi witnesses how a man got attacked on the road side and speaks to the dying man who tells him his name and asks him to bring a small bag of money to someone called Taichi. Upon arriving in a nearby town, Zatoichi stumbles upon a young boy with that name and realizes he is the dead man's son. He hands the money over to the child and his grandmother but doesn't want to tell them the boy's father is dead. Zatoichi wants to leave town quickly but he is invited by the family of the dead man to stay and attend the roaring drums festival. While in town, Zatoichi witnesses how merchants get brutally extorted by a boss who has started controlling the calm town six months ago. Zatoichi gets caught in the conflict and decides to root for the helpless merchants while the boss hires the same man who killed Taichi's father to challenge Zatoichi to a deadly duel.

The story described above might sound familiar if you have watched the Zatoichi films released before this one. This is also the film's most obvious flaw because the story is quite predictable and doesn't add anything new to the franchise. Another element I disliked is the fact that some background stories of interesting characters aren't fully explored. We never get to know why Taichi's father really had to die and the reason why the caring prostitute in the town's brand-new brothel ended up like this isn't fully explained either. One element a lot of people praise but that I didn't appreciate was the presence of a blind priest Zatoichi comes across. The old man is quite arrogant and selfish. He asks Zatoichi to buy him food, talks to him while lying down to sleep and doesn't stop lecturing him but can't give any useful advice either. One moment, he tells Zatoichi to not draw his sword in front of Taichi who idolizes the blind samurai and then he approves Zatoichi's decision to defend the exploited merchants. I happened to find the character of the blind priest very annoying, dishonest and pretentious.

Still, there are enough positive elements about the movie to make it at least an average entry in the epic franchise. First of all, the set of characters is overall quite interesting. Zatoichi is brought to think about his destructive lifestyle, Taichi is torn between admiring and despising the blind samurai, the prostitute is torn between helping her colleagues and helping herself and even the samurai that challenges Zatoichi has to fight his inner demons because he needs to take enormous risks to make money in order to free the person he still loves. The film's atmosphere is also quite intense. It's interesting to see a calm town with honest citizens getting terrorized and infiltrated by criminals, gamblers and prostitutes. Thirdly, the fight sequences are quite great, especially the fight scenes on the bridge where Zatoichi's opponents try to distract the blind samurai with their roaring drums.

In the end, you will like Zatoichi's Vengeance if you like the franchise. It's an entertaining film even though it doesn't bring anything new to the franchise. If you aren't familiar with the franchise yet, you should rather start watching it in chronological order.

Zatoichi gets a conscience

[freakus · 7/10 · 15 November 1999]

An interesting entry, the prescence of the blind monk calling Zatoichi on his bad choices adds an interesting element to an otherwise standard Zatoichi film. The concept doesn't play out fully unfortunately, he never makes a real decision about his life of violence.

a better than average Zatoichi flick

[planktonrules · 8/10 · 2 July 2005]

This Zatiochi movie stands out from most of the others because of his relationship with the adorable, but bratty little boy. This is the same little boy who gives Ichi a hand full of pebbles and tells him it's candy! Despite his brattiness, a strong bond of friendship develops between them and it is with much hesitation that Ichi leaves the boy at the end of the movie. The boy chases him through the crowd, with Ichi quickly tries to lose him. This was NOT done because the kid was annoying but because a kind monk helped him realize that keeping the boy with him was not good, as the violent lifestyle Ichi leads is NOT a good influence. Once again, Ichi chooses to abandon someone who loves him at the end of the movie--for their own good, but with a lot of heartbreak for both.

Zatoichi's Vengeance (1966)

[mevmijaumau · 9 August 2015]

Just when you thought that people who translated these titles couldn't get more unimaginative, we get Zatoichi's Vengeance (#13). We already had Zatoichi's Revenge a few films ago, and besides, who does Zatoichi take vengeance upon in #13? Whom or what is he avenging?

Well, anyway, this is the final entry directed by Tokuzo Tanaka. The previous film tried to change the plot formula a bit, but #13 brings us back to the basics; Zatoichi encounters a dying man and promises to deliver his message/money on to his relatives, he enters a town contaminated by a greedy yakuza boss and his gang of disposable thugs, he disposes of the thugs, faces off against an obligatory black-clad ronin (gotta love those), before taking out the final boss.

What makes this entry special is that some depth is added into the storyline through the appearance of a blind biwa-playing priest who questions Zatoichi's liberal approach to violence and how it may affect the local kid who sees Zatoichi as his idol (one can't help but wonder if this sub-plot relates to actual kids who comprised the theatrical audience for these films). Additionally, the ronin sub-plot is well thought-out this time (and Mayumi Ogawa, who plays his ex-wife, is really beautiful). It may interest you to know that the ronin is played by Shigeru Amachi, who also appeared in the first Zatoichi movie.

While it's somewhat true that if you've seen one Zatoichi film you've seen them all, some of them do play around with the formula better than others do. This one is among the most entertaining entries so far.

Highlight of the film: the bridge battle scene where the foes try to disturb Zatoichi's hearing by pounding huge taiko drums to disorient him (this is the premise for the Criterion cover art, which just looks baffling if you're unfamiliar with the film). The silhouette choreography is insane.

Zatoichi soul searching

[bighouseaz · 9/10 · 1 February 2005]

This entry in the series begins with a hilarious scene wherein a Zatoichi suffering from a cold is surrounded by a gang of thugs. The usual occurs and the coup de grâce is delivered with a sneeze!

But the most interesting character in the film is the traveling, blind, pipa-playing priest. The priest is uncommonly wise and quickly takes the measure of Zatoichi. Zatoichi is pronounced to be a 'chuto hampa', belonging neither to common folk who look down upon him as a cripple, nor to the blind community because of his extraordinary abilities. This explains Zatoichi's loneliness, which is a common theme throughout the series. The priest extols Zatoichi to put away the sword. And Zatoichi does at one point, enjoying a meal in the forest with the blind priest, carrying a normal cane. Zatoichi's samurai rival draws near, and Zatoichi confesses that he is afraid.

True, in the end there is no catharsis. The film concludes with the normal string of confrontations with gang members and a showdown with the samurai. Still, there is a level of feeling and introspection in this film that continues on into the next film in the series. This compelling blend of humor, human struggle, and violence is sure to please a wide audience.

Better than usual

[SarahofBorg · 9/10 · 1 April 2006]

I've just started getting into the Zatoichi series, and while I haven't come close to seeing the majority this has so far been the best I've seen yet. It's interesting to get into some of the depth of character of Ichi, and not just the usual righteous swordfights. There's really no flaw in this film, only that if you've seen Zatoichi or any average Samurai flick before it's a little predictable. It doesn't disappoint though, it's highly entertaining and I'd watch it again if I didn't have 25 other Zatoichi movies to pick from. I may just see them all if they're all this good. Zatoichi is a good series, especially if you love swordfights, and is very popular for what it is. If you haven't seen any before, this one probably isn't bad to start with, although there may be better. Oh, and this is the 13nth of the 26 films, if you were confused, but they were all made so close together it really doesn't matter what order you watch them in, it seems. I'm no expert though, not yet anyway.