Directed by
| Joey Travolta | ||
Writing Credits (in alphabetical order)
| Scott Carr | ... | (additional dialogue) |
| Jim Esposito | ... | (screenplay) |
| James Ford | ... | (screenplay) |
| Marc Glassman | ... | (robot dialogue) |
| Gary LoConti | ... | (screenplay) |
| Gary LoConti | ... | (story) |
| Ron Ruzicka | ... | (robot dialogue) (as Ron Rusicka) |
| Paul G. Volk | ... | (robot dialogue) |
Cast (in credits order) complete, awaiting verification
Produced by
| Kelli Konop | ... | line producer |
| Frank Leonetti | ... | associate producer |
| Gary LoConti | ... | producer (as Gary M. Loconti) / producer |
| Joseph Merhi | ... | executive producer |
| David E. Ornston | ... | producer |
| Richard Pepin | ... | executive producer (as Rick Pepin) |
| Richard Salvatore | ... | producer |
| George Shamieh | ... | executive producer |
| Jack Tucker | ... | co-producer |
Music by
| John Gonzalez | ||
Cinematography by
| Frank Reiber | ||
Editing by
| Jack Tucker | ||
Casting By
| Tracy Lilienfield | ||
Production Design by
| Wayne Beswick | ||
| Nava | ||
| Joe Lemmon | ... | (uncredited) |
Art Direction by
| Joe Lemmon | ||
Set Decoration by
| Nava | ||
Costume Design by
| Lexi Nikitas | ||
Makeup Department
| Teri Groves | ... | key makeup |
| Lea Nettles | ... | additional makeup |
Production Management
| Kelli Konop | ... | unit production manager (as Kelly Konop) |
Second Unit Director or Assistant Director
| Don Blackburn | ... | second assistant director |
| Steven J. Corzan | ... | first assistant director (as Steve Corzan) |
| Gary LoConti | ... | second unit director |
| Karen Rohr | ... | second second assistant director |
| Jeffrey E. Poehlmann | ... | second assistant director (uncredited) |
Art Department
| Susan Guralnik | ... | assistant propmaster |
| Karla B. Holland | ... | decorator |
| Gary LoConti | ... | set designer |
| Talon McKenna | ... | construction coordinator |
| Lynn Underwood | ... | propmaster |
Sound Department
| Sergio Bandera | ... | additional sound (as Sergio Banderas) |
| Vanessa Bates | ... | studio executive |
| John Bogosian | ... | background editor |
| Kary Chapman | ... | production sound coordinator |
| Smith Craig | ... | re-recording mixer |
| Bob Fisher | ... | boom operator |
| Gary S. Gerlich | ... | sound effects editor |
| Marc Glassman | ... | additional sound effects / mixer: re-mastering |
| Jeremy Grody | ... | mixer: re-mastering |
| Elliot Korentz | ... | sound effects editor |
| Gary LoConti | ... | adr director |
| Greg Mauer | ... | foley recordist |
| Coleman Metts | ... | production sound mixer |
| Alan L. Nineberg | ... | dialogue & adr editor |
| Rick Owens | ... | foley artist |
| Fred Rivas | ... | ultra stereo consultant |
| Michael Ruiz | ... | assistant engineer (as Mike Ruiz) |
| Ron Ruzicka | ... | additional sound effects |
| Jonathan Wales | ... | sound effects editor |
Special Effects by
| Edgar Arelano | ... | minatures: gaffer |
| Larry Arpin | ... | creatures constructor and sculptor / rotoscope lead artist |
| John Eppolito | ... | supervisor: Ultramatrix |
| Greg Hendrickson | ... | pyrotechnics (as Gregg Hendrickson) |
| Derek Hewitt | ... | special effects assistant |
| Sean Hewitt | ... | special effects assistant |
| Glenn Hoyan | ... | special effects assistant |
| Richard Morales | ... | minatures: camera assistant |
| Mike O'Malley | ... | storyboard artist |
| Willy Paguntalan | ... | lead model builder (as Will Paguntalan) |
| Eric Scott | ... | miniature photography |
| Marshal Stewart | ... | screen effects |
| Joseph Vesie | ... | special effects technician (as Joe Vesie) |
Visual Effects by
| Lars Arpensky | ... | optical lineup |
| Larry Arpin | ... | lead composite artist / stop motion photography |
| Kevin Bahn | ... | cgi: trainee |
| Mary K. Byrne | ... | lead composite artist |
| Karen M. Crawford | ... | composite artist |
| Casey Cresenzo | ... | animation artist: 3D |
| Phil Cresenzo | ... | animation supervisor: 3D |
| Stan Elrich | ... | typesetting |
| Mark Hanau | ... | cgi art director |
| Mark Hannah | ... | senior animator: 3D |
| David L. Hewitt | ... | optical effects supervisor (as David Hewitt) |
| Dana Kilgore | ... | gaffer: special effects |
| Gary LoConti | ... | digital supervisor / optical effects producer / visual effects producer / visual effects supervisor |
| George E. Mather | ... | additional plate photographer (as George Mather) |
| John Monceau | ... | scanning supervisor |
| John Garin Monceau | ... | scanning assistant |
| Abby Pielet | ... | production coordinator |
| Frank Reiber | ... | visual effects photography (as Frank Rieber) |
| Gabe Roberts | ... | composite artist: 3D animation |
| Markus Rothkranz | ... | matte paintings |
| Jeff Wiant | ... | additional plate photographer |
| Tom Wood | ... | project coordinator |
Stunts
| Dorenda Moore | ... | stunt woman |
| Gary J. Wayton | ... | stunt coordinator |
| Dan Bell | ... | stunt coordinator (uncredited) |
Camera and Electrical Department
| Roman W. Bennett | ... | best boy |
| J.L. Fisher | ... | dolly provider |
| Max Gerson | ... | grip / rigging grip |
| Bryan Godwin | ... | additional photography (as Brian Godwin) |
| David Irwin | ... | best boy rigging electric |
| Frank Johnson | ... | additional photography |
| Vladamir Melnik | ... | electrician |
| Justin Mitchell | ... | rigging electric / swing |
| David Nielsen | ... | rigging grip |
| David Nielson | ... | best boy grip |
| Hector Rivera | ... | rigging gaffer |
| Marcel Schoettel | ... | electrician |
| Eric Scott | ... | green screen photography |
| James A. Seale | ... | key grip |
| Robert Snyder | ... | rigging electric: and swing (as Bob Snyder) |
| Roderick Spencer | ... | gaffer (as Rod Spencer) |
| William Stroum | ... | publicity stills (as Bill Strome) |
| Clayton Tripp | ... | first assistant camera |
| Joseph Vesie | ... | third assistant camera |
| John Wagner | ... | second assistant camera |
Editorial Department
| Sean Buck | ... | assistant editor |
| Doug Ledin | ... | color timer |
| Brahim Maksoud | ... | assistant editor |
| Paula McDaniel | ... | post coordinator (as Paula Haden) |
| Sean McKinley | ... | assistant editor |
| Shannon D. Moore | ... | assistant editor |
| Issam Tahan | ... | post-production logistics |
| Mario Von Korff | ... | assistant editor |
| Chris Weber | ... | negative cutter |
| Gary Weber | ... | negative cutter |
Music Department
| Alexandra Patsavas | ... | music supervisor (as Alexandria Patsavas) |
Script and Continuity Department
| Paula Hunziker | ... | script supervisor (as Paula Dussman) |
| Kristine Kelley | ... | additional script supervisor |
Transportation Department
| Roger Roberge II | ... | driver (as Roger Roberge) |
Additional Crew
| Scott Carr | ... | production assistant |
| Chris Jacobs | ... | studio manager |
| Rochelle Knoll | ... | production assistant |
| Gary LoConti | ... | adr director / digital supervisor |
| Ken Lombard | ... | production assistant |
| John Murphy | ... | production assistant |
| Cynthia Nordness | ... | wrangler |
| Michael Rubin | ... | legal services |
| Jim Sprague | ... | studio coordinator |
| Alice Unger | ... | studio teacher |
| Truman Van Dyke | ... | insurance |
| Lonnie Ramati | ... | production business affairs (uncredited) |
Thanks
| Mark Carol | ... | special thanks (as Dr. Mark Carol) |
| Heather Daimes | ... | special thanks |
| Howie Hubberman | ... | special thanks |
| Carol Konop | ... | special thanks |
| Elenore LoConti | ... | special thanks |
| Nick LoConti | ... | special thanks |
| George E. Mather | ... | in loving memory: the force was in you (as George Mather) |
| Barbara Maultsby | ... | special thanks |
| Hubert Ornston | ... | special thanks |
| Lillian Ornston | ... | special thanks |
| Mark Pearlman | ... | special thanks |
| Angela Rivera | ... | special thanks |
| Geri Salvatore | ... | special thanks |
| Steve Salvatore | ... | special thanks |
| Mercy Santos | ... | special thanks |
| Pete Seldin | ... | special thanks |
| Steve Shorkey | ... | special thanks |
| Irvine Starke | ... | special thanks |
| Virginia Starke | ... | special thanks |
| Sharon Starr | ... | special thanks |
