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IMDb > Così ridevano (1998)
Così ridevano
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Così ridevano (1998)

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User Rating: 7.3/10 (286 votes)
Photos (see all 2 | slideshow)

Overview

Director:
Gianni Amelio
Writers:
Gianni Amelio (writer) and
Daniele Gaglianone (writer) ...
(more)
Release Date:
2 October 1998 (Italy) more
Genre:
Drama more
Plot:
Turin at the end of the fifties: two brothers have emigrated there from Sicily and the older works very... more | add synopsis
Awards:
3 wins more
User Comments:
A Brother's Debt more

Cast

  (in credits order)
Francesco Giuffrida ... Pietro

Enrico Lo Verso ... Giovanni
Rosaria Danzè ... Lucia
Fabrizio Gifuni ... Pelaia
Claudio Contartese ... Rosario
Domenico Ragusa ... Simone
Simonetta Benozzo ... Ada
Pietro Paglietti ... Battista
Corrado Borsa ... Teacher at Examination
Barbara Braga ... Girl at Bar
Calogero Caruana ... Giovanni's Friend
Edoardo Ciciriello ... School Assistant from Naples
Valerio Contartese ... Unemployed Boy from Calabria
Iolanda Donnini ... Mrs. Verusio
Erika Doria ... Alessandra
Pierfranco Ghisleni ... Teacher at Examination
Massimo Greco ... Carmelo
Giovanni Leoni ... Soldier from Sardinia
Renato Liprandi ... School Assistant from Turin
Antonio Madaro ... Student from Lecce
Patrizia Marino ... Mother from Foggia
Roberto Marzo ... Giovanni's Friend
Luigi Mauro ... Soldier
Francesca Monchiero ... Girl from Foggia
Domenico Mungo ... Cooperative's Director
Davide Negro ... Giovanni's Friend
Fabrizio Nicastro ... Student
Giorgio Pittau ... Giovanni's Friend
Antonino Prestipino ... Teacher at Examination
Salvatore Refano ... Old Sicilian Man
Vittorio Rondella ... Giovanni's Assistant
Rossana Rovere ... Mother
Giuseppe Sangari ... Boy from Foggia
Giorgia Scuderi ... Assuntina
Paolo Sena ... Prof. Rosini
Giuliano Spadaro ... Father from Foggia
Ileana Spalla ... Sister-in-law
Nanni Tormen ... Brother-in-law
Irene Vistarini ... Student
Pasqualino Vona ... Giovanni's Friend
Giuseppe Zarbano ... Giovanni's Friend
rest of cast listed alphabetically:
Clara Droetto ... La zia
GianNicola Resta ... Young guy
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Directed by
Gianni Amelio 
 
Writing credits
Gianni Amelio (writer) and
Daniele Gaglianone (writer) &
Lillo Iacolino (writer) &
Alberto Taraglio (writer)

Produced by
Vittorio Cecchi Gori .... producer
Mario Cotone .... executive producer
Rita Rusic .... producer (as Rita Cecchi Gori)
 
Original Music by
Franco Piersanti 
 
Cinematography by
Luca Bigazzi 
 
Film Editing by
Simona Paggi 
 
Casting by
Lorella Chiapatti 
Nicola Conticello 
 
Production Design by
Giancarlo Basili 
 
Set Decoration by
Nello Giorgetti 
 
Costume Design by
Gianna Gissi 
 
Makeup Department
Giulio Pezza .... makeup artist
 
Production Management
Stefano Benappi .... assistant production manager
Fulvio Rossi .... production manager
Lierka Rusic .... production supervisor
Olivia Sleiter .... production manager
Ladis Zanini .... production manager
 
Second Unit Director or Assistant Director
Lidia Biondi .... assistant director
Elisabetta Boni .... assistant director
Enzo Di Terlizzi .... assistant director
Gianluca Greco .... assistant director
 
Sound Department
Alessandro Zanon .... sound mixer
Francesco Perri .... assistant sound recordist (uncredited)
 
Camera and Electrical Department
Eraldo Barbona .... key grip
Salvatore Bognanni .... assistant camera
Stefano Falivene .... focus puller
Patrizio Marra .... grip
 
Editorial Department
Patrizia Ceresani .... assistant editor
 
Other crew
Alessandro Fiorito .... payroll clerk
Daniele Gaglianone .... assistant to director
Lillo Iacolino .... assistant to director
Melissa Strizzi .... script supervisor
Alberto Taraglio .... assistant to director
 


Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
The Way We Laughed
more
Runtime:
124 min
Country:
Italy
Language:
Italian
Color:
Color
Sound Mix:
Dolby SR
Certification:
Iceland:L | France:U | Italy:T
Filming Locations:
Turin, Piedmont, Italy
MOVIEmeter: ?
^ 10% since last week why?

Fun Stuff

Trivia:
The title refers to the back page of a popular 1950s Italian magazine which had a section devoted to old jokes that were no longer funny but still evoked a sense of nostalgia. One such joke is repeated throughout the film: "How do you get four elephants in a Fiat?" The answer: "Two in front and two in back". more
Quotes:
Giovanni: You think your children are your own, then they learn to walk and they leave you. Know what they say back home? "Raise hogs, 'cause then you can eat them" more
Movie Connections:
References Rocco e i suoi fratelli (1960) more

FAQ

This FAQ is empty. Add the first question.
3 out of 3 people found the following comment useful:-
A Brother's Debt, 12 February 2004
10/10
Author: jim smith (jsmith1480@aol.com) from New York, NY

Set in late '50's, early '60's. Brave emigrants from impoverished Sicily make their way in industrial Turin. This movie gives you time with a good-hearted Catanese, Giovanni (Enrico Lo Verso), a man who loves desperately, adoringly. The object: his teenaged brother Pietro (Francesco Giuffrida) who is urbane while Giovanni is elemental.

Giovanni's love and personal honor require that he believe no ill about Pietro. The older brother works like an ox to shield his Pietro-on-a-pedestal from the harsh world of manual labor, to give him better lodgings than he himself enjoys and to keep him in school (where Pietro actually is an inveterate hookey-player and a bored, listless daydreamer).

Though Pietro is detached he nevertheless feels guilt for his deceptions and he loves Giovanni for his sacrifice and natural goodness. ("Giovanni is far too good," he says to the whore-waif his older brother has taken under his protection. "He loves everybody").

But while the facile and literate Pietro drifts, the illiterate but intelligent Giovanni makes useful friends, exploits opportunities and rises in life.

Always Pietro remains at the center of Giovanni's heart. And one night Pietro is given the opportunity, finally, to repay Giovanni's selfless devotion.

If there is a "revelation" in this film, it is near the end when we see that the adoring Giovanni has an unexamined, unquestioned faith that his Pietro has the same devotion to him. As a given, he believes that brotherly sacrifice is a two-way street. The immense decision that his younger brother has made against himself and for Giovanni is merely the kind of thing brothers do for eachother. In a horrifying moment Giovanni opens to us: his great love is unselfconsciously, blanketingly possessive, devouring.

Palermo-born Lo Verso is a great actor. That his beautiful, movingly expressive face is not world-famous is a misfortune. But he is only forty now (early thirties in "Cosi Ridivano"). There is time. Jim Smith-----------------------

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