| Photos (see all 2 | slideshow) |
| Francesco Giuffrida | ... | Pietro | |
| Enrico Lo Verso | ... | Giovanni | |
| Rosaria Danzè | ... | Lucia | |
| Fabrizio Gifuni | ... | Pelaia | |
| Claudio Contartese | ... | Rosario | |
| Domenico Ragusa | ... | Simone | |
| Simonetta Benozzo | ... | Ada | |
| Pietro Paglietti | ... | Battista | |
| Corrado Borsa | ... | Teacher at Examination | |
| Barbara Braga | ... | Girl at Bar | |
| Calogero Caruana | ... | Giovanni's Friend | |
| Edoardo Ciciriello | ... | School Assistant from Naples | |
| Valerio Contartese | ... | Unemployed Boy from Calabria | |
| Iolanda Donnini | ... | Mrs. Verusio | |
| Erika Doria | ... | Alessandra | |
| Pierfranco Ghisleni | ... | Teacher at Examination | |
| Massimo Greco | ... | Carmelo | |
| Giovanni Leoni | ... | Soldier from Sardinia | |
| Renato Liprandi | ... | School Assistant from Turin | |
| Antonio Madaro | ... | Student from Lecce | |
| Patrizia Marino | ... | Mother from Foggia | |
| Roberto Marzo | ... | Giovanni's Friend | |
| Luigi Mauro | ... | Soldier | |
| Francesca Monchiero | ... | Girl from Foggia | |
| Domenico Mungo | ... | Cooperative's Director | |
| Davide Negro | ... | Giovanni's Friend | |
| Fabrizio Nicastro | ... | Student | |
| Giorgio Pittau | ... | Giovanni's Friend | |
| Antonino Prestipino | ... | Teacher at Examination | |
| Salvatore Refano | ... | Old Sicilian Man | |
| Vittorio Rondella | ... | Giovanni's Assistant | |
| Rossana Rovere | ... | Mother | |
| Giuseppe Sangari | ... | Boy from Foggia | |
| Giorgia Scuderi | ... | Assuntina | |
| Paolo Sena | ... | Prof. Rosini | |
| Giuliano Spadaro | ... | Father from Foggia | |
| Ileana Spalla | ... | Sister-in-law | |
| Nanni Tormen | ... | Brother-in-law | |
| Irene Vistarini | ... | Student | |
| Pasqualino Vona | ... | Giovanni's Friend | |
| Giuseppe Zarbano | ... | Giovanni's Friend | |
| rest of cast listed alphabetically: | |||
| Clara Droetto | ... | La zia | |
| GianNicola Resta | ... | Young guy | |
Directed by | |||
| Gianni Amelio | |||
Writing credits | ||
| Gianni Amelio | (writer) and | |
| Daniele Gaglianone | (writer) & | |
| Lillo Iacolino | (writer) & | |
| Alberto Taraglio | (writer) | |
Produced by | |||
| Vittorio Cecchi Gori | .... | producer | |
| Mario Cotone | .... | executive producer | |
| Rita Rusic | .... | producer (as Rita Cecchi Gori) | |
Original Music by | |||
| Franco Piersanti | |||
Cinematography by | |||
| Luca Bigazzi | |||
Film Editing by | |||
| Simona Paggi | |||
Casting by | |||
| Lorella Chiapatti | |||
| Nicola Conticello | |||
Production Design by | |||
| Giancarlo Basili | |||
Set Decoration by | |||
| Nello Giorgetti | |||
Costume Design by | |||
| Gianna Gissi | |||
Makeup Department | |||
| Giulio Pezza | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Lidia Biondi | .... | assistant director | |
| Elisabetta Boni | .... | assistant director | |
| Enzo Di Terlizzi | .... | assistant director | |
| Gianluca Greco | .... | assistant director | |
Sound Department | |||
| Alessandro Zanon | .... | sound mixer | |
| Francesco Perri | .... | assistant sound recordist (uncredited) | |
Camera and Electrical Department | |||
| Eraldo Barbona | .... | key grip | |
| Salvatore Bognanni | .... | assistant camera | |
| Stefano Falivene | .... | focus puller | |
| Patrizio Marra | .... | grip | |
Editorial Department | |||
| Patrizia Ceresani | .... | assistant editor | |
Other crew | |||
| Alessandro Fiorito | .... | payroll clerk | |
| Daniele Gaglianone | .... | assistant to director | |
| Lillo Iacolino | .... | assistant to director | |
| Melissa Strizzi | .... | script supervisor | |
| Alberto Taraglio | .... | assistant to director | |
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| Heaven | Haasil | Cammino della speranza, Il | Malèna | Giro di vite |
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| IMDb Drama section | IMDb Italy section | Add this title to MyMovies |
Set in late '50's, early '60's. Brave emigrants from impoverished Sicily make their way in industrial Turin. This movie gives you time with a good-hearted Catanese, Giovanni (Enrico Lo Verso), a man who loves desperately, adoringly. The object: his teenaged brother Pietro (Francesco Giuffrida) who is urbane while Giovanni is elemental.
Giovanni's love and personal honor require that he believe no ill about Pietro. The older brother works like an ox to shield his Pietro-on-a-pedestal from the harsh world of manual labor, to give him better lodgings than he himself enjoys and to keep him in school (where Pietro actually is an inveterate hookey-player and a bored, listless daydreamer).
Though Pietro is detached he nevertheless feels guilt for his deceptions and he loves Giovanni for his sacrifice and natural goodness. ("Giovanni is far too good," he says to the whore-waif his older brother has taken under his protection. "He loves everybody").
But while the facile and literate Pietro drifts, the illiterate but intelligent Giovanni makes useful friends, exploits opportunities and rises in life.
Always Pietro remains at the center of Giovanni's heart. And one night Pietro is given the opportunity, finally, to repay Giovanni's selfless devotion.
If there is a "revelation" in this film, it is near the end when we see that the adoring Giovanni has an unexamined, unquestioned faith that his Pietro has the same devotion to him. As a given, he believes that brotherly sacrifice is a two-way street. The immense decision that his younger brother has made against himself and for Giovanni is merely the kind of thing brothers do for eachother. In a horrifying moment Giovanni opens to us: his great love is unselfconsciously, blanketingly possessive, devouring.
Palermo-born Lo Verso is a great actor. That his beautiful, movingly expressive face is not world-famous is a misfortune. But he is only forty now (early thirties in "Cosi Ridivano"). There is time. Jim Smith-----------------------