Scream 3

Following the events of 'Scream' and 'Scream 2' Sidney Prescott is living a reclusive life in rural California. That doesn't mean the killing has stopped though... the film 'Stab 3', inspired by the original murders is being shot in Hollywood and a new Ghost face is targeting its stars. At each murder scene a photograph of Sidney's mother is found. The killer is trying to get to Sidney but before she breaks cover and goes to LA more people will die. Sidney isn't the only character from the original films to return; Dewey is already working as an advisor on 'Stab 3' and a police officer invites reporter Gale Weathers to help him with his investigation.

I enjoyed this sequel despite the fact that it lacks the expected level of gore and even though it is stated that anybody can die in the third part of a trilogy I didn't really think any of the returning characters would be likely to die. The film does deliver some scares and it nicely plays with the 'movie of the movie' within the movie idea; especially fun were scenes where characters interacted with the actor's playing them in 'Stab 3'. The scenes between Gale and the actress playing her were particularly amusing as the latter kept accusing the real Gale of being out of character... it all gets very meta at times! The cast, both regulars and new members are solid; never taking things too seriously but similarly not playing it too tongue-in-cheek. Overall I'd say that this is weaker than the first two films but it is fun enough if you are a 'Scream' fan.

Director Wes Craven and writer Ethen Krueger (taking over for Kevin Williamson) helped make this film happen. This time we're taken to Hollywood, California where Cotton Weary (Liev Schreiber) is now a talk show host, Gale Weathers (Courteney Cox Arquette)is a t. v journalist, Dewey Riley (David Arquette) is a technical advisor for the Stab 3 movie, and Sydney Prescott (Neve Campbell) is under a different name in order to protect herself. This time however there is a new killer(s) trying to get to Sydney, but it someone from her mother's past can Sydney survive another blood-bath as it seems the killer(s) is killing the cast members of the Stab 3 movie and won;t stop until Sydney is dead! My thoughts a great ending to the trilogy it definately has a few good scares and fills a lot of plot holes of why Maureen was killed. I won't give anything away but the killer(s) was a big surprise.RECOMMENDED! ***1/2 out of *****

Scream 3 has some major problems but I didn't think it was that bad. The production values are great, the score and sound are still effective and the direction and performances are credible. Not to mention GhostFace returns and is still as iconic and creepy as ever. However, the story is unoriginal and rather pedestrian, and the script is weak with too many unfunny and clichéd lines. When it comes to the scares, there were moments but too many weren't as strong or as genuine. The ending is also silly and predictable, and apart from GhostFace the characters are not as interesting. All in all, not bad but disappointing. 5/10 Bethany Cox

WARNING: PLOT POINTS ARE GIVEN AWAY, SO IF YOU HAVEN'T SEEN THE MOVIE OR DON'T WANT TO KNOW, PLEASE DO NOT CONTINUE READING

As I've said before, I have little use for sequels, which was I was surprised to find myself going to SCREAM 2, and even more surprised that I enjoyed it. Like the first one, it was fast, scary, funny, and took some nice satiric jibes. Even the much debated identity of the killer in the second one made sense as a satiric swipe at horror movies, so it didn't bother me. I didn't know if they'd be able to keep it going for a third movie, especially when hearing Kevin Williamson's involvement was going to be minimal(he's a producer, and he wrote an outline which eventual writer Ehren Kruger worked from), but I liked the first two, I was especially pleased to see Scott Foley(from FELICITY) and Parker Posey in the cast, and I was intrigued to see what happened. In retrospect, I probably should have waited for video.

Certainly the opening shows a little promise; instead of the usual celebrity cameo, we have a spoof of that, with Cotton Weary(Liev Schrieber), who's now a Geraldo-type talk show host, complaining about having to do a cameo in STAB 3(the movie within a movie here), so we know it's spoofing itself. The problem, of course, is we know Cotton's going to get killed, but Craven is able to draw suspense throughout the scene. We also get the stated purpose here during the phone call(which, also a bit clever, starts out with a woman's voice before the familiar tone of Roger L. Jackson as THE voice kicks in); the killer wants to find Sidney.

Sidney, of course, is living in seclusion, under a new name and barely going outside the house(which, of course, is under heavy alarm), so at first, she's almost like an afterthought to the movie. Instead, the center is on Gail Weathers, the tabloid reporter, now an entertainment reporter, who uses her reporter skills to play detective when Cotton is killed, and she decides to assist the police, specifically Detective Kincaid(Patrick Dempsey), in the case. Then there's Dewey, who's a technical advisor to STAB 3, the movie, and they of course worry about what's going to happen.

There's all kinds of potential here, and it's directed well, but it isn't written as well as I think Williamson would have done. There are scares which still work, and while the Dewey/Gail relationship seems a little old hat, the two Arquettes obviously like working with each other, and their familiarity with us helps smooth that over. Also, while Campbell is disconnected, she's still sympathetic, and while she doesn't have the same fun with herself as she did in the first one, I understood that. And there is humor, most of it coming from Posey as the actress playing Gail in STAB 3; few actresses can make contempt funny like she can. There's also the standard satiric bite(the bodyguard who guarded Julia Roberts and Salman Rushdie but ends up toast here).

But as I said, it isn't written as well, and the primary weakness is the killer. In some senses, I guess, having the director(Foley) be the killer makes sense, because he has the technical expertise to handle things. But it seems to come out of nowhere, and perhaps to distract us from that, Kruger gives us the idea of him being a long-lost relative of Sidney's, which is ridiculous. Perhaps because of that too, Foley goes way over the top, which is funny at first, but then becomes tiresome. Also, Kruger cribs not from other horror movies here, but from the first SCREAM(the cloning of the cell phone being a prime example). And while Williamson's red herrings were pretty clever, this one seems not thought out. Emily Mortimer's character(she plays the actress who plays Sidney) is a perfect example; there are two indications she might be the killer(three, if you count the woman's voice to Cotton), and yet she's killed off almost as an afterthought. Finally, as to compensate for all of this, there are a lot more killings to cover up. Which begs the question; if all he wanted was to find Sidney(as stated early on several times), why not just take Dewey, Gail, and Cotton et al hostage? The first two movies mocked the Idiot Plot Rule; this one mostly personifies it.

It's a shame, because there could have been something made from all this(oh, almost forgot; Dempsey, who I normally don't like, is surprisingly good, and also unrecognizable here). But this certainly doesn't break any rules. Even the Jamie Kennedy cameo seems obligatory rather than fresh. This suggest they should have stopped at the second one.

After surviving the second wave of ghostface killings, Sidney Prescott has retired to the mountains to live in peace and work as a phone call therapist. Sadly for her she is about to be dragged back into the nightmare because the production of Stab 3 is rocked by murder and the killer is leaving pictures of Sidney's dead mother at the crime scenes.

I have to admit that I once never gave this film much love, I loved the first two to such a degree that I felt this third and final instalment was way off being a fitting closure to what was at the time a trilogy. Yet as time has wore on I have really grown fond of the film, Parker Posey no longer annoys the hell out of me, the once jarring itch of watching the makers kill off a fave character of mine in the opening sequence is something I now view as a masterstroke, and the twisty ending that was once an irksome pest has moved on to be the perfect "trilogy" closure.

Scream 3 has its tongue firmly in its cheek, it's aware of its number and it's aware of its formulaic root, so in spite of treading familiar ground (I mean come on gang, have you not learnt nothing from your previous experiences), the returning characters still have our undivided attention. While the transporting of the story to Hollywood, with its movie within a movie structure, is fresh and adds a new dimension to proceedings. New additions to the scary fun are Patrick Dempsey, Emily Mortimer, Lance Henriksen and the afore mentioned Parker Posey, and all of them add greatly to the mysterious plot unfolding.

The death quotient is still high, and the Wes Craven school of whodunitry is well and truly open, and I personally feel that this one is easily the funniest film of the three, witness Jay & Silent Bob turning up, a Carrie Fisher sequence that once heard will never be forgotten, and a video appearance by passed on geek god Randy Meeks. Scream 3 closes the "trilogy" just fine, it's got bags of energy and a glint in its eye, now if only I could get a copy of the uncompleted Stab 3 off the internet - and if only there wasn't to be a part 4 further down the line... 7/10