Directed by
| Don Murphy | ||
Writing Credits
| Don Murphy | ||
Cast (in credits order) complete, awaiting verification
Produced by
| Sheila Lightfoot | ... | producer |
| Don Murphy | ... | executive producer |
Music by
| Bill Johnson | ||
Cinematography by
| John B. Aronson | ||
Editing by
| Jesse Semon | ||
| Dixie Fusillo | ... | (uncredited) |
Casting By
| Jon Kroll | ||
Production Design by
| Philip Hoffman | ||
Art Direction by
| Michele Kohse | ||
Set Decoration by
| Michelle Paule | ||
Production Management
| Neil Stromin | ... | production manager |
Second Unit Director or Assistant Director
| Meg Moynihan | ... | second assistant director |
| Neil Stromin | ... | first assistant director |
Art Department
| Amy Michaelson | ... | storyboard artist |
Sound Department
| John L. Anderson | ... | re-recording mixer |
| Robert Appere | ... | re-recording mixer |
| Mike Chock | ... | supervising sound editor |
| David Dockendorf | ... | re-recording mixer |
| Bert Forbes | ... | foley artist / foley editor |
| Wayne Gee | ... | sound mixer |
| Jeff Goldstone | ... | boom operator |
| Chris Haire | ... | re-recording mixer |
| Doc Kane | ... | adr mixer |
| Will Plyler | ... | sound mixer |
| Sergio Reyes | ... | re-recording mixer |
| Gregg Rudloff | ... | re-recording mixer |
| Ken Segal | ... | sound mixer |
| Larry Sharp | ... | boom operator |
| Christina Tucker | ... | foley mixer |
| Jon Wilson | ... | sound mixer |
Special Effects by
| Ed Sher | ... | special effects |
Stunts
| Steve LeVanden | ... | stunt coordinator |
| Robby Robinson | ... | stunt coordinator |
Camera and Electrical Department
| Keith Barefoot | ... | best boy electric |
| Tara Belkin | ... | second assistant camera |
| Blake T. Evans | ... | gaffer |
| Russell Frazier | ... | gaffer |
| Michael H. Friedlander | ... | second assistant camera (as Mike Friedlander) |
| Jeff Goldstone | ... | key grip |
| Dan Jackson | ... | first assistant camera |
| Matt Jacobson | ... | second assistant camera |
| Kenji Luster | ... | camera operator |
| Karen S. Spiegel | ... | camera operator |
| James Sprattley | ... | first assistant camera |
| John A. Strubbe | ... | best boy electric |
| Stephen Tibbo | ... | grip |
| Scott Toland | ... | second assistant camera |
| Jon Wilson | ... | best boy grip |
| Jim Zega | ... | gaffer |
Editorial Department
| Edna Sigmon | ... | negative cutter |
| Jim J. Williams | ... | color timer (as Jim Williams) |
Location Management
| Michelle Morey | ... | location manager |
Music Department
| David Bondelevitch | ... | music mixer |
| Bill Johnson | ... | music coordinator |
| Arthur Leigh | ... | music editor |
Script and Continuity Department
| Lynn Harris | ... | script supervisor |
Additional Crew
| Philip Hoffman | ... | title designer |
| Lovina J. Mita | ... | production coordinator |
