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Snow Falling on Cedars (1999)
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Overview
User Rating:
Release Date:
7 January 2000 (USA) moreTagline:
First loves last. Forever. morePlot:
A Japanese-American fisherman may have killed his neighbor Carl at sea. In the 1950's, race figures in the trial. So does reporter Ishmael. full summary | add synopsisAwards:
Nominated for Oscar. Another 5 wins & 8 nominations moreNewsDesk:
(3 articles)
The Other (From The AV Club. 25 June 2008, 10:34 PM, PDT)
Little Stays Big Again (From Studio Briefing. 11 January 2000)
User Comments:
Stunningly shot, adventurously edited, but unsatisfying adaptation of fine novel.. moreCast
(Cast overview, first billed only)| Ethan Hawke | ... | Ishmael Chambers | |
| Youki Kudoh | ... | Hatsue Miyamoto | |
| Reeve Carney | ... | Young Ishmael Chambers | |
| Anne Suzuki | ... | Young Hatsue Imada | |
| Rick Yune | ... | Kazuo Miyamoto | |
| Max von Sydow | ... | Nels Gudmundsson (as Max Von Sydow) | |
| James Rebhorn | ... | Alvin Hooks | |
| James Cromwell | ... | Judge Fielding | |
| Richard Jenkins | ... | Sheriff Art Moran | |
| Arija Bareikis | ... | Susan Marie Heine | |
| Eric Thal | ... | Carl Heine Jr. | |
| Celia Weston | ... | Etta Heine | |
| Daniel von Bargen | ... | Carl Heine Sr. (as Daniel Von Bargen) | |
| Akira Takayama | ... | Hisao Imada | |
| Ako | ... | Fujiko Imada |
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Additional Details
MPAA:
Rated PG-13 for disturbing images, sensuality and brief strong language.Parents Guide:
Add content advisory for parentsRuntime:
127 minCountry:
USAColor:
ColorAspect Ratio:
2.35 : 1 moreCertification:
Finland:S | Canada:14 (Nova Scotia) | Canada:14A (Alberta/British Columbia) | Canada:AA (Ontario) | Canada:G (Quebec) | Canada:PG (Manitoba) | Australia:M | Iceland:12 | Singapore:M18 | South Korea:15 | Argentina:13 | Denmark:11 | France:U | Germany:12 (bw) | Ireland:15 | Netherlands:12 | New Zealand:M | Sweden:11 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:PG-13 | Norway:11 | Philippines:PG-13MOVIEmeter: 
Fun Stuff
Trivia:
Ishmael never once pronounces the love-of-his-life's name correctly. He always calls her "Hat-sue" not by her real Japanese name "Ha-Tsu-E". moreGoofs:
Factual errors: They are shown going into Manzanar Relocation camp. Washington state residents were relocated to Minidoka camp in Idaho. Island residents were sent early to Manzanar. Residents on the mainland (such as our family from Seattle) were later sent to Minidoka. moreQuotes:
Nels Gudmundsson: It takes a rare thing, a turning point, to free oneself from any obsession. Be it prejudice or hate, or, even love. moreSoundtrack:
Would You moreFAQ
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While the original novel was a beautifully written, compelling courtroom drama as well as a thoughtful reflection on the disgraceful racist treatment of Japanese Americans before, during, and after WWII, the film version of Snow Falling on Cedars falls flat dramatically and thematically. To be sure, the film ambitiously strives to capture David Guterson's poetic prose through some breathtaking cinematography along with some much less impressive heavy-editing and extreme close-up composition. The overall impression, unfortunately, recalls a musical `etude' as though the director, Scott Hicks, and cinematographer, Robert Richardson, were most interested in presenting an exhaustive study in low-light visuals (even the trial takes place during brownouts and power outages) and in extreme narrative fragmentation (think: Faulknerian flashbacks represented via Eisenstein or MTV montage).
Narrative coherence definitely takes a back seat to visual and auditory exercise. Indeed the film was stylistically heavy-handed in just about every element of filmmaking, from its intrusively moody `Asian' soundtrack to its post-modern pastiche of images from such superior movies as To Kill A Mockingbird and Casablanca. I found myself literally getting dizzy at several of the many junctures in the film in which the whirl of technique is overwhelming and, understand, I have a high tolerance, even a taste, for extremely formalistic filmmaking. This was too much, and simply the wrong generic/story materials for such an artistic assault. Characterization was lost. Emotion was lost. And, most damagingly, the important thematic point was lost.