Directed by
| Arthur Joffé | ||
Writing Credits (in alphabetical order)
| Jean-Louis Benoît | ... | (writer) |
| Laurent Jaoui | ... | (writer) |
| Arthur Joffé | ... | (story and screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
| Patrick Batteux | ... | executive producer: Los Angeles |
| Claudie Ossard | ... | producer |
| André Szöts | ... | executive producer: Hungary |
Music by
| Angélique Nachon | ||
| Jean-Claude Nachon | ||
Cinematography by
| Philippe Welt | ||
Editing by
| Marie Castro | ... | (as Marie Castro-Vasquez) |
Casting By
| Pierre Amzallag | ||
Production Design by
| Nikos Meletopoulos | ||
Costume Design by
| Madeline Fontaine | ||
Production Management
| Jean-Marc Duez | ... | production manager |
| András Herczeg | ... | production manager: Hungary |
| Eric Hubert | ... | production manager |
| Bruno Morin | ... | unit production manager |
| Clément Sentilhes | ... | unit manager |
Second Unit Director or Assistant Director
| Tamás Császár | ... | assistant director: Hungary |
| Dylan Gray | ... | first assistant director: Hungary |
| Thierry Mauvoisin | ... | first assistant director |
| Alain Peyrollaz | ... | second unit director |
| Olivier Thery Lapiney | ... | assistant director (as Olivier Théry-Lapiney) |
Art Department
| Attila Kiss | ... | property master |
| Éva Martin | ... | assistant construction manager: Hungary |
| Gábor Nagy | ... | property master: Hungary |
| Sándor Nagy | ... | on-set props: Hungary |
Sound Department
| Vincent Arnardi | ... | re-recording mixer |
| Bernard Chaumeil | ... | boom operator |
| Edouard d'Heucqueville | ... | sound mix technician |
| Jacques Descomps | ... | sound mix technician |
| Pierre Gamet | ... | sound recordist |
| Vincent Guillon | ... | supervising sound editor |
| Gérard Hardy | ... | sound editor |
| Thierry Lebon | ... | re-recording mixer |
| Marion Lorthioir | ... | post-synchronisation |
Special Effects by
| Ferenc Deák | ... | special effects |
| Ferenc Deák | ... | special effects: Hungary |
| Jacques Gastineau | ... | special effects supervisor |
Visual Effects by
| Agnès Berger Sébenne | ... | visual effects coordinator (as Agnès Sébenne) |
| Myriam Catrin | ... | digital artist |
| Pascal Charpentier | ... | visual effects supervisor |
| Fabrice Delapierre | ... | lighting artist |
| Christian Foucher | ... | digital artist |
| Nicolas Popravka | ... | software development: Ex Machina |
| Johann Quéré | ... | visual effects |
| Guillaume Terrien | ... | compositor: Ex-Machina |
| Veronique Zylberfain | ... | digital artist |
Camera and Electrical Department
| Victor Abadia | ... | electrician |
| Gil Fontbonne | ... | key grip |
| Jean-Yves Freess | ... | best boy grip |
| Patrice Guillain | ... | grip |
| Miklós Hajdu | ... | gaffer: Hungary |
| Eric Thurot | ... | electrician |
Animation Department
| Pierre Biecher | ... | digital artist |
Script and Continuity Department
| Laurence Weisbrot | ... | continuity |
Additional Crew
| Beatrix Csöbör | ... | accounting |
| Donna Farmer | ... | production accountant |
| Emese Hunyadi | ... | production coordinator: Hungary |
| Monika Neuner | ... | accounting |
| Édith Pavageau | ... | production accountant |
| Leslie Jean Porter | ... | director of acquisitions |
| Csilla Szabo | ... | production secretary: Hungary |
