| Photos (see all 17 | slideshow) |
| Diane Lane | ... | Pearl Kantrowitz | |
| Viggo Mortensen | ... | Walker Jerome | |
| Liev Schreiber | ... | Marty Kantrowitz | |
| Anna Paquin | ... | Alison Kantrowitz | |
| Tovah Feldshuh | ... | Lillian Kantrowitz | |
| Bobby Boriello | ... | Daniel Kantrowitz | |
| Stewart Bick | ... | Neil Leiberman | |
| Jess Platt | ... | Herb Fogler | |
| Mahée Paiement | ... | Mrs. Dymbort (as Mahee Paiement) | |
| Star Jasper | ... | Rhoda Leiberman | |
| Ellen David | ... | Eleanor Gelfand | |
| Lisa Bronwyn Moore | ... | Norma Fogler | |
| Victoria Barkoff | ... | Selma Levitsky (as Vicky Barkoff) | |
| Tamar Kozlov | ... | Wendy Green | |
| Lisa Jakub | ... | Myra Naidell | |
| Joseph Perrino | ... | Ross Epstein | |
| Jesse Lavendel | ... | Carl Applebaum | |
| James Hayes Liboiron | ... | Jeffrey Fogler (as James Liboiron) | |
| Howard Rosenstein | ... | Sheldon Dymbort | |
| Mal Z. Lawrence | ... | Comedian | |
| Joel Miller | ... | Sid Shapiro | |
| Bill Brownstein | ... | Customer #1 | |
| Sam Gesser | ... | Customer #2 | |
| Julie Kavner | ... | P.A. Announcer (voice) | |
| rest of cast listed alphabetically: | |||
| Neil Armstrong | ... | Himself (voice) (uncredited) (archive footage) | |
Directed by | |||
| Tony Goldwyn | |||
Writing credits(WGA) | ||
| Pamela Gray | (written by) | |
Produced by | |||
| Graham Burke | .... | executive producer | |
| Jay Cohen | .... | producer | |
| Greg Coote | .... | executive producer | |
| Laura Gherardi | .... | associate producer | |
| Tony Goldwyn | .... | producer | |
| Lee Gottsegen | .... | producer | |
| Dustin Hoffman | .... | producer | |
| Neil Koenigsberg | .... | producer | |
| Josette Perrotta | .... | co-producer | |
| Murray Schisgal | .... | producer | |
| Lemore Syvan | .... | associate producer | |
Original Music by | |||
| Mason Daring | |||
Cinematography by | |||
| Anthony B. Richmond | (director of photography) | ||
Film Editing by | |||
| Dana Congdon | |||
Casting by | |||
| Kerry Barden | |||
| Ann Goulder | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Dan Leigh | |||
Art Direction by | |||
| Gilles Aird | |||
Costume Design by | |||
| Jess Goldstein | |||
Makeup Department | |||
| Josee Beaulac | .... | additional assistant hair stylist | |
| Michelle Côté | .... | assistant hair stylist (as Michelle Cote) | |
| Diane Geraldine Courchesne | .... | additional assistant hair stylist (as Diane Geraldine Courshesne) | |
| Nicole Dion | .... | additional assistant hair stylist | |
| Lizane La Salle | .... | assistant makeup artist | |
| Martine Léveillé | .... | additional assistant hair stylist (as Martine Leveille) | |
| Brigitte McCaughry | .... | additional assistant makeup artist (as Brigitte Mccaughry) | |
| Sabin Paradis | .... | additional assistant hair stylist | |
| Bob Pritchett | .... | key hair stylist | |
| Pierre Saindon | .... | additional assistant makeup artist | |
| Diane Simard | .... | key makeup artist | |
| Robert Vienneau | .... | additional assistant hair stylist | |
| Candy L. Walken | .... | hair stylist: Diane Lane | |
Production Management | |||
| John Chamberlin | .... | unit manager: second unit, New York | |
| Michel Chauvin | .... | production manager | |
| Jean-Yves Dolbec | .... | unit manager | |
| Pierre Lapointe | .... | assistant unit manager | |
| Melissa Marr | .... | production manager: second unit, New York | |
Second Unit Director or Assistant Director | |||
| Charles-André Bertrand | .... | trainee assistant director (as Charles-Andre Bertrand) | |
| Julie Coulombe | .... | additional third assistant director | |
| Pedro Gandol | .... | first assistant director | |
| Jean-Sébastien Lord | .... | third assistant director (as Jean-Sebastien Lord) | |
| Philippe Morin | .... | additional third assistant director | |
| Louise Renault | .... | second assistant director (as Louise Evangeline Renault) | |
| Antoine Saito | .... | additional third assistant director | |
Art Department | |||
| Vincent Aird | .... | swing gang | |
| Serge Archambault | .... | head scenic painter | |
| Claude Beaulieu | .... | carpenter | |
| Annette Bélanger | .... | art department coordinator (as Annette Belanger) | |
| Patrice Bengle | .... | property master | |
| Andre Brazeau | .... | chief carpenter | |
| Serge Cote | .... | daily painter | |
| Francine Danis | .... | key set dresser | |
| François Gosselin | .... | swing gang (as Francois Gosselin) | |
| Geoffroy Gosselin | .... | swing gang | |
| Paul Hotte | .... | set dresser | |
| Myriam Landry | .... | assistant props buyer | |
| Gilles Léonard | .... | props buyer | |
| Louis-George Lepage | .... | carpenter | |
| Carl Lessard | .... | graphic designer | |
| Jean-Phillipe Marsan | .... | swing gang | |
| Alain Martineau | .... | scenic painter | |
| René Patenaude | .... | scenic painter (as Rene Patenaude) | |
| Gabriel Perusse | .... | carpenter | |
| Christian Proulx | .... | carpenter | |
| Mario Racicot | .... | assistant property master | |
| Jean Simard | .... | swing gang | |
| Peter Stratford | .... | draftsman | |
| Carlo Vivocchi | .... | carpenter | |
Sound Department | |||
| Louis Bertini | .... | foley editor | |
| Danielle Capawanna | .... | audio post coordinator | |
| Eric A. Christoffersen | .... | stereo sound technician: Dolby | |
| Ryan Collison | .... | foley artist | |
| Jonathan Daitch | .... | apprentice sound editor (as Jonathan S. Daitch) | |
| Claude La Haye | .... | sound mixer | |
| Brian Langman | .... | assistant sound editor | |
| George A. Lara | .... | foley engineer (as George Lara) | |
| Lisa J. Levine | .... | supervising adr editor | |
| Dimitri Médard | .... | sound trainee (as Dimitri Medard) | |
| Sylvia Menno | .... | dialogue editor (as Sylvia Jessica Menno) | |
| Francis Péloquin | .... | boom operator (as Francis Peloquin) | |
| Victoria Rose Sampson | .... | adr editor: Los Angeles (as Victoria Sampson) | |
| Steve Schwartz | .... | assistant sound editor | |
| Jeffrey Stern | .... | sound effects editor | |
| Jeffrey Stern | .... | supervising sound editor | |
| Dominick Tavella | .... | sound re-recording mixer | |
| Roland Vajs | .... | systems engineer | |
| Brian Vancho | .... | foley artist | |
| David Novack | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Louis Craig | .... | special effects | |
| Antonio Vidosa | .... | special effects | |
Visual Effects by | |||
| Lisa Bechard | .... | effects production manager: C.O.R.E. Digital Pictures | |
| Jesse Bradstreet | .... | systems administrator: C.O.R.E. Digital Pictures | |
| Alex Busby | .... | digital paint artist: C.O.R.E. Digital Pictures | |
| Nick Hsieh | .... | digital paint artist: C.O.R.E. Digital Pictures | |
| Kelvin Kanagaraj | .... | animator: C.O.R.E. Digital Pictures | |
| Bob Munroe | .... | animation director: C.O.R.E. Digital Pictures | |
| Bob Munroe | .... | visual effects supervisor: C.O.R.E. Digital Pictures | |
| Costa Roussakis | .... | systems administrator: C.O.R.E. Digital Pictures | |
| Ralph Sevazlian | .... | effects technical director: C.O.R.E. Digital Pictures | |
| Lisa Wyse | .... | effects production coordinator: C.O.R.E. Digital Pictures | |
| Colin Cunningham | .... | 3D animator: C.O.R.E. Digital Pictures (uncredited) | |
| Ralph Sevazlian | .... | effects animator: C.O.R.E. digital pictures (uncredited) | |
Stunts | |||
| Ben Gauthier | .... | stunt double: Walker | |
| Héléna Laliberté | .... | stunt double: Pearl (as Helena Laliberte) | |
| David McKeown | .... | stunt coordinator (as Dave Mckeown) | |
| Minor Mustain | .... | stunt coordinator | |
| Minor Mustain | .... | stunt double: Marty | |
| Minor Mustain | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Fabrice Barrilliet | .... | electrician | |
| Martin Bayard | .... | additional grip | |
| Kelly Baylis | .... | grip | |
| Robert B. Baylis | .... | best boy grip (as Robert Bruce Baylis) | |
| Claude Beauchamp | .... | additional first assistant camera | |
| Pierre Beaulieu | .... | electrician | |
| Oliver Bokelberg | .... | director of photography: New York second unit | |
| Jerome Bouchard | .... | additional grip | |
| Claude Boulet | .... | camera remote technician | |
| Yvan Brunet | .... | additional first assistant camera | |
| Stéphane Charron | .... | additional electrician (as Stephane Charron) | |
| François Daignault | .... | Steadicam operator (as Francois Daignault) | |
| François Daignault | .... | additional camera operator (as Francois Daignault) | |
| Martin D'Arcangeli | .... | additional grip | |
| Mathieu Décary | .... | first assistant camera (as Mathieu Decary) | |
| Pascal-Rene Gabriele | .... | camera trainee | |
| David Galbraith | .... | first assistant camera (as Dave Galbraith) | |
| Julie Garceau | .... | camera video assist | |
| Robert Guertin | .... | additional camera operator | |
| Normand Hamilton | .... | generator operator (as Normen Hamilton) | |
| Jean-Marc Hébert | .... | gaffer (as Jean-Marc Hebert) | |
| Edith Labbe | .... | second assistant camera | |
| Sylvain Labrecque | .... | additional grip | |
| Patrice Lapointe | .... | grip | |
| Richard Lavigne | .... | additional grip | |
| Luc Lussier | .... | additional first assistant camera | |
| Nicolas Marion | .... | additional first assistant camera | |
| Bruno Martel | .... | additional electrician | |
| Alain Masse | .... | key grip | |
| Nicolas Monette | .... | electrician | |
| Marie-Andrée Paquet | .... | additional first assistant camera (as Marie-Andree Paquet) | |
| Mathieu Price | .... | grip | |
| Martin Protat | .... | additional second assistant camera | |
| Charles Proulx | .... | generator operator | |
| Alain Rousseau | .... | additional second assistant camera | |
| Normand Simpson | .... | additional grip | |
| Robert Stecko | .... | camera operator | |
| Derek Walker | .... | assistant camera: second unit, New York | |
| Jonathan Wenk | .... | still photographer | |
| Denis Zawadski | .... | best boy electric | |
Casting Department | |||
| Lise Beauchamp | .... | extras casting | |
| Bike Bucci | .... | extras casting | |
| Vera Miller | .... | casting: Canada | |
| Deborah Maxwell Dion | .... | casting associate: Los Angeles (uncredited) | |
Costume and Wardrobe Department | |||
| Sophie Beasse | .... | head dresser | |
| Richard Brunet | .... | additional assistant dresser | |
| Suzanne Canuel | .... | costumer | |
| Céline Caron | .... | assistant dresser (as Celine Caron) | |
| Daniel Fortin | .... | costume assistant | |
| Diane LeBlanc | .... | seamstress | |
| Ginette Magny | .... | assistant costume designer | |
| Marie-Hélène Ménard | .... | additional wardrobe (as Marie-Helene Menard) | |
| Art Reasonover | .... | dresser: extras | |
| Nelson Junior Sab | .... | additional assistant dresser | |
| Frederique Sarrazin | .... | assistant dresser | |
Editorial Department | |||
| Alex Belth | .... | apprentice editor | |
| Claudette Duff | .... | assistant editor: Montreal | |
| Dan Edelstein | .... | editorial consultant | |
| Mark Ginsberg | .... | color timer | |
| Fred Heid | .... | color timer | |
| Gershon Hinkson | .... | assistant editor | |
| Sandra Nash | .... | assistant editor | |
| Mario Ontal | .... | assistant editor | |
| Michel Proulx | .... | head cutter | |
| John Rogers | .... | post-production executive | |
| Tony Romano | .... | color coordinator: Technicolor | |
| Beatrice Sisul | .... | assistant editor | |
| Stan Sztaba | .... | negative cutter: Match Cut Inc. | |
| Joe Violante | .... | color coordinator: Technicolor (as Joey Violante) | |
| Todd Zongker | .... | first assistant editor | |
| Rick Greenhead | .... | telecine colorist (uncredited) | |
| Patricia Sztaba | .... | negative matcher (uncredited) | |
Music Department | |||
| Vicki Arkoff | .... | music coordinator (as Vicky Arkoff) | |
| Dana Brayton | .... | orchestrator | |
| Martin Brody | .... | orchestrator | |
| Paul Bryan | .... | musician: bass | |
| Deborah Henson Conant | .... | musician: harp (as Deborah Henson-Conant) | |
| Stephan R. Goldman | .... | executive music producer | |
| Stephan R. Goldman | .... | executive music supervisor | |
| Michael Golub | .... | music engineer | |
| Bones Howe | .... | production music supervisor | |
| Shane Koss | .... | musician: synthesizer | |
| Duke Levine | .... | musician: guitar | |
| Jill Meyers | .... | music clearances | |
| Patrick Mullins | .... | music editor | |
| Billy Novick | .... | musician: clarinet | |
| Billy Novick | .... | orchestrator | |
| Dave Shacter | .... | music engineer | |
| Dave Shacter | .... | music mixer | |
| Kenny White | .... | musician: keyboard | |
| Ken Wittman | .... | musician: drums | |
Transportation Department | |||
| Christian Biron | .... | driver | |
| Michel Brouillette | .... | picture car coordinator | |
| Nicolas Carasoulis | .... | driver (as Nicholas Carasoulis) | |
| Bertrand Charette | .... | office driver | |
| Bob Cuoco | .... | picture vehicles | |
| Sid DeGroat Jr. | .... | picture vehicles (as Sid Degroat Jr.) | |
| Walter Diaz | .... | driver | |
| Jim Disensi | .... | transportation coordinator | |
| Marco Fania | .... | driver | |
| Linda Hebert | .... | driver | |
| David Leblanc | .... | driver | |
| Frank Macedonia | .... | picture vehicles | |
| Luc Poirier | .... | picture car coordinator | |
| Rino Vertone | .... | driver (as Rino Vetrone) | |
| Joseph 'Tino' Viscusi | .... | driver captain | |
| Ted Wilson | .... | driver (as Teddy Wilson) | |
| Charlie Zed | .... | driver (as Charles Zed) | |
Other crew | |||
| John Alagna | .... | titles and opticals: The Effects House | |
| Marco Antonucci | .... | assistant craft service | |
| Danielle Boucher | .... | production coordinator | |
| Guylaine Boucher | .... | assistant production coordinator | |
| Jacques Boulanger | .... | additional production assistant | |
| Luc Bouthillier | .... | additional production assistant | |
| Eric Boutin | .... | additional production assistant | |
| Sandra-Catherine Briand | .... | production receptionist (as 'Kate' Sandra-Catherine Briand) | |
| Alex Buissiere | .... | additional production assistant | |
| Martin Charbonneau | .... | additional production assistant | |
| Francis Choquette | .... | production assistant | |
| Alex Cohn | .... | location manager: second unit, New York | |
| Jessie Cromwell | .... | assistant to producers | |
| Julie Cyrenne | .... | assistant production accountant | |
| Catherine Dawe | .... | location manager | |
| Gaetan Fluet | .... | catering assistant | |
| Julie Fontaine | .... | post coordinator: New York | |
| Chantale Fortin | .... | assistant production accountant (as Chantal Fortin) | |
| Julie Garceau | .... | stand-in | |
| Larry Gray | .... | technical advisor | |
| Claude Guillet | .... | additional receptionist | |
| Laurie Hawes | .... | production accountant | |
| Andrew Jackson | .... | assistant: Neal Koenigsberg | |
| Annika Krausz | .... | assistant to actors | |
| Francois Labrie | .... | additional production assistant | |
| France Lachapelle | .... | script supervisor | |
| Marc Laurin | .... | stand-in | |
| Phillippe Lebel | .... | location scout | |
| Denis Lemieux | .... | additional production assistant | |
| Julia Lenardon | .... | stand-in | |
| Michel Leroux | .... | production assistant | |
| Jeremy Olsher | .... | production assistant: second unit, New York | |
| Jess Platt | .... | dialect coach | |
| Jean-Clément Renaud | .... | additional production assistant (as Jean-Clement Renaud) | |
| Andrée Roy | .... | additional production assistant (as Andree Roy) | |
| Dominique Sauve | .... | stand-in | |
| Jay Schinderman | .... | assistant: Jay Cohen | |
| Stéphane St-Germain | .... | craft service (as Stephane St. Germain) | |
| Jose Uria | .... | production assistant | |
| Marianne Wisenthal | .... | assistant: Tony Goldwyn | |
| Jason Zelin | .... | production executive | |
| Guylaine Boucher | .... | production secretary (uncredited) | |
| Jennifer Zolten Freed | .... | post-production accountant (uncredited) | |
| Ken Korrall | .... | location scout (uncredited) | |
Thanks | |||
| Hal Ackerman | .... | thanks | |
| Bruno Barreto | .... | thanks | |
| Josh Braun | .... | thanks | |
| Robert B. Fischer | .... | thanks | |
| Eleanor Furman | .... | thanks | |
| Arlene Gray | .... | thanks | |
| Donna Gray | .... | thanks | |
| Kevin Gray | .... | thanks | |
| Larry Gray | .... | thanks | |
| Roy Mason | .... | thanks: The Corner Drug Store, South Fallsberg, NY | |
| Bill Nisselson | .... | thanks | |
| Fredda Rose | .... | thanks | |
| Gary Rydstrom | .... | thanks | |
| Ira Schreck | .... | thanks | |
| David Seltzer | .... | thanks | |
| William Steinkamp | .... | thanks (as Bill Steinkamp) | |
| Seymour Stein | .... | thanks | |
| Catherine Tarr | .... | thanks | |
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| Malèna | American Beauty | The Last Days of Chez Nous | The Ice Storm | Manny & Lo |
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Recently, I had opportunity to view a working print in Kansas City (Olathe, KS.) of this title. It is difficult for me, being a lover of the art as I am, to report the following, but, the truth sometimes hurts, and quite frankly after sitting through this tripe (I'm using the slang definition here - worthless statements or writing) for an hour and a half, I feel obligated to share (WARN) any interested parties. Let's begin at the beginning, a good place to start as always. The first 15 minutes are not really that bad, a couple of laughs, and decent development, but then it is downhill from there. This is the story of a woman, in her mid thirties, that (as the writer would like for you to believe) is dissatisfied with her life and unfulfilled. The first major difficulty occurs when if you don't know that fact going into the movie, you won't know it when she suddenly risks it all for, in my opinion, a very unkempt and unlikely fling with a local salesman. There is little development (drastically insufficient development) to justify her actions for the affair she has, and when it occurs, one feels, as I did, that she is just of low moral character. The word "slut" comes to mind, hopefully, they'll let that pass the review and post the comment. This, in my opinion, is the first fatal flaw of the film. If you're married or have ever been in love, irregardless of whether you are male or female, its going to turn you off. Quite frankly, I feel that it would have made a much better "blue movie" - that's the level in my opinion of which the screenplay is deserving. The second fatal flaw is the casting, Diane Lane just didn't work for me here, and Viggo Mortensen is not the right man for the job, believe me. The only saving grace to the entire film is Anna Paquin, the depth of her ability as a fine actress shines in places, conveying a subtle yet very blunt (I apologize for the dichotomy but it is accurate) portrayal of an emerging teen. Bravo, well done. I'm not going to give the ending away, but I was disappointed, being billed as a slice of life romance is one thing... but an ending like that.... Well, if that teased you enough to see this picture, don't say I didn't warn you, but you better look fast - if this celluloid is released, I doubt it goes four weeks before bursting into flames. I'd say wait for the video, but the free sex education tapes at most video rental outlets have more entertainment value. Hmmm, Dustin Hoffman produced this, you think he'd learn after Ishtar. This film once carried the working title "Blouse Man" and should have been left on the rack. If you've never in your life wanted to walk out on a film, give this one 35-40 minutes, the only thing worth staying for is Anna Paquin, if you can stomach the fact that you'll find your mind drifting to whether or not you took out the garbage before you left home, which is probably where you should have stayed in the first place if you're off to the movies to see this one. That's my two cents, for what it is worth.