Directed by
| Michael DeLuise | ||
Writing Credits (in alphabetical order)
| Peter DeLuise | ... | (writer) |
Cast (in credits order)
Produced by
| Michael Bendetti | ... | executive producer |
| Michael DeLuise | ... | executive producer |
| Scott Stephens | ... | producer |
Music by
| Peter Neff | ||
Cinematography by
| Billy Beaird | ||
Editing by
| Michael DeLuise | ||
Production Design by
| Tobey Bays | ... | co-production designer |
| Jim Braverman | ... | co-production designer |
| Rrivre Davies | ... | co-production designer |
Costume Design by
| Caroline B. Marx | ||
Makeup Department
| Johann Benét | ... | key makeup artist |
| Karen 'Kaz' Brecher | ... | assistant makeup artist |
Second Unit Director or Assistant Director
| Kimberly Dean | ... | second assistant director |
Sound Department
| Eric Enroth | ... | sound mixer |
| Sean Fahimian | ... | sound editor |
| Paul Holzborn | ... | foley artist |
| Samuel Libraty | ... | re-recording mixer |
| Lionel Luna | ... | boom operator |
| Rick Owens | ... | foley artist |
| Derek Vanderhorst | ... | re-recording mixer |
Camera and Electrical Department
| Tommy Carey | ... | gaffer |
| Burton Chambers | ... | best boy electric (as Burton Vargas) |
| Colin Crane | ... | assistant camera |
| Carey Hendricks | ... | still photographer |
| Harry Hope | ... | key grip |
| Scott Hylton | ... | camera Operator: "b" camera |
| Aaron Knoke | ... | second assistant camera |
| Donovan Milcoch | ... | first assistant camera (as Donovan McLoch) |
| Joaquin Sedillo | ... | camera operator |
| Ron Veto | ... | camera operator: "a" camera / steadicam operator |
Costume and Wardrobe Department
| Nicci Schinman | ... | key costume supervisor (as Nicci Stevens) |
| Ric Spencer | ... | costume supervisor |
Script and Continuity Department
| Kelly Mayes | ... | script supervisor |
Additional Crew
| John E. Deaver | ... | production coordinator |
| Sandy Sfeir | ... | assistant production coordinator |
| Tyler Stringer | ... | director: "b" roll |
