12 Storeys is Singapore's finest cinematic moment yet. A film that digs deeply into the Singaporean psyche and dares to be boldly political in the most subtlest way. And that ultimately, is the crowning achievement of 12 Storeys. Yes, we can talk about Koh Boon Pin's superlative performance as the politically correct Ming or director Eric Khoo's superb handling of three interwoven plotlines or the hilarious one-liners that punctuate the movie's realistic dialogue ( in English, Singlish, Hokkien, Mandarin, Malay, Cantonese-whew! ) - these are indicative of the quality of the movie but I daresay that it is the pervading undercurrent of socio-political commentary garbed in domestic clothes that underscores the magnificence of 12 Storeys as a truly relevant Singaporean film. We have the plight of our most recent immigrants - the China brides - whom we have collectively denounced as materialistic and as "gold-diggers" without realising that three other fingers are always pointing back at us. We have the cumulative effect of three decades of social engineering campaigns that has left us in confused repression and cold-hearted smugness about the things valued in life. We have the alienating debilitation of the "have-nots" left on the scrapheap of meritocracy to fend for themselves in isolation and loneliness. Heavy themes indeed but not a single time does 12 Storeys bang you on the head but instead gets the message through in day-to-day experiences, language and humour. And that's the beauty of this compelling movie - it can be fully appreciated at virtually countless levels. As straightforward family drama or a light-hearted spoof of Singaporean habits and mores or socio-political commentary, 12 Storeys scores every time. To reveal more in terms of storyline and motivations would definitely detract from the overall enjoyment of this event. Suffice to say that Eric Khoo has indeed matured from the gritty art-house noir of Mee Pok Man to graduate into the major leagues with a film that is at once accessible and defiantly artistic. Encore, maestro !!!
3 Reviews
A Nutshell Review: 12 Storeys
DICK STEEL10 August 2005
12 Storeys is Eric Khoo's follow up to Mee Pok Man. The opening montage of various scenes around the residential estates prepares the audience for things to come, that the focus will be on the everyday man, and their supposed challenges they face in their daily lives.
We start off with lingering shots of a man, who commits suicide, and we explore and glimpse into the lives and relationships of 3 heartland families through his eyes, in one 12 Storey block.
There's the abusive mother and dutiful adopted daughter. With her acid tongue and no holds barred rude comments about almost everything about her daughter, the old lady rants on and on about the way she looks, dresses and hurls about almost every abusive (non vulgar) Cantonese insult. You emphatize and feel for the daughter, going through with comparisons, and wondering what will eventually make her snap, if she could.
Jack Neo plays a buck-toothed henpecked hawker husband to Quan Yi Feng's sarcastic China bride, bringing to the screen every conceivable prejudice against Chinese women, with their perceived gold-digging and flirtatious ways. She hits back though, with stark comments about Singaporean society, and offers an introspective look into the way the Ugly Singaporean behaves.
Koh Boon Pin was excellent as the protective and authoritative brother Meng, to Lum May Yee's rebellious and independent Trixie and Ritz Lim's Tee. The Meng-Trixie relationship undergoes the most changes in this film - the start which shows a rather happy family, which progresses into destruction as one member forces his opinions and perceptions onto the other, resulting in an unexpected revelation too difficult for one member to fathom, like a blow to one's pride.
Although each storyline is distinct, the narrative intercuts between the three, and sometimes gelled together with subtle humor, or witty coffeeshop banter amongst regulars. I particularly enjoyed the coffeeshop talk, where they talk cock about current affairs of the day (Michael Fay, 4D, etc), or poke fun or insult the other characters of the story, like the adopted daughter, and the henpecked husband. It's these scenes that make this film so real, these rumours and gossips of idle chatter, something which most Jack Neo movies seem to feature too (perhaps picked up from here?) Prominent local actors like Lim Kay Siu, Neo Swee Lin, Lim Kay Tong, etc make cameo appearances, which added additional flavour to the movie. Songs sung by Lum May Yee and Humpback Oak were also nice touches throughout the film.
With a snapshot of a cross section of society, we end off without really having most conflicts resolved. Perhaps that's a reflection of life, that when challenges occur, sometimes you have an answer, and sometimes you may not, but life, will always go on.
We start off with lingering shots of a man, who commits suicide, and we explore and glimpse into the lives and relationships of 3 heartland families through his eyes, in one 12 Storey block.
There's the abusive mother and dutiful adopted daughter. With her acid tongue and no holds barred rude comments about almost everything about her daughter, the old lady rants on and on about the way she looks, dresses and hurls about almost every abusive (non vulgar) Cantonese insult. You emphatize and feel for the daughter, going through with comparisons, and wondering what will eventually make her snap, if she could.
Jack Neo plays a buck-toothed henpecked hawker husband to Quan Yi Feng's sarcastic China bride, bringing to the screen every conceivable prejudice against Chinese women, with their perceived gold-digging and flirtatious ways. She hits back though, with stark comments about Singaporean society, and offers an introspective look into the way the Ugly Singaporean behaves.
Koh Boon Pin was excellent as the protective and authoritative brother Meng, to Lum May Yee's rebellious and independent Trixie and Ritz Lim's Tee. The Meng-Trixie relationship undergoes the most changes in this film - the start which shows a rather happy family, which progresses into destruction as one member forces his opinions and perceptions onto the other, resulting in an unexpected revelation too difficult for one member to fathom, like a blow to one's pride.
Although each storyline is distinct, the narrative intercuts between the three, and sometimes gelled together with subtle humor, or witty coffeeshop banter amongst regulars. I particularly enjoyed the coffeeshop talk, where they talk cock about current affairs of the day (Michael Fay, 4D, etc), or poke fun or insult the other characters of the story, like the adopted daughter, and the henpecked husband. It's these scenes that make this film so real, these rumours and gossips of idle chatter, something which most Jack Neo movies seem to feature too (perhaps picked up from here?) Prominent local actors like Lim Kay Siu, Neo Swee Lin, Lim Kay Tong, etc make cameo appearances, which added additional flavour to the movie. Songs sung by Lum May Yee and Humpback Oak were also nice touches throughout the film.
With a snapshot of a cross section of society, we end off without really having most conflicts resolved. Perhaps that's a reflection of life, that when challenges occur, sometimes you have an answer, and sometimes you may not, but life, will always go on.
The tragedy of our beliefs
sonicheze812 October 2019
Warning: Spoilers
12 Storeys is an interesting film. Interplaying between three main stories and having many more other stories taking place. (Could it be an allusion to the title meaning 12 stories?) Nevertherless, it's a stellar review of the life of a diverse cast of Singaporeans all living in the same HDB flat. The movie starts off with a suicide. Then the remainder of the film we see him following these families, hinting that his ghost becomes an observer of their problems. Perhaps he gains new perspectives as we do when we observe them. Perhaps not.
While each family have different backgrounds, mother tongue, problems, they are all tied to this one location they call their home. And yet despite that we never see them interact as neighbours. They choose to disregard each other.
Moreover whats interesting is that there is a theme that ties all their problems together, more noticably in the story of the brother and sister. They are all victims of their beliefs and ideas. They each continue to suffer through the film due to what they believe are true to them and reality. Yet each of this beliefs come back to haunt them. The husband believes he needs his wife who doesn't love him. The brother believes his younger sister should succeed with her studies and attitude. Yet often reality doesn't conform with their ideas. And this brings the conflict of the movie.
It's an interesting exploration of this idea. Yet the movie is also quite humurous for the quirks of Singaporean culture. Scenes are well shot. And music never detaches from the overall theme. Although one problem most people will notice is that there isn't a resolution to the film. I think this ending works for the message of the film. It shows that reality just doesn't easilly conform to our beliefs. So we are too victims. The only constant is that life goes on, with or without you.
While each family have different backgrounds, mother tongue, problems, they are all tied to this one location they call their home. And yet despite that we never see them interact as neighbours. They choose to disregard each other.
Moreover whats interesting is that there is a theme that ties all their problems together, more noticably in the story of the brother and sister. They are all victims of their beliefs and ideas. They each continue to suffer through the film due to what they believe are true to them and reality. Yet each of this beliefs come back to haunt them. The husband believes he needs his wife who doesn't love him. The brother believes his younger sister should succeed with her studies and attitude. Yet often reality doesn't conform with their ideas. And this brings the conflict of the movie.
It's an interesting exploration of this idea. Yet the movie is also quite humurous for the quirks of Singaporean culture. Scenes are well shot. And music never detaches from the overall theme. Although one problem most people will notice is that there isn't a resolution to the film. I think this ending works for the message of the film. It shows that reality just doesn't easilly conform to our beliefs. So we are too victims. The only constant is that life goes on, with or without you.
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