[Depending on how you look at it, there could be a spoiler coming up}. Originally released as Priyatel Pokojnika in 1997, this film takes place in the Ukraine following the collapse of the Soviet Union, during a time where political and moral responsibilities are ham-fisted. In this new-sprung world, the intellectual Anatoli (Aleksandr Lazarev), a former translator, is useless and out of place, relying on a series of odd jobs to get him by every month. The fact that his wife, who successfully adopts the free-for-all economy, cheats on him doesn't help, and when she leaves him for good, he hits rock bottom. When a friend persuades Anatoli to hire a hit-man to get rid of his wife's new lover, Anatoli, in a state of drunken depression, puts the contract on himself. But after a rendezvous with a shapely young hooker named Vika (Tatiana Krivitskaya), his enthusiasm for life is revitalized
which leaves the problem of his trailing assassin! Thus, in order to save his life, Anatoli hires another contract killer to eliminate the first one. But Bulworth this ain't!
Director Vyacheslav Krishtofovich makes important points regarding the consequences of political change and the sudden absence of Soviet authority, and raises his brow to newfound liberalism. Essentially, the film is an expose of materialist aftermath and its abandoned forefathers (the chronic remains of socialism) doubling as a black comedy full of ironic, inventive twists. At times, the film is poignantly bittersweet, and at other times, darkly tragic. To me, it feels like a dark Wim Wenders film.
The only problem I have comes in the plot, which is otherwise flawless in design. Why doesn't Anatoli try to cancel his hit, or at least pay the executioner and render the hit null and void? Nevertheless, the movie is well-acted, and full of foxy Russian gals. Constantin Kosyshin as Marina is a must see, as is Angelica Nevolina as Katia, and the aforementioned Krivitskaya.
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