Directed by
| Vincent Pereira | ||
Writing Credits (in alphabetical order)
| Vincent Pereira | ... | (written by) |
Cast (in credits order) complete, awaiting verification
| Eion Bailey | ... | Ryan | |
 |
Robert DiPatri | ... | Barret |
| Joseph Cassese | ... | Todd | |
| Carmen Llywelyn | ... | Augustine | |
|
|
Brian Lynch | ... | Eddie |
|
|
Bryan Sproat | ... | Justin |
|
|
Molly Castelloe | ... | Meg |
|
|
Gerald Rosamilia | ... | Vice Dealer |
|
|
Mark SaFranko | ... | Todd's Father |
|
|
Jerry Rosamilia | ... | Barret's Father |
| Jason Lee | ... | Dennis Pepper (as Dennis Pepper) | |
|
|
Christina Squillari | ... | Bitchy Girl |
|
|
Suzanne Smith | ... | Additional Bitchy Girl |
|
|
Vincent Pereira | ... | Jake |
|
|
Eric Einhorn | ... | Lookout Student |
|
|
Richard Lynch | ... | Mr. Raimi |
| Scott Mosier | ... | Larry | |
|
|
Linus Peacock | ... | Steve |
|
|
Patricia DiPatri | ... | Barret's Mother |
|
|
Scott Nelson | ... | Small Rude Student |
| Ethan Suplee | ... | Large Rude Student (as Stan Dubar) | |
|
|
Alice | ... | Cimino the Ferret |
|
|
Keegan Bailey | ... | Young Ryan |
| Lizzie Finn | ... | Ryan's Mother - Corpse (as Lizbeth Finn) | |
|
|
Michael Miano | ... | Ryan's Father - Corpse |
|
|
Lee Bendick | ... | Whipporwill Asshole |
|
|
Dan McGee | ... | Sidewalk Bum |
|
|
Marge Holmgren | ... | Woman Getting Newspaper |
Produced by
| Paul Finn | ... | producer (as Paul C. Finn) |
| Scott Mosier | ... | executive producer |
| Vincent Pereira | ... | producer |
| Kevin Smith | ... | executive producer |
Music by
| Michael Ferentino | ||
| Mikael Jorgensen | ... | (as auto vs. pedestrian) |
| Andres Karu | ||
| Thomas Andrew Misner | ... | (as auto vs. pedestrian) |
| Ben Reed | ||
Cinematography by
| Ian Dudley | ||
Editing by
| Vincent Pereira | ||
Makeup Department
| Tony Mandile | ... | special makeup effects artist (as Anthony Mandile) |
Production Management
| Lizzie Finn | ... | production manager (as Lizbeth Finn) |
Second Unit Director or Assistant Director
| Lizzie Finn | ... | assistant director (as Lizbeth Finn) |
Sound Department
| Phil Benson | ... | dialogue & sound effects editing: Dolby Digital 5.1 remix / supervising sound editor: 5.1 Dolby Digital remix |
| Danielo Garcia | ... | sound recordist |
| David Glaser | ... | sound mixer: original 16mm mono mix |
| Eric Grissom | ... | boom operator |
| Dan McGee | ... | boom operator |
| Scott Mosier | ... | dialogue & sound effects editing: 5.1 Dolby Digital remix |
| Juan Peralta | ... | re-recording mixer: 5.1 Dolby Digital remix |
| Brandon Proctor | ... | re-recording mixer: 5.1 Dolby Digital remix |
| Gary A. Rizzo | ... | dialogue mixer: 5.1 Dolby Digital remix (as Gary Rizzo) / re-recording mixer: 5.1 Dolby Digital remix (as Gary Rizzo) |
| Jim Von Buellow | ... | sound mixer: original 16mm mono mix |
Special Effects by
| Tony Mandile | ... | special effects (as Anthony Mandile) |
Camera and Electrical Department
| Gabriel Friedman | ... | grip |
| John Keating | ... | first assistant camera |
| Alethea Pape | ... | second assistant camera |
| Robert Rasmussen | ... | additional first assistant camera (as Rob Rasmussen) |
Editorial Department
| Lizzie Finn | ... | assistant editor (as Lizbeth Finn) |
| Paul Finn | ... | assistant editor (as Paul C. Finn) |
Script and Continuity Department
| Lizzie Finn | ... | script supervisor (as Lizbeth Finn) |
Additional Crew
| Justin Bintliff | ... | production assistant |
| Mary Hamill | ... | production accountant |
| Neil LaRosa | ... | stand-in: Joseph Cassese |
| Bryan W. Strang | ... | production assistant |
Thanks
| Chris Parry | ... | special thanks |
| Brian Quinn | ... | special thanks |
