Only Johnny Galecki could play a brutal serial killer and still manage to bring empathy to the role without compromising the horror of his character's actions. Galecki, who is better known for his comedic roles in US sit-coms, exudes a natural vulnerability that commands audience compassion as he delivers what is arguably one of his finest performances to date as the tormented Teddy McNair, nineteen year-old art student lost in a fearful world of ritualistic murder and the quest for catharsis. This acting tour-de-force is simultaneously terrifying, disturbing and achingly poignant - finely executed with talent that could be rivalled by very few.
Murder at My Door, a made-for-TV film, may fall weak at times: a formulaic plot, sluggish pace, detectives who divulge sensitive information to random civilians, fire which doesn't appear to be particularly hot or carry any force, stilted dialogue, and the occasional slip into the melodramatic, but in truth, it doesn't matter. This film is not attempting to create the suspense of a mystery thriller, a whodunit or to throw a series of elaborate twists at the audience. Instead it is a look into the troubled mind of a killer, his desperation, his sick fantasy world, the grief he has carried through childhood, and the muddled relationship between a well-meaning mother and the son she loves, but without realising has emotionally abandoned – and this it does very well. Perhpas it is not the greatest drama ever screened, but strong performances keep it afloat to a level that makes it worth the watch.
Murder at My Door, a made-for-TV film, may fall weak at times: a formulaic plot, sluggish pace, detectives who divulge sensitive information to random civilians, fire which doesn't appear to be particularly hot or carry any force, stilted dialogue, and the occasional slip into the melodramatic, but in truth, it doesn't matter. This film is not attempting to create the suspense of a mystery thriller, a whodunit or to throw a series of elaborate twists at the audience. Instead it is a look into the troubled mind of a killer, his desperation, his sick fantasy world, the grief he has carried through childhood, and the muddled relationship between a well-meaning mother and the son she loves, but without realising has emotionally abandoned – and this it does very well. Perhpas it is not the greatest drama ever screened, but strong performances keep it afloat to a level that makes it worth the watch.