Dead Man Walking (1995)

Director:

Tim Robbins

Writers (WGA):

Helen Prejean (book)
Tim Robbins (written by)

Release Date:

12 January 1996 (USA)

Genre:

Crime | Drama

Plot:

A nun, while comforting a convicted killer on death row, empathizes with both the killer and his victim's families.

Plot Keywords:

Catholic | Plain Clothes Nun | Female Nudity | Teaching Empathy | Roman Catholic

Awards:

Won Oscar. Another 17 wins & 11 nominations

Cast

Susan Sarandon	...	Sister Helen Prejean
Sean Penn	...	Matthew Poncelet
Robert Prosky	...	Hilton Barber
Raymond J. Barry	...	Earl Delacroix
R. Lee Ermey	...	Clyde Percy
Celia Weston	...	Mary Beth Percy
Lois Smith	...	Helen's mother
Scott Wilson	...	Chaplain Farlely
Roberta Maxwell	...	Lucille Poncelet
Margo Martindale	...	Sister Colleen
Barton Heyman	...	Capt. Beliveau
Steve Boles	...	Sgt. Neal Trapp
Nesbitt Blaisdell	...	Warden Hartman
Ray Aranha	...	Luis Montoya
Larry Pine	...	Guy Gilardi

MPAA:

Rated R for a depiction of a rape and murder.

Runtime:

122 min

Country:

UK | USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Iceland:16 | Philippines:PG-13 | USA:R (certificate #34133) | Argentina:16 | Australia:MA | Chile:14 | Denmark:16 | Finland:K-16 | Germany:12 | Hong Kong:IIB | Netherlands:16 | Peru:14 | Portugal:M/16 | South Korea:15 | Spain:13 | Sweden:15 | UK:15 | Singapore:PG

Filming Locations:

Angola, Louisiana, USA

Company:

Havoc

Trivia:

After being told that she would be played in the film by "a famous actress from Thelma & Louise (1991)," Sister Helen Prejean was introduced to Susan Sarandon and said "Thank God, she's Louise."

Goofs:

Continuity: The shoulder straps disappear after Matthew's death.

Quotes:

Sister Colleen: If Matt dies, guess who he'll be buried next to?
Sister Helen Prejean: Who's the last person to die?
Sister Colleen: Sister Celestine.
Sister Helen Prejean: Oh Lord.
Sister Colleen: You remember when that sweet little girl in the convent came after her wedding day to introduce her husband to us?
Sister Helen Prejean: Sister Celestine said, "I'm glad I never had to share my bed with a man."
Sister Colleen: She loved her celibacy so much.
Sister Helen Prejean: I know. She's gonna be lying next to a man for all eternity.

Movie Connections:

Featured in "A Current Affair: ACA by Request" (2006)

Soundtrack:

In Your Mind

Watershed

I haven't seen many films that really, truly made me rethink a long-held position or opinion on a thorny issue, but "Dead Man Walking" is one of them.

I read Sr. Helen Prejean's book, upon which this film was based, when it first came out in 1993. At that time I was utterly supportive of capital punishment -- to quote the script, I felt anyone who committed crimes horrible enough to land them on Death Row was an "expendable human being, suckin' up tax dollars." I also had personal experience with the issue when an entire family whom I knew in my childhood were slaughtered by a man who is now on Death Row for his crimes.

As you might imagine, I was disgusted with Sr. Helen's book. I thought that trotting to death row and holding the hand of some scumbag who'd killed innocent people was about the lowest thing anyone could do, and as a Catholic I was offended by the seeming hypocrisy of it.

Because I had disliked the book, I never saw the film until about two weeks ago, when I bought a remaindered copy of it in a video store. I have watched it four times since then, mostly because I am trying to work out my feelings on it. I am still a supporter of capital punishment, but it's going to be less easy for me to ignore the fact that (to quote again), "There's nobody with money on Death Row" -- and quite a few more blacks, now that I think of it, AND the fact that, like Matthew Poncelet's character, the men who are being executed are human beings who have feelings and fears. It's easy to jeer at Matthew on the day before his execution, fretting nervously about whether the lethal injection will "hurt," like a little boy at the doctor's office for a penicillin shot, since his victims' last moments certainly "hurt." What isn't easy is to realize that while the victims of these inmates didn't know they were about to die until it was too late, the inmates themselves have what seems like a blessing at first, but upon deeper examination is the greatest curse: knowing the exact hour and day they will die, and having to face it day by day, hour by hour, minute by minute.

I'm sorry if this review offends people who are sincere death penalty supporters. I still consider myself to be one, but my thinking has been reformed somewhat and I'm more ready to listen to the opponents and try to make compromises; maybe that's what this issue needs more than anything. I will say finally that ONE part of this film did offend me as a Catholic: the symbolic "crucifixion" of Poncelet during the "last words" scene. That was the one place where Robbins strayed from his even-handed approach to the issue -- the only one I could find.

In all, this was a fine film that made me rethink an explosive issue, and I recommend it highly to anyone debating the pros and cons.