Directed by
| Robert Leacock | ||
Cast (in credits order)
Produced by
| Edie Locke | ... | fashion producer |
| Donald Rosenfeld | ... | executive producer |
| Helene Sayad | ... | associate producer |
| Sug Villa | ... | producer |
| Daniel Wolf | ... | executive producer |
Music by
| Leigh Gorman | ||
| Malcolm McLaren | ||
Cinematography by
| Robert Leacock | ||
Editing by
| Milton Moses Ginsberg | ||
Production Management
| Cathy Pellow | ... | production manager |
| Doug Rossini | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Milton Moses Ginsberg | ... | co-director |
| Jason Sands | ... | second unit director |
Sound Department
| Rick Dior | ... | sound re-recordist (as Ric Dior) |
| Enrique Kuhlman | ... | assistant sound |
| Michael Lonsdale | ... | sound |
| Doug Rossini | ... | sound editor (as Douglas Rossini) |
Visual Effects by
| Michael Ventresco | ... | title design |
Camera and Electrical Department
| Anthony Hardwick | ... | assistant camera |
| Tami Reiker | ... | camera: second unit |
| John Romeo | ... | assistant camera |
| Tracey Speilman | ... | assistant camera |
Editorial Department
| Elliott Gamson | ... | negative matcher |
| Dave Pultz | ... | color timer (as David Pultz) |
| James Servin | ... | editorial consultant |
| Philip Shane | ... | assistant editor |
| Michael Yetter | ... | negative cutter |
Music Department
| Tony McAnaney | ... | composer: additional music (as Tony McAnany) |
Additional Crew
| John Alagna | ... | optical supervisor |
| Tony Behar | ... | production assistant |
| Chris Canavaggio | ... | production assistant |
| Robin Melanie Craig | ... | additional interviews |
| Brian Edwards | ... | production assistant |
| Anne Lebreton | ... | production assistant |
| Edie Locke | ... | interviewer |
| Christian Marle | ... | production assistant |
| Marco Pipetone | ... | production assistant |
| Antonello Romeo | ... | production assistant |
