A semi-autobiography of the first 28 years of the director, the Flemish anarchist Jan Bucquoy.A semi-autobiography of the first 28 years of the director, the Flemish anarchist Jan Bucquoy.A semi-autobiography of the first 28 years of the director, the Flemish anarchist Jan Bucquoy.
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This movie is not entirely autobiographical: I think the author takes his life as a model to narrate us the problem of the upbringing youth and their sexual apprenticeship. He starts from his native Harelbeke, a little town in Belgium. His first sexual experience is with "sale culotte" which remains a no-event. He must learn his first kiss, and after all his beginnings are very romantic. Then he moves to Brussels, the university with the demonstrations against Vietnam and where he hopes to start his career as a writer. The film develops in free sketches which show his marriage and divorce and all the lovely girls he meets. After all this film can be shown to kids of ten years old and with some comment by the parents I am sure they will learn a lot which can be very useful for their adult life.
This film starts as a rapid-fire series of childhood memories, narrated by the main char. These episodes all have a sexual flavour. My favourite is the beautiful aunt who never wears knickers and parades around in the nude in front of the young boy, who concentrates only on his painting. But it goes downhill fast after that. The story completely loses focus, and is a lot less sexy. Disappointing, after such a promising start.
9jphv
Before he made movies, Jan Bucquoy was a famous and controversial comic book writer. Based on Vidon and Bucquoy's original graphic novel "La vie sexuelle de JP Leureux, Tout va bien",this first feature is a touching mix of Cynicism and dead pan humor. The story revolves around the chronological thread of the various women of the narrator's life. Whereas the original comic book was built on a succession of many quick portraits and short cynical reappraisals, the film comes out as single ongoing framework, sarcastic, yet tainted with nostalgia. Overwhelmingly successful at indy film festivals around the world, its obscure and rather limited distribution seem to ad a certain cult value. You won't find the video tape at Blockbuster's, but it's out there...
First movie of the belgian conceptual artist and disrespectful director Jan Bucquoy. This film starts the series of the sexual life of the belgians, composed by 4 full-lenght films that introduce subversion in belgian cinema history, also whit an independent production system. You'll not find any explicit sexual sequence, you'll find the representation of a complex ideological system, the history of a non conventional life, the alternative vision of a country that hide aspirations of general revolution of life. Bucquoy build a conceptual cinema that try to destroy the "representation" of the spectacular cinema in order to leave all the place to the ideas. The word "sexual" hides the words "politics","art", "desire", "communication"... it hides all words to reveal the language free by all social deviation. This first movie show 28 years of the life of a man who try to find the best answer to the only really important philosophical question, as the french writer Camus wrote: is it worth living life or not? From his little village in Flandre to Bruxelles, trough sexual relationships, political activism, literature dreams, you will see the existential journey of Jan Bucquoy (the name of the protagonist) who try to grow in the body and in the intellect.
First movie of the belgian conceptual artist and disrespectful director
Jan
Bucquoy. This film starts the series of the sexual life of the belgians,
composed by 4 full-lenght films that introduce subversion in belgian
cinema
history, also whit an independent production system. You'll not find any
explicit sexual sequence, you'll find the representation of a complex
ideological system, the history of a non conventional life, the
alternative
vision of a country that hide aspirations of general revolution of life.
Bucquoy build a conceptual cinema that try to destroy the "representation"
of the spectacular cinema in order to leave all the place to the ideas.
The
word "sexual" hides the words "politics","art", "desire",
"communication"...
it hides all words to reveal the language free by all social
deviation.
This first movie show 28 years of the life of a man who try to find the
best
answer to the only really important philosophical question, as the french
writer Camus wrote: is it worth living life or not? From his little
village
in Flandre to Bruxelles, trough sexual relationships, political activism,
literature dreams, you will see the existential journey of Jan Bucquoy
(the
name of the protagonist) who try to grow in the body and in the
intellect.
Storyline
Did you know
- TriviaIt took director Jan Bucquoy three years to raise the funding for the film. As an artist, Bucquoy had set up a Museum of Underpants, most of which he eventually had to sell to raise money for his film. As it was, his cast and crew worked for free until Bucquoy sold his film overseas.
- Quotes
Daisy: You know why I wanted to make love with you?
Jan Bucquoy: I don't know. My charm, my intelligence?
Daisy: No.
Jan Bucquoy: My eyes, my body?
Daisy: No.
Jan Bucquoy: Having savoured the artist, you fell in love with the man?
Daisy: No.
Jan Bucquoy: You realized immediately I was the man of your love?
Daisy: No. You're the first man I've met who doesn't have a TV.
- ConnectionsFeatures The Stolen Jools (1931)
- SoundtracksIk ben zo eenzaam zonder jou
Written and Performed by Will Tura
Courtesy of éditions Top Music - BMG Ariola
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Top Gap
By what name was La vie sexuelle des Belges 1950-1978 (1994) officially released in Canada in English?
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