Directed by
| Anna Campion | ||
Writing Credits (in alphabetical order)
| Anna Campion | ... | (written by) |
Cast (in credits order) verified as complete
| Oliver Milburn | ... | Neil | |
| Dearbhla Molloy | ... | Therapist | |
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Danny Cunningham | ... | Lance |
| Catherine McCormack | ... | Rose | |
| Thandiwe Newton | ... | Zita (as Thandie Newton) | |
| Nick Patrick | ... | Giles | |
| Biddy Hodson | ... | Charlotte | |
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Mathew Eggleton | ... | Lionel |
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Caleb Lloyd | ... | Young Neil |
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Joe Gecks | ... | Brother on Bike |
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Bridget Brammall | ... | Shop Assistant |
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Tom Welsh | ... | Skinhead |
Produced by
| Ben Gibson | ... | executive producer |
| David Hazlett | ... | producer |
| Caroline Hewitt | ... | producer |
| Bridget Ikin | ... | producer |
| John Maynard | ... | producer |
Music by
| Simon Fisher-Turner | ... | (as Simon Fisher Turner) |
Cinematography by
| Alan Almond | ||
Editing by
| John Gilbert | ||
Casting By
| John Hubbard | ||
| Ros Hubbard | ||
Production Design by
| Alistair Kay | ||
Art Direction by
| James Hambidge | ||
Costume Design by
| Stewart Meachem | ||
Makeup Department
| Fae Hammond | ... | hair & make-up designer / makeup artist |
| Karen Sherriff-Brown | ... | assistant makeup artist (as Karen Sheriff-Brown) |
Production Management
| Sarah Nichols | ... | production supervisor (as Sarah Lucraft) |
| Angela Topping | ... | executive in charge of production: BFI |
Second Unit Director or Assistant Director
| Max Keene | ... | first assistant director |
| Paul Lawrence | ... | third assistant director |
| Stuart Renfrew | ... | second assistant director (as Stewart Renfrew) |
Art Department
| Anthony Cooper | ... | art department trainee |
| David Kennett | ... | art department runner |
| Simon Lamont | ... | assistant art director |
| Peter Mackinnon | ... | assistant art director |
| Sid Palmer | ... | props buyer (as Sidney Palmer) / set dresser (as Sidney Palmer) |
| Paul Wescott | ... | scenic painter |
| Steve Wheeler | ... | property master |
Sound Department
| Nick Adams | ... | adr consultant |
| Ray Beentjes | ... | sound editor |
| Gethin Creagh | ... | re-recording mixer |
| Emma Haughton | ... | dialogue editor |
| Michael Hedges | ... | re-recording mixer |
| Mike Hopkins | ... | dialogue editor |
| Peter Lindsay | ... | sound recordist |
| Helen Luttrell | ... | foley recordist |
| Mervyn Moore | ... | boom operator |
| Ruby Mulraine | ... | sound trainee |
| Steve Murphy | ... | stereo sound consultant: Dolby (as Steven Murphy) |
| John Neill | ... | sound manager |
| Don Paulin | ... | sound editor |
| Sally Stopforth | ... | foley artist |
| Beth Tredray | ... | foley artist |
Visual Effects by
| George Port | ... | cgi animator |
| Murray Reece | ... | cel animator |
| Brian Scadden | ... | opticals |
| Dean Yurke | ... | digital artist |
Stunts
| Jim Dowdall | ... | stunt coordinator |
Camera and Electrical Department
| Alan Almond | ... | camera operator |
| Tony Breeze | ... | focus puller |
| David Brown | ... | electrician (as Dave Brown) |
| Elspeth Collier | ... | still photographer |
| Ricky Hall | ... | grip |
| Mark Laidlaw | ... | electrician |
| Peter Lamb | ... | best boy |
| Oona Menges | ... | clapper loader |
| Reiner Schoenbrum | ... | camera operator: rostrum camera (as Reiner Schoenbrunn) |
| Jean-Paul Seresin | ... | focus puller (as Jean Paul Seresin) |
| Steve Slater | ... | rigger |
| Steven Swannell | ... | gaffer (as Steve Swanell) |
| Owen Tucker | ... | grip trainee |
| Jason Wingrove | ... | camera trainee |
Costume and Wardrobe Department
| Allison Wyldeck | ... | costume assistant |
Editorial Department
| Kathy Dudding | ... | second assistant editor |
| Pat Eastwood | ... | negative matcher |
| Glenis Giles | ... | post-production coordinator |
| Andrea Isaac | ... | trainee assistant editor: UK |
| Melanie Oliver | ... | assistant editor |
| Lynne Reed | ... | color grader (as Lynne Seaman) |
| Julian Scott | ... | negative matcher |
| Sue Thompson | ... | manager: post-production facilities |
Location Management
| Marilla Elliott | ... | location assistant (as Marilla Elliot) |
| Howard Gibbins | ... | location manager |
| Sue Quinn | ... | additional locations |
Music Department
| Andrew Blick | ... | musician: brass |
| Katherine Blick | ... | musician: woodwind |
| Angela Conway | ... | composer: additional music |
| Simon Fisher-Turner | ... | musician: guitar and keyboard (as Simon Fisher Turner) |
| Bruce Gilbert | ... | composer: additional music |
| A.C. Marias | ... | musician: additional music |
| Richard Preston | ... | music engineer |
| Trevor Sharpe | ... | musician: percussion |
| David Sinclair | ... | musician: strings |
| Ian D. Smith | ... | music arranger: rhythm |
Script and Continuity Department
| Russell Murray | ... | script consultant |
| Carol Thompson | ... | script supervisor |
Transportation Department
| Clive Miles | ... | transportation |
| Peter O'Connor | ... | transportation |
| Tony Rudd | ... | transportation |
| Dennis Swan | ... | transportation |
Additional Crew
| Maggie Baron | ... | coordinator: rehearsal |
| Jo Chate | ... | assistant accountant |
| Graham Cooper | ... | credits / title designer |
| Graham Easton | ... | completion bond |
| Maura Ferguson | ... | nurse |
| Rebecca Lovell-Smith | ... | credits / title designer |
| Nick Maude | ... | production trainee |
| Jez Murrell | ... | production runner |
| Sarah Nichols | ... | accountant (as Sarah Lucraft) |
| Neil Pardington | ... | credits / title designer |
| Tori Parry | ... | production coordinator |
| Victoria Rood | ... | producer's assistant: New Zealand |
| Bob Storer | ... | legal services |
| Colin Tyler | ... | laboratory supervisor |
| Susan Williams | ... | production trainee |
