The second annual Chicago Underground Film Festival was held in 1995, at multiple locations in the city, from Thursday, July 20 to Sunday, July 23.
The festival opened on July 20th at the International Cinema Museum with the film What About Me?, directed by Rachel Amodeo. Other highlights included a retrospective of the work of Kenneth Anger, who attended the fest and screened Fireworks (1947), Scorpio Rising (1963) and Kkk (Kustom Kar Kommandos) (1965) at the Congress Hotel, 520 S. Michigan, on Friday, July 21. Winnipeg filmmaker Guy Maddin also attended and screened films on July 23; while the Reverend Ivan Stang of the Church of Subgenius screened films on July 22.
Also, Charles Pinion screened the world premiere of his feature film Red Spirit Lake, which was preceded by the short film The Operation, directed by Jacob Pander and Marne Lucas. Other short films that screened were Desktop and a preview of Monday 9:02 am, both directed by Tyler Hubby.
The festival opened on July 20th at the International Cinema Museum with the film What About Me?, directed by Rachel Amodeo. Other highlights included a retrospective of the work of Kenneth Anger, who attended the fest and screened Fireworks (1947), Scorpio Rising (1963) and Kkk (Kustom Kar Kommandos) (1965) at the Congress Hotel, 520 S. Michigan, on Friday, July 21. Winnipeg filmmaker Guy Maddin also attended and screened films on July 23; while the Reverend Ivan Stang of the Church of Subgenius screened films on July 22.
Also, Charles Pinion screened the world premiere of his feature film Red Spirit Lake, which was preceded by the short film The Operation, directed by Jacob Pander and Marne Lucas. Other short films that screened were Desktop and a preview of Monday 9:02 am, both directed by Tyler Hubby.
- 7/23/2017
- by Mike Everleth
- Underground Film Journal
Michael Galinsky and Suki Hawley‘s Rumur Films is committed to making socially relevant and activist films. Their latest documentary, Who Took Johnny, examines the issue of missing children in America by following the tragic case of Johnny Gosch, a 12-year-old boy who mysteriously disappeared while delivering newspapers one morning in 1982 in West Des Moines, Iowa.
Johnny’s mother, Noreen Gosch, has never given up looking for her son for the past 30 years, even though local law enforcement has never classified her son’s disappearance as a crime.
Rumur Films is currently raising funds on Kickstarter to send DVDs of the completed film to the 50 State Clearinghouses for Missing and Exploited Children that provide valuable resources to missing children, their families and law enforcement agencies.
Plus, the fundraising campaign is also serving to introduce audiences to the entire catalog of Rumur’s productions, many of which have been featured on the Underground Film Journal,...
Johnny’s mother, Noreen Gosch, has never given up looking for her son for the past 30 years, even though local law enforcement has never classified her son’s disappearance as a crime.
Rumur Films is currently raising funds on Kickstarter to send DVDs of the completed film to the 50 State Clearinghouses for Missing and Exploited Children that provide valuable resources to missing children, their families and law enforcement agencies.
Plus, the fundraising campaign is also serving to introduce audiences to the entire catalog of Rumur’s productions, many of which have been featured on the Underground Film Journal,...
- 1/1/2014
- by Mike Everleth
- Underground Film Journal
Filmmaker Michael Galinsky has been named one of thirteen Guggenheim Fellows in film and video for 2012.
For the past 88 years, the John Simon Guggenheim Memorial Foundation has awarded fellowships to scholars, artists, and scientists in a variety of different disciplines in the creative arts, humanities, natural and social sciences. Out of nearly 3,000 applicants in 2012, 181 fellows were chosen.
Galinsky’s most recent film was the documentary Battle for Brooklyn, which he co-directed with Suki Hawley. Seven years in the making, the doc focused on the struggles of a group of Brooklyn residents to prevent their homes from being demolished by an aggressive developer hoping to build a new sports complex with the help of a compliant city government.
Battle for Brooklyn was named runner-up for Bad Lit: The Journal of Underground Film’s Movie of the Year for 2011.
Galinsky is also one-third of Rumur, a multimedia production studio and distributor that...
For the past 88 years, the John Simon Guggenheim Memorial Foundation has awarded fellowships to scholars, artists, and scientists in a variety of different disciplines in the creative arts, humanities, natural and social sciences. Out of nearly 3,000 applicants in 2012, 181 fellows were chosen.
Galinsky’s most recent film was the documentary Battle for Brooklyn, which he co-directed with Suki Hawley. Seven years in the making, the doc focused on the struggles of a group of Brooklyn residents to prevent their homes from being demolished by an aggressive developer hoping to build a new sports complex with the help of a compliant city government.
Battle for Brooklyn was named runner-up for Bad Lit: The Journal of Underground Film’s Movie of the Year for 2011.
Galinsky is also one-third of Rumur, a multimedia production studio and distributor that...
- 4/24/2012
- by Mike Everleth
- Underground Film Journal
I’ve remarked a couple of times on the site in the past that there’s little to no reference sources online for the first two New York Underground Film Festivals, held in 1994 and 1995. The official Nyuff website has had its archives offline for, I think, over a year now. If you go to their site, they simply direct you to what’s available on the site Archive.org. (And, from my own experience, it’s a safe bet not to assume your stuff will be on Archive.org forever — it can really vanish at any minute.)
At Archive.org, the Nyuff archives only go back to 1996. I don’t know if the fest had a web presence those first two years or not, but whether they were ever there, the optimum point is that they’re not there now and probably never will be. And my own personal assumption...
At Archive.org, the Nyuff archives only go back to 1996. I don’t know if the fest had a web presence those first two years or not, but whether they were ever there, the optimum point is that they’re not there now and probably never will be. And my own personal assumption...
- 11/1/2010
- by Mike Everleth
- Underground Film Journal
The term “underground film” has never enjoyed a popular definition. Oh, some writers have attempted formal definitions, but I doubt there will ever be one that is popularly agreed upon. It’s not even a term that can be agreed upon to be used. But, it is used and I personally have billed this site “The Journal of Underground Film,” so I thought I’d give my general perception of what “underground film” might mean to contribute to an ongoing dialogue about it.
And I prefer to consider writing a post like this as contributing to a dialogue because I do not have any interest in trying to build a definition myself. However, what I can say is that “Underground film” is not a genre. Actually, what leads me to use the term “underground” is that it feels to me to be a catch-all for other genres.
Avant-garde, experimental, poem,...
And I prefer to consider writing a post like this as contributing to a dialogue because I do not have any interest in trying to build a definition myself. However, what I can say is that “Underground film” is not a genre. Actually, what leads me to use the term “underground” is that it feels to me to be a catch-all for other genres.
Avant-garde, experimental, poem,...
- 1/12/2010
- by Mike Everleth
- Underground Film Journal
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