Directed by
Paul Zehrer |
Writing Credits (in alphabetical order)
Paul Zehrer |
Cast
Tom Carey | ... | Snuff | |
Carlin Glynn | ... | Arlene | |
Guy Griffis | ... | Jack | |
Melora Griffis | ... | Randi | |
Randy Sue Latimer | ... | Fran | |
Clovis Siemon | ... | Clovis | |
Frank Taylor | ... | Early | |
Gareth Williams | ... | Lyle |
Produced by
Mark Bardorf | ... | co-executive producer |
Christopher A. Cuddihy | ... | co-executive producer (as Chris Cuddihy) |
Joseph Marger | ... | associate producer |
Melissa Powell | ... | producer |
Paul Zehrer | ... | producer |
Music by
Joseph S. DeBeasi |
Cinematography by
Stephen Kazmierski |
Editing by
Andrew Morreale | ||
Paul Zehrer |
Casting By
Cassandra Han | ||
Sheila Jaffe | ||
Georgianne Walken |
Production Design by
Steve Rosenzweig |
Costume Design by
Janie Bryant | ... | (as Katherine Jane Bryant) |
Makeup Department
Janie Bryant | ... | makeup and hair |
Lori Tooker | ... | makeup and hair |
Production Management
Diane Fitzpatrick | ... | unit manager |
Melissa Powell | ... | production manager |
Second Unit Director or Assistant Director
Peter Bove | ... | assistant director |
Art Department
Tim Mlsna | ... | scenic carpenter |
Todd Ossman | ... | scenic carpenter |
Diana Salles | ... | storyboard artist |
Sound Department
Andrea Canovas | ... | foley editor |
Danny Canovas | ... | adr editor / assistant sound editor |
Anthony J. Ciccolini III | ... | sound editor (as Anthony 'Chic' Ciccolini III) |
Derek Felska | ... | production sound mixer |
Joey Garfield | ... | boom operator |
Thomas A. Gulino | ... | sound editor |
Richard Q. King | ... | sound editor (as Richard King) |
George A. Lara | ... | foley engineer |
Alexander Markowski | ... | re-recording mixer |
V. Renee Taylor | ... | assistant sound editor (as Renee Taylor) |
Brian Vancho | ... | foley artist |
Camera and Electrical Department
Will Arnot | ... | second unit gaffer (as William S Arnot) |
Peter Clemence | ... | dolly grip / key grip |
Slater Crosby | ... | assistant camera |
Chad G. Foehringer | ... | second electrician |
Daniel B. Gold | ... | location video: and photographs |
William H. Hobson | ... | grip |
Huey Kinzie | ... | location photography |
Mike Neleson | ... | grip (as Mike Nelesen) |
Melvin Pukowsky | ... | additional photography / gaffer |
William Rexer | ... | second unit assistant camera (as Will Rexer) |
Jefferson Spady | ... | additional photography |
Editorial Department
Danny Canovas | ... | first assistant editor |
Alexander Grannis | ... | apprentice editor |
Alex Reiter | ... | apprentice editor |
Tom Salvatore | ... | color timer |
Benno Schoberth | ... | associate editor |
V. Renee Taylor | ... | assistant editor (as Renee Taylor) |
Debra Wakefield | ... | titles: computer |
Music Department
Pierre Kahn | ... | music editor |
Dave Sinko | ... | music recording engineer |
Script and Continuity Department
Renee Burke | ... | script supervisor (as Renee Foley Burke) |
Additional Crew
Jingles Badkte | ... | caterer |
Susan Christensen | ... | production assistant |
Willie Dudenbostel | ... | animal wrangler |
Howard Nathan Fenick | ... | consultant: astrology |
Gil Frishman | ... | production assistant |
Jennifer Halpern | ... | production assistant |
Charles Preusser | ... | production assistant |
D.R. Reiff | ... | production insurance |
Arden Sampson | ... | dialogue coach |
Dick Sander | ... | animal wrangler |
Todd Sander | ... | animal wrangler |
Carl Schlect | ... | animal wrangler |
Mark Steiner | ... | second unit production assistant |
Thanks
Randy Adamsik | ... | special thanks: the Minnesota Film Commission |
Sara Auerswald | ... | special thanks |
Anna Belanger | ... | very special thanks (as Anna Morreale) |
Greg Brown | ... | special thanks |
Jerry Bruck | ... | special thanks |
Kathie Hersch | ... | special thanks |
Takeo Hori | ... | special thanks |
Nancy Morreale | ... | very special thanks |
Vincent R. Nebrida | ... | special thanks |
Bill Nisselson | ... | very special thanks |
Gary Rawitz | ... | very special thanks |
Danica Sander | ... | this film could not be made without the generous support of |
Deanna Sander | ... | this film could not be made without the generous support of |
Dick Sander | ... | this film could not be made without the generous support of |
Phyllis Sander | ... | this film could not be made without the generous support of |
Todd Sander | ... | this film could not be made without the generous support of |
Cedar Rose Siemon | ... | this film could not be made without the generous support of |
George Siemon | ... | this film could not be made without the generous support of |
Hawkins Siemon | ... | this film could not be made without the generous support of |
Jane Siemon | ... | this film could not be made without the generous support of |
George Simkowski | ... | special thanks: Prime Time Marketing |
Stanley Solheim | ... | special thanks: the Wisconsin Film Commission |
Jackson Vandeberg | ... | special thanks: The Screen Actors Guild |
Irwin Young | ... | very special thanks |
Brandon Lee Zehrer | ... | very special thanks |
Cecile Zehrer | ... | very special thanks |
Conrad Zehrer | ... | very special thanks |
John Zehrer | ... | this film could not be made without the generous support of |
Lee Zehrer | ... | very special thanks |
Mary Zehrer | ... | very special thanks |