| Peter Strauss | ... | Ed MacAffrey | |
| Judith Light | ... | Laura MacAffrey | |
| James Gammon | ... | Jack | |
| Noble Willingham | ... | Riley | |
| Stephen Lee | ... | Chuck | |
| Mary Kane | ... | Susan | |
| Richard Gant | ... | Pope | |
| Reni Santoni | |||
| Carroll Baker | ... | Ruth | |
| Ashley Johnson | ... | Cindy | |
| Michael Rand | ... | Alan | |
| Cliff Bemis | ... | Danny | |
| Nick Angotti | ... | Greg | |
| Guy Killum | ... | Cop #1 | |
| Katherine Cortez | ... | Cop #2 | |
| David Correia | ... | Foreman | |
| Lynn Tufeld | ... | Teacher | |
| Don Maxwell | ... | Cop #3 | |
| Judith Drake | ... | Waitress | |
| Susan Egan | ... | Florist | |
| Robert Gallo | ... | Paramedic | |
| Mitch Binder | ... | Doctor | |
| Terence McCartan | ... | M.C. | |
| Erik Rondell | ... | Mugger |
Directed by | |||
| Harry Winer | |||
Writing credits(WGA) | ||
| Selma Thompson | (written by) and | |
| Jeff Andrus | (written by) | |
Second Unit Director or Assistant Director | |||
| Cynthi Stefenoni | .... | second assistant director | |
Art Department | |||
| Rebecca Carriaga | .... | assistant property master | |
| Grant Sawyer | .... | on-set dresser | |
Sound Department | |||
| Mark L. Mangino | .... | sound effects editor | |
| Bob Redpath | .... | supervising sound editor | |
Stunts | |||
| Gregory J. Barnett | .... | stunt coordinator | |
Costume and Wardrobe Department | |||
| Sabrina Winningham | .... | costume supervisor | |
Other crew | |||
| Michael Parks | .... | location manager | |
| Robert Weibezahl | .... | assistant production coordinator | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
In this heroic effort to show another side of domestic violence, Judith Light, who plays the main character, found herself learning about a situation she'd never dreamed was possible. Yet it is true--there are violent women, and just as the character played by Peter Strauss finds, there is no help for male victims. Light and Strauss give honest portrayals of people caught in an ugly situation.
Although it was fairly accurate for the time regarding police involvement and other details,laws have changed since this movie was made, rendering many details obsolete. Still, it is the *only* movie of its kind, daring to recognize a hidden, albeit politically incorrect reality.