| Photos (see all 8 | slideshow) |
| Colin Firth | ... | Richard Courtois | |
| Ian Holm | ... | Albertus | |
| Donald Pleasence | ... | Pincheon | |
| Amina Annabi | ... | Samira | |
| Nicol Williamson | ... | Seigneur Jehan d'Auferre | |
| Michael Gough | ... | Magistrate Boniface | |
| Harriet Walter | ... | Jeannine Martin | |
| Jim Carter | ... | Mathieu | |
| Lysette Anthony | ... | Filette d'Auferre | |
| Sophie Dix | ... | Maria | |
| Vincent Grass | ... | Bailiff Labatier | |
| Elizabeth Spriggs | ... | Madame Langlois | |
| Raoul Delfosse | ... | Blind George | |
| Justin Chadwick | ... | Gerard d'Auferre | |
| Jean-Pierre Stewart | ... | Sheriff | |
| Emil Wolk | ... | Print Seller | |
| Dave Atkins | ... | Valliere | |
| François Lalande | ... | Builder | |
| Vernon Dobtcheff | ... | Apothecary | |
| Sami Bouajila | ... | Mahmoud | |
| Joanna Dunham | ... | Lady Catherine d'Auferre | |
| Michael Cronin | ... | Dark Stranger | |
| Peter Hudson | ... | Sheriff's Officer | |
| Charles Dale | ... | First Witness | |
| Gordon Langford Rowe | ... | Second Witness | |
| Judy Pascoe | ... | Travelling Player | |
| Roy Evans | ... | Travelling Player | |
| Robert Putt | ... | Travelling Player | |
| Ralph Nossek | ... | Poiccard | |
| Melissa Wilkes | ... | Young Girl | |
| David Larkin | ... | Young Boy | |
| Patricia Psaliopoulos | ... | Peasant Woman | |
| Alain Blazquez | ... | Cuckolded Man | |
| Isabelle Marcoz | ... | Woman in Coach | |
| Marie-Pierre Cascales | ... | Woman in Coach | |
| Jean-Jacques Charliot | ... | Roger Landrier |
Directed by | |||
| Leslie Megahey | |||
Writing credits(in alphabetical order) | ||
| Leslie Megahey | written by | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| John Hooper | |||
Film Editing by | |||
| Isabelle Dedieu | |||
Casting by | |||
| Joyce Nettles | |||
Production Design by | |||
| Bruce Macadie | |||
Art Direction by | |||
| Jane Broomfield | |||
Costume Design by | |||
| Anna Buruma | |||
Makeup Department | |||
| Chantal Antoine | .... | makeup artist: France | |
| Catherine Bruchon | .... | makeup artist: France | |
| Daniel Phillips | .... | makeup artist (as Darren Philips) | |
| Jan Sewell | .... | makeup designer | |
| Victoria Voller | .... | makeup artist | |
Production Management | |||
| Jean-Claude Charrat | .... | production manager: France | |
| David Mason | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pip Short | .... | first assistant director | |
| Debbi Slater | .... | second assistant director | |
| Lindsay Trenholme | .... | second assistant director | |
Art Department | |||
| Brian Hunt | .... | scenic artist | |
| Jacques Mollon | .... | art director: France | |
| Peter Nurse | .... | scenic artist | |
| Laura Richardson | .... | production buyer | |
| Jane Shepherd | .... | art director: UK | |
Sound Department | |||
| Julie Ankerson | .... | foley artist | |
| Jean-Marie Blondel | .... | boom operator | |
| Daniel Brisseau | .... | sound recordist | |
| Gérard Chiron | .... | recording sound engineer | |
| John Fewell | .... | foley artist | |
| Chris Hainstock | .... | sound effects editor | |
| Paul Hamblin | .... | sound re-recording mixer | |
| Andy Kennedy | .... | digital sound effects | |
| Louise Leonard | .... | assistant sound effects editor | |
| Clive Pendry | .... | sound re-recording assistant | |
| Tom Swanscott | .... | adr mixer | |
| Tom Swanscott | .... | foley mixer | |
| Joe Walker | .... | sound editor | |
| Jon Whitson | .... | assistant dialogue editor | |
| Stephen Young | .... | dialogue editor | |
| Dan Edelstein | .... | supervising sound editor: US release (uncredited) | |
| Steve Hancock | .... | sound camera operator (uncredited) | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects | |
| John Van Der Pool | .... | special effects technician | |
Stunts | |||
| Wayne Docksey | .... | stunts | |
| Lesley Garanson | .... | stunts | |
| Pascal Guégan | .... | stunts | |
| Mario Luraschi | .... | stunt coordinator | |
| Pascal Madura | .... | stunts | |
Casting Department | |||
| Pascale Badard | .... | extras casting: France | |
| Cathy Bell | .... | casting assistant | |
Editorial Department | |||
| Jeremy Gibbs | .... | associate editor | |
| Keith Mason | .... | second assistant film editor | |
Music Department | |||
| John Timperley | .... | music recording engineer | |
Other crew | |||
| Jean-Michel Ardoin | .... | location manager: France | |
| Elinor Day | .... | script editor | |
| Wayne Docksey | .... | animal master | |
| Wayne Docksey | .... | horse master | |
| Carol Gardner | .... | script supervisor | |
| Jane Gibson | .... | choreographer | |
| Rhian Llewellyn | .... | finance assistant | |
| Jean-Pierre Morillon | .... | unit runner: France | |
| Richard Morrison | .... | title designer | |
| Jill Pack | .... | production executive | |
| Maggie Phelan | .... | production accountant: Hour of the Pig Productions | |
| Deborah Pope | .... | choreographer | |
| Bridget Raban | .... | finance assistant | |
| Véronique Sartre | .... | production assistant: France | |
| John Smithson | .... | production consultant | |
| Christophe Trahand | .... | unit runner: France | |
| Jane Tranter | .... | script editor | |
| Sarah White | .... | production secretary | |
Thanks | |||
| Harvey Weinstein | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| uncut TV screening | simonlewis01 |
| UK/US | Andy Bolstridge |
| The Hour of the Pig vs. The Advocate | adkmilkmaid |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb France section | Add this title to MyMovies |
I saw this film as "The Advocate," not that it matters, but just so you know. The place where I rented it didn't have the original box, so I had NO idea what the film was about. I was, um, surprised.
Colin Firth plays a 15th-century lawyer (called an advocate) who moves to the country from Paris. He wants to get in touch with the real essence of the law, defending the common folk and such. As it turns out, animals can be charged with crimes as well. Poor Colin finds himself defending rats and a pig in open court. (I could make a really obvious crack about the parallels to the practices of modern law, but that's a tad crass. Truthful, but crass.)
The film's claim that the secret of the movie is along the same lines of "The Crying Game" is surely meant as a joke. Still, the movie spends too much dwelling on the absurdity of defending animals and not enough time finding a story to tell. There is some twaddle about defending a beautiful gypsy woman's pig in a murder trial, but it is never gripping or, sadly, interesting.
The acting make up for the triteness of the story, though. Firth is solid and has some great scenes with the Seigneur who owns the land and the village Firth comes to reside in. There is also a small appearance by the wonderful, underrated, nuanced, subtle IAN HOLM~ as a shady priest. The cast raises the film from the status of sideshow curiosity.
While the "Crying Game" style secret is a reference to the murder case that is (ultimately) shuffled off to the side of the movie, I have no problem revealing another big secret of "The Advocate": the sow is really a hog!!!