Carlito's Way (1993)

Director:

Brian De Palma

Writers (WGA):

Edwin Torres (novels)
David Koepp (screenplay)

Release Date:

10 November 1993 (USA)

Genre:

Crime | Drama | Thriller

Plot:

A Puerto-Rican ex-con, just released from prison, pledges to stay away from drugs and violence despite the pressure around him and lead on to a better life outside of NYC.

Plot Keywords:

Latinos Versus Italians | Paraplegic | Pole Dancing | Gangster Film | Pool Hall

Awards:

Nominated for 2 Golden Globes. Another 1 win

Cast

Al Pacino	...	Carlito 'Charlie' Brigante
Sean Penn	...	David Kleinfeld
Penelope Ann Miller	...	Gail
John Leguizamo	...	Benny Blanco
Ingrid Rogers	...	Steffie
Luis Guzmán	...	Pachanga (as Luis Guzman)
James Rebhorn	...	Dist. Atty. Norwalk
Joseph Siravo	...	Vincent 'Vinnie' Taglialucci
Viggo Mortensen	...	Lalin
Richard Foronjy	...	Pete Amadesso
Jorge Porcel	...	Saso (Ron)
Frank Minucci	...	Tony Taglialucci
Adrian Pasdar	...	Frankie Taglialucci
John Ortiz	...	Guajiro (as John Augstin Ortiz)
Ángel Salazar	...	Walberto

Runtime:

144 min | USA:145 min

Country:

USA

Language:

English | Spanish

Color:

Black and White | Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby

Certification:

Philippines:R-18 | Iceland:16 | Canada:13+ (Quebec) | Singapore:M18 | Canada:PA (Manitoba) | Canada:R (Nova Scotia/Ontario) | Brazil:14 | Portugal:M/16 | Argentina:16 | Australia:MA | Finland:K-16 | France:-12 | Germany:16 (bw) | New Zealand:M | Norway:18 | South Korea:18 | Spain:18 | Sweden:15 | UK:18 | USA:R

Filming Locations:

4th Avenue Subway Station, Brooklyn, New York City, New York, USA

Company:

Bregman/Baer Productions

Trivia:

Carlito's Way is adapted from the novel "After Hours" by Edwin Torres. However, it took the title from Torres' first novel about the rise of crime boss Carlos Brigante so that it would not be confused with Martin Scorsese's New York club-based comedy-drama, After Hours (1985).

Goofs:

Anachronisms: Carlito is shown riding in a subway car that was refurbished in the late 1980s. It has a dark red exterior and a tan interior. In 1975 these cars were painted gray with a blue stripe on the exterior and light blue on the interior.

Quotes:

[Benny Blanco is being beat up by Pachanga]
Carlito: Take him in the alley!
Carlito: [voice-over] Dumb move, man. Dumb move. But it's like them old reflexes comin' back.

Movie Connections:

Featured in The Making of 'Scarface' (1998) (V)

Soundtrack:

Oye Como Va

More human than "Scarface."

"Scarface" was a great operatic film rooted in Greek tragedy, primarily the downfall of its protagonist related to his own hubris and pride. Its over-the-top theatrics and scenery-chewing acting complemented the absurdist tone of the film; some carping critics complained it was "too violent," but it was silly violence...and it worked.

"Carlito's Way" is considered by many to be a companion piece of sorts to "Scarface" - but in its own ways it is vastly different. As "GoodFellas" differed a great deal from "Casino" in its narrative methods, "Carlito's Way" isn't as broad and theatrical as "Scarface." Of course, it's still a DePalma film, and that means we get some beautiful set pieces - but for the most part DePalma avoids his excessive visuals and instead opts for a balanced mixture of both storyline and directorial flair. It is not a sequel to "Scarface" - it is an expansion, and it seems entirely apt that its narrative is more mature, considering that Carlito Brigante (the main character) is wiser than Tony Montana from "Scarface." Carlito is a Puerto Rican ex-con who gets out of a thirty-year jail sentence based on a technicality after serving a mere five years of sentence. Faced with a new life and fresh horizons, he decides to heed the lessons he learned in jail and embark on a new and honest lifestyle.

"Scarface" was Greek tragedy insofar as Tony Montana was doomed to a downfall based on his own egotism and stubbornness. Like Oedipus in Sophocles' classic story, Montana was too bull-headed to take the advice of his wife and friends and was entirely responsible for his own emotional (and, in "Scarface's" case, physical) demise.

"Carlito's Way" is the flip side of the coin. It's still Greek tragedy, but it offers a new perspective. This time, the protagonist tries to change his fate, but his life is doomed to its inevitable conclusion. Carlito tries to change his ways, but - to paraphrase a character from another film - there is only one guarantee...Carlito Brigante will never see heaven. That's the fundamental truth of this movie, and DePalma's less showy camera-work, and the more mature characterizations by the actors, and the believable script, ensure that "Carlito's Way" is an entirely human experience - far more so than "Scarface." (Which is still a great film based on its own goals.)