Directed by
| Eric Weston | ||
Writing Credits (in alphabetical order)
| James Andronica | ... | (uncredited) |
| Darren Dalton | ||
| Freeman King | ... | (screenplay) |
| Freeman King | ... | (story) |
| Kent Perkins | ||
| Eric Weston | ||
Cast (in credits order) complete, awaiting verification
Produced by
| Peter Davy | ... | associate producer |
| Nancy Paloian | ... | producer |
| John Rodsett | ... | executive producer |
| Angela P. Schapiro | ... | producer |
Music by
| Jerry Deaton | ||
Cinematography by
| Irv Goodnoff | ||
Editing by
| Stephen Butler | ||
Casting By
| James F. Tarzia | ||
Art Direction by
| Chuck Dutrow | ... | (as Charles R. Dutrow III) |
Set Decoration by
| David A. Koneff | ||
Costume Design by
| Carol H. Beule | ||
Makeup Department
| Lisa Marie Alpert | ... | assistant makeup artist (as Lisa Rosenberg) |
| Jonathan Alvord | ... | special makeup effects |
| Thomas E. Surprenant | ... | special makeup effects |
| Roberts Taylor | ... | makeup artist (as Lisa Taylor Roberts) |
Production Management
| Nancy Paloian | ... | unit production manager |
Second Unit Director or Assistant Director
| Bruce Franklin | ... | second assistant director |
| Matt Hinkley | ... | first assistant director |
Art Department
| Patrick Butcher | ... | carpenter |
| Michael Crowell | ... | set dresser |
| Chris Grantz | ... | assistant property master |
| Mark Holt | ... | set dresser |
| David E. Leicester | ... | construction coordinator |
| Dave T. MacDonald | ... | carpenter |
| Jayne-Ann Tenggren | ... | lead person |
| Bill Wagner | ... | set dresser |
| Thomas R. Wagner | ... | property master/armorer |
| Steven E. Wise | ... | lead scenic |
Sound Department
| Tom Amelotte | ... | re-recording mixer |
| Joe Barnett | ... | adr editor / foley mixer |
| Lawrence L. Commans | ... | boom operator |
| Madeline Ellis | ... | sound assistant |
| Rod Ellis | ... | supervising sound editor |
| Sylvain Lavallee | ... | sound assistant |
| Laura Macias | ... | foley artist |
| Sean Macias | ... | foley artist |
| Sharon Michaels | ... | foley artist |
| Bruce Murphy | ... | stereo sound consultant |
| Jeff Porrello | ... | boom operator |
| Craig Roberts | ... | sound recordist |
| R. Russell Smith | ... | pre-dubbing mixer |
| Scott Smith | ... | dialogue editor |
| William Smith | ... | re-recording mixer |
| Daniel W. Victor Jr. | ... | stereo sound consultant |
| Rick Waddell | ... | sound mixer |
| Jeffrey R. Whitcher | ... | re-recording mixer / sound effects design editor |
Special Effects by
| G. Bruno Stempel | ... | special effects coordinator |
Stunts
| Bret Davidson | ... | utility stunts |
| BJ Davis | ... | utility stunts |
| Cole S. McKay | ... | stunt coordinator (as Cole McKay) |
| Gary Pike | ... | stunt double: Captain Malouf (as Gary T. Pike) |
| Michael J. Sarna | ... | stunt safety (as Michael John Sarna) |
| Jerry Spicer | ... | stunt double: Egan |
| William Washington | ... | stunt double: becker |
Camera and Electrical Department
| Russ Brandt | ... | gaffer |
| John Crowley | ... | electrician |
| Giampaolo Debole | ... | second assistant camera |
| Scott Ellyn | ... | grip |
| David Fausser | ... | grip |
| Allan Goodnoff | ... | dolly grip |
| Matt Lazich | ... | grip |
| Rob Lewbel | ... | electrician |
| Jeff Mart | ... | steadicam operator |
| Stephen B. Martinez | ... | key grip |
| Michael Martino | ... | first assistant camera |
| Alex C. Michel | ... | best boy |
| Chris Milani | ... | electrician |
| Carlo Papica | ... | electrician |
| Abe Perlstein | ... | still photographer |
| Linda Perry | ... | grip |
| Phillip E. Ryan | ... | crane operator |
| Adam Santelli | ... | best boy electric |
| Paul Taylor | ... | steadicam assistant |
Costume and Wardrobe Department
| Carol H. Beule | ... | associate costume designer |
Editorial Department
| Steve Caldwell | ... | negative cutter |
| Mato | ... | color timer |
| Lynne Warr | ... | assistant editor |
Location Management
| Molly Allen | ... | location manager |
Music Department
| Mason Cooper | ... | composer: additional music |
| Robert Etoll | ... | music supervisor |
Script and Continuity Department
| Dawn C. Dreiling | ... | script supervisor |
Transportation Department
| Julie Hoffmann | ... | driver |
| Alfie Jensen | ... | driver |
| Sal Navarro | ... | driver: honeywagon |
| Mike Osorio | ... | driver: production van |
| Frank Strick | ... | driver |
| Robert L. Young | ... | transportation coordinator |
Additional Crew
| María E. Anaya | ... | assistant to director |
| Craig Bassuk | ... | laboratory contact |
| Greg Bernstein | ... | legal services |
| Don Capoferri | ... | dailies timer (as Don Capefferi) |
| Chris Devlin | ... | stand-in: C. Thomas Howell (as Christopher M. Devlin) |
| Currie Dobson | ... | head chef |
| Michelle R. Erby | ... | production coordinator |
| Sacha Grigorievna | ... | assistant to producer |
| Boots Hart | ... | production accountant |
| Scott E. Hart | ... | cat wrangler |
| Thora Hart | ... | cat wrangler |
| Olympia Hartaver | ... | dog wrangler |
| Ernesto Hernández | ... | assistant chef |
| Julie Hoffmann | ... | production assistant |
| Joe Hornok | ... | dog wrangler |
| Adam Mann | ... | production assistant |
| Conte Mark Matal | ... | key set production assistant (as Conte Matal) |
| Debra L. Peele | ... | assistant coordinator |
| Curland Peterson | ... | insurance |
| Julia Seltz | ... | production assistant |
| Curtis Barrett Thompson | ... | office production assistant |
| Margaret Williamson | ... | stand-in: Lezlie Deane |
| J. Shiho Yoshida | ... | craft service |
Thanks
| Marc Griffith | ... | special thanks |
