Directed by
| Nora Ephron | ||
Writing Credits (WGA)
| Meg Wolitzer | ... | (book) |
| Nora Ephron | ... | (screenplay) & |
| Delia Ephron | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
| Carole Isenberg | ... | executive producer |
| Michael R. Joyce | ... | co-producer |
| Patricia K. Meyer | ... | executive producer |
| Lynda Obst | ... | producer |
Music by
| Carly Simon | ||
Cinematography by
| Bobby Byrne | ||
Editing by
| Robert M. Reitano | ||
Casting By
| Juliet Taylor | ||
Production Design by
| David Chapman | ||
Art Direction by
| Barbra Matis | ||
Set Decoration by
| Jaro Dick | ||
| Hilton Rosemarin | ||
Costume Design by
| Jeffrey Kurland | ||
Makeup Department
| Paul R.J. Elliot | ... | hair stylist (as Paul Elliot) |
| Linda Gill | ... | makeup artist |
Production Management
| Barbara Kelly | ... | production manager |
| JoAnn M. Laub | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Henry Bronchtein | ... | first assistant director |
| Mark D. Currie | ... | trainee assistant director: day calls |
| Karen Lee Hall | ... | second assistant director (as Karen Hall) |
| Ron Oxley | ... | third assistant director |
| Delanie Prasek | ... | trainee assistant director |
| Rose Tedesco | ... | third assistant director |
| Stuart Williams | ... | daily assistant director / trainee assistant director: dailies |
Art Department
| Daniel R. Bradette | ... | property master |
| Bill Harman | ... | construction coordinator |
| Matthew Lammerich | ... | key scenic artist |
| Doug McLean | ... | assistant art director |
| Gustave Meunier | ... | prop buyer (as Gus Meunier) |
| Greg Pelchat | ... | assistant property master |
| Phillip Tellez | ... | on-set carpenter |
| Jeff Ginn | ... | graphic artist/signs (uncredited) |
| Brick Mason | ... | storyboard artist (uncredited) |
Sound Department
| Elisha Birnbaum | ... | foley artist |
| Stan Bochner | ... | supervising sound editor |
| Louis Cerborino | ... | sound editor |
| Richard P. Cirincione | ... | sound editor |
| Lee Dichter | ... | re-recording mixer |
| Stuart Emanuel | ... | sound editor |
| Harriet Fidlow | ... | adr editor (as Harriet Fidlow Winn) |
| Douglas Ganton | ... | sound mixer |
| Harry Higgins | ... | re-recording mixer |
| Kenton Jakub | ... | assistant adr editor |
| Kerry Kelley | ... | re-recording mixer |
| George A. Lara | ... | foley recordist (as George Lara) |
| Tony Martinez | ... | dialogue editor |
| Jay Nierenberg | ... | assistant sound editor |
| Reilly Steele | ... | adr recordist |
| Reynald Trudel | ... | boom operator |
| Brian Vancho | ... | foley artist |
| Peter Waggoner | ... | adr recordist |
Special Effects by
| Arthur Langevin | ... | special effects key |
| Bob Hall | ... | special effects coordinator (uncredited) |
Camera and Electrical Department
| Ray Boyle | ... | gaffer |
| David Crone | ... | camera operator |
| Roger Dean | ... | generator operator |
| Charlie Goodchild | ... | best boy grip |
| Glen Goodchild | ... | dolly grip |
| Wayne Goodchild | ... | key grip |
| Kerry Hayes | ... | still photographer |
| Roy Irvine | ... | grip |
| Cal Kohne | ... | grip |
| Thom Ryan | ... | focus puller |
| Dave Sheridan | ... | clapper loader (as David Sheridan) |
| Davidson Tate | ... | camera trainee |
| Noel Verhoog | ... | camera trainee |
| Ken Wyke | ... | best boy electric |
Casting Department
| Jaki Baskow | ... | las vegas casting |
| Deirdre Bowen | ... | additional casting: Canada |
| Wendy Ettinger | ... | additional casting: New York City |
| Laura Rosenthal | ... | casting assistant |
Costume and Wardrobe Department
| Loreen Lightfoot | ... | seamstress |
| Eric Mendelsohn | ... | assistant costume designer (as Eric R. Mendelsohn) |
| Margaret Mohr | ... | costume supervisor |
Editorial Department
| Yasmine Amitai | ... | apprentice editor |
| Kent Blocher | ... | second assistant editor |
| Alisa Lepselter | ... | first assistant editor |
| Lee Michael Searles | ... | assistant editor |
| Mike Stanwick | ... | color timer |
Location Management
| Joe Barzo | ... | location scout |
| Debra Beers | ... | location scout |
| Donna E. Bloom | ... | location manager: New York |
| Douglas Brisebois | ... | location assistant |
| Vince Nyuli | ... | location manager |
| Gordon Yang | ... | location manager |
| Justin Cooke | ... | location assistant: New York (uncredited) |
Music Department
| Vince Caro | ... | assistant scoring engineer |
| Emile Charlap | ... | music contractor |
| Frank Filipetti | ... | music producer |
| Matthias Gohl | ... | conductor (as Teese Gohl) / music arranger (as Teese Gohl) |
| Michael Kosarin | ... | vocal contractor |
| Nicholas Meyers | ... | music editor |
| Raoul Roach | ... | music coordinator / soundtrack supervisor |
| Anne Sawyer | ... | assistant music editor |
| John Moses | ... | musician: clarinetist (uncredited) |
Script and Continuity Department
| Mimi Wolch | ... | continuity |
Transportation Department
| Bill Jackson | ... | transportation captain |
| Brian O'Hara | ... | transportation coordinator |
| Robert Tenaglia | ... | head driver |
| Roger Wooge | ... | driver: set dressing |
Additional Crew
| Walter Bernard | ... | title designer |
| Patricia Birch | ... | choreographer |
| Toni Blay | ... | production coordinator |
| Linda Callow | ... | stand-in: Julie Kavner |
| T.S. Eliot | ... | writer: "'The Hollow Men' in Collected Poems 1909-1962" |
| Milton Glaser | ... | title designer |
| Sara Holmes | ... | assistant accountant |
| Heather McIntosh | ... | production accountant |
| Maureen McKeon | ... | production secretary |
| Regina Robb | ... | production coordinator |
| Elaine Scott | ... | assistant production accountant |
| Jennifer Scott | ... | assistant: Michael Joyce |
| Geoffrey Smither | ... | set production assistant |
| Betsy Sokolow Sherman | ... | unit publicist (as Betsy Sokolow) |
| Bill Tyler | ... | set production assistant |
| Carmen B. Weets | ... | assistant: Lynda Obst |
