61
Metascore
21 reviews · Provided by Metacritic.com
- 89Austin ChronicleMarc SavlovAustin ChronicleMarc SavlovIt is violent, certainly, but it's also a genuinely excellent film, horrifying and touching and beautiful in a bloody sort of way. A bit like real life, really.
- 75Entertainment WeeklyOwen GleibermanEntertainment WeeklyOwen GleibermanAs an expose of the new wave of racist youth-gang violence, Romper Stomper lacks depth, psychology, a sense of social background. Yet Wright’s flagrant attempt to humanize his skinheads-to turn them into bona fide movie characters-is, in its way, dramatic and vaguely honorable.
- 75Rolling StonePeter TraversRolling StonePeter TraversRon Hagen’s camera work captures the delirium of carnage that drives out rational thought. Ignore the prudes who think you shouldn’t make films about things that scare you. It’s a first line of defense. This Aussie Reservoir Dogs opens up a brutal world that needs to be understood.
- 70The New York TimesStephen HoldenThe New York TimesStephen HoldenWhile enticing you to hate the gang and take delight in everything bad that happens to its members, the film also gives you the vicarious thrill of being one of the gang.
- 60TV Guide MagazineTV Guide MagazineA flawed though compelling eye-opener.
- 60Film ThreatFilm ThreatWhen Romper is firing on all cylinders, it is potent indeed.
- 50Time OutTime OutThe cheap 'message' of the ending fails to salvage a film that at best is well-meant but misguided, at worst, flashy and garbled.
- 50Washington PostDesson ThomsonWashington PostDesson ThomsonIt's merely another violent art house picture, slumming modishly in the world of psycho-personalities, and exhibiting only occasional flashes of originality.
- 50Washington PostRichard HarringtonWashington PostRichard HarringtonDirector Geoffrey Wright, who also wrote the script, is thoroughly ambivalent in his storytelling. It's in his deft filmmaking that Wright slips: By whipping up a visceral ride through a tunnel of hate, and by making several characters likable, he creates a parable of race and rage that offers no moral position.
- 50Los Angeles TimesPeter RainerLos Angeles TimesPeter RainerA great movie could be pulled from this horror but writer-director Geoffrey Wright gets taken in by all the mayhem and clobbering.