Directed by
| Jill Goldman | ||
Writing Credits (in alphabetical order)
| George Gary | ||
Cast (in credits order) complete, awaiting verification
Produced by
| David Andriole | ... | associate producer |
| Chris Beckman | ... | associate producer |
| Matt Devlen | ... | producer |
| Cassian Elwes | ... | executive producer |
| Ted Fox | ... | executive producer |
| Janet Levine | ... | co-producer |
| Jon Reiss | ... | producer |
| Andrew Schuth | ... | associate producer |
Music by
| Rick Cox | ||
Cinematography by
| Gary Tieche | ||
Casting By
| Ferne Cassel | ||
Production Design by
| John Di Minico | ||
Art Direction by
| John Guedon | ||
Set Decoration by
| Gina Goldman | ||
Makeup Department
| Jillian Dempsey | ... | hair stylist (as Jill Fink) / makeup artist (as Jill Fink) |
Production Management
| Elaine Dysinger | ... | unit production manager |
Second Unit Director or Assistant Director
| Malcolm Abbey | ... | second unit director |
| Steve Coatney | ... | second assistant director |
| Harry A. Jarvis III | ... | first assistant director |
Art Department
| Gina Goldman | ... | props |
| Simon Thaler | ... | props |
Sound Department
| Mike Draghi | ... | supervising sound editor |
| Lee Ann Evans | ... | dialogue editor |
| Craig Felburg | ... | production sound mixer |
| Scott Hamre | ... | boom operator |
| Thomas Jones | ... | sound editor |
| Scott Lynch | ... | foley walker |
| Jeff Mar | ... | dialogue editor |
| Cynthia Merrill | ... | dialogue editor |
Special Effects by
| Grant Burdette | ... | special effects consultant |
| Jamie Vesay | ... | special effects coordinator |
Stunts
| Ed Anders | ... | stunt coordinator |
Camera and Electrical Department
| Malcolm Abbey | ... | still photographer |
| Bob Brooks | ... | electrician |
| Mark Doering-Powell | ... | first assistant camera |
| Ted Eachus | ... | key grip |
| Brian Kinzey | ... | electrician |
| Len Levine | ... | gaffer |
| Mary Clare Lingel | ... | director of photography: second unit |
| George A. Olson Jr. | ... | second assistant camera (as George Olson) |
| Hal Reinheimer | ... | best boy grip |
| Dave Rosshirt | ... | best boy electric |
| Larry Roth | ... | additional gaffer |
| Jamie Watson | ... | rigging grip |
| Chris Worland | ... | best boy electric |
| Susan Zwilling | ... | steadicam operator |
Casting Department
| Al Guarino | ... | casting associate |
Location Management
| Ed Allen | ... | location scout |
| Lisa Miller | ... | location scout |
| Yael Russcol | ... | location manager: pre-production |
| Abigail Sheiner | ... | additional location manager |
| Mark Zetler | ... | location scout |
Music Department
| Rick Cox | ... | music producer |
| Paul Di Franco | ... | music supervisor |
| Miguel Elliott | ... | music coordinator |
| John Vigran | ... | music mixer |
Script and Continuity Department
| Lee Lanier | ... | script supervisor |
Transportation Department
| Dave Guerra | ... | additional transportation coordinator |
| Peter Sebring | ... | transportation coordinator |
Additional Crew
| Elisar Cabrera | ... | assistant to producer |
| Ron Gershon | ... | production accountant/production supervisor |
| Larry Larson | ... | pre-production coordinator |
| Randy Parker | ... | product placement coordinator |
| Shelly Strong | ... | production coordinator |
| Victoria Wilson | ... | additional production coordinator |
