Hindi films are known for their romance and it is one of the reasons so many people fall in love with the heroes, the heroines and the films! We asked our writers to tell us what moments in Bollywood define love or romance to them, be it a song, a line, a look, or anything that makes you sigh thinking that is Love! So for Valentine’s Day we present what we think is Romance Bollyishstyle!
The One with the Tune and the Recording
We could not pick just one scene from the great Dil Toh Pagal Hai starring Shah Rukh Khan, Madhuri Dixit, Karishma Kapoor and Akshay Kumar. However, the two that stand out for our writers are:
That moment when Madhuri and Shah Rukh are in adjoining changing rooms in a clothing store, and Madhuri hears him whistle a tune. She later hears it again and knows it was meant to be!
The One with the Tune and the Recording
We could not pick just one scene from the great Dil Toh Pagal Hai starring Shah Rukh Khan, Madhuri Dixit, Karishma Kapoor and Akshay Kumar. However, the two that stand out for our writers are:
That moment when Madhuri and Shah Rukh are in adjoining changing rooms in a clothing store, and Madhuri hears him whistle a tune. She later hears it again and knows it was meant to be!
- 2/12/2015
- by Stacey Yount
- Bollyspice
Mumbai, Nov 17: Actor Avinash Wadhawan has been roped in to play a negative role in popular TV show "Balika Vadhu".
The actor, last seen on the small screen in TV show "Junoon - Aisi Nafrat, Toh Kaisa Ishq", will enter the show to create a ruckus in the life of Jagya (Shashank Vyas) and Ganga (Sargun Mehta.
Avinash, who also worked in films like "Geet", "Junoon" and "Papi Gudia", is excited to be associated with "Balika Vadhu".
"This is the second time I will work with Colors. Earlier, I played Kalishwer in Rajan Shahi's 'Maat Pitaah Ke Charnon Mein Swarg '. This time I will be seen in their flagship show.
The actor, last seen on the small screen in TV show "Junoon - Aisi Nafrat, Toh Kaisa Ishq", will enter the show to create a ruckus in the life of Jagya (Shashank Vyas) and Ganga (Sargun Mehta.
Avinash, who also worked in films like "Geet", "Junoon" and "Papi Gudia", is excited to be associated with "Balika Vadhu".
"This is the second time I will work with Colors. Earlier, I played Kalishwer in Rajan Shahi's 'Maat Pitaah Ke Charnon Mein Swarg '. This time I will be seen in their flagship show.
- 11/17/2013
- by Anita Agarwal
- RealBollywood.com
Movies are looked upon by us all as a form of escapism. Whether we are looking to de-stress after a hard day at work or for a simple shared experience amongst a group of friends, with Bollywood films we find the perfect getaway. These departures from the real world is visual as well as through words and can often leave us wanting to be in the shoes of the characters as they laugh, cry and emote on screen. In an ongoing series, we will be taking a look at a handful of films that made an impact on us, the films we remember that made us fall in love, dance, cry and more. This week’s selection focuses on films that make you want to fall in love…
Maine Pyar Kiya is one such film which is particularly remembered by a generation that grew up in the 80s and 90s.
Maine Pyar Kiya is one such film which is particularly remembered by a generation that grew up in the 80s and 90s.
- 8/23/2011
- by Amrita Tanna
- Bollyspice
“Audiences who are unfamiliar with the codes and convention of Hindi cinema often find it difficult to make sense of song and dance sequences that, they believe, are inserted rather arbitrarily into a film’s narrative. Even among audiences who are avid fans of the so-called Bollywood style of filmmaking, there is a great debate on whether song and dance sequences are unique assets or great detriments to the further growth of Indian cinema.”
– Shanti Kumar, “The Transnational Economy of Film Production in Rajmoli Film City, Hyderabad” in Global Bollywood: Travels of Hindi Song and Dance.
I once read what may be an apocryphal story (I’ve not been able to find a reference to it to include here) that once, the BBC, in an effort to facilitate their programming, decided to shorten the classic film Amar, Akbar, Anthony by editing out the songs, resulting in a slew of phone...
– Shanti Kumar, “The Transnational Economy of Film Production in Rajmoli Film City, Hyderabad” in Global Bollywood: Travels of Hindi Song and Dance.
I once read what may be an apocryphal story (I’ve not been able to find a reference to it to include here) that once, the BBC, in an effort to facilitate their programming, decided to shorten the classic film Amar, Akbar, Anthony by editing out the songs, resulting in a slew of phone...
- 6/21/2011
- by Katherine Matthews
- Bollyspice
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