Did anyone else notice how in many ways this film was a kind of remake of Bertrand Tavernier's "Round Midnight", with a past-his-prime American basketball player in the Dexter Gordon sax-player role? The relationship between him and the Israeli sports journalist is similar to that between Gordan and his French host.
3 Reviews
not just another basketball film
kolnoaMograbi25 October 2013
Saw it quite a while ago, but I do recall it being quite touching. While it's certainly about basketball, it's also quite human. I don't want to give away what makes it special, but the player's initial sense of loneliness (despite his having a girlfriend) in this strange country, where he doesn't know the language and is completely at the mercy of his coach, really comes through. It's the perfect opening for his befriending the NBA-obsessed local sports journalist and through him, his sister. It makes a nice triangle because there's little room for jealousy or possessiveness, as the siblings are loyal to each other to the end. This film will appeal to sports fans and "civilians" alike.
Ashdod loves Pizza Hut
Edi_Drums22 October 2006
Warning: Spoilers
An Israeli film by name; however, the focus on basketball and the style of characterisation suggest that it was made to the American TV-film format. It might as well be an American film set in Israel, given the focus and camera time given to both Garner (as Michael) and the name of a certain multi-national pizza establishment. I know nothing about the 'Encouragement Fund for Quality Israeli Movies' but would not be surprised if it was a US-backed initiative.
This said, the subtle and understated character development of Joel is touching. He develops a strong admiration for Michael. (We are only made fully aware of this by Joel's sister Rachel telling Michael so.) I wonder if the film maker intended for Joel's affection for Michael to reflect Israel's attitude towards the USA? Probably not, though it might be interpreted this way.
It is staggering how quickly cinema ages. The interiors, haircuts, clothing, and cars of the 1990s look dated now.
The high-paced, hand-held photography of the basketball matches is excellent, as is the acting of stumpy crook Amnon.
This said, the subtle and understated character development of Joel is touching. He develops a strong admiration for Michael. (We are only made fully aware of this by Joel's sister Rachel telling Michael so.) I wonder if the film maker intended for Joel's affection for Michael to reflect Israel's attitude towards the USA? Probably not, though it might be interpreted this way.
It is staggering how quickly cinema ages. The interiors, haircuts, clothing, and cars of the 1990s look dated now.
The high-paced, hand-held photography of the basketball matches is excellent, as is the acting of stumpy crook Amnon.
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