Directed by
Brian McKenzie |
Writing Credits
Brian McKenzie | ... | (original screenplay) & |
Deb Cox | ... | (original screenplay) (as Deborah Cox) |
Cast (in credits order) verified as complete
Paul Chubb | ... | Stanley Harris | |
Julie Forsyth | ... | George | |
John Bluthal | ... | Stan Senior | |
Margaret Ford | ... | Sheila Harris | |
Roy Baldwin | ... | Thomas Stearns | |
Bruce Alexander | ... | Geoffrey | |
Beverley Gardiner | ... | Receptionist | |
Shapoor Batliwalla | ... | Grey Unit #1 | |
Burt Cooper | ... | Grey Unit #2 | |
Kenneth MacLeod | ... | Grey Unit #3 | |
Dalibor Satalic | ... | Horrie | |
Tibor Gyapjas | ... | Wayne | |
Janne Coughlin | ... | Tea lady | |
John Murphy | ... | Maintenance Man | |
Iris Shand | ... | Roma | |
Jack Perry | ... | Gordon | |
Robert Menzies | ... | Gerald | |
Denzil Howson | ... | Ces | |
George Zach | ... | Drifter (as George Zogopoulas) | |
Walter McKenzie | ... | Stan & George's Son | |
Brian McLean | ... | Young boy | |
John Forsythe | ... | Father | |
Colin Batrouney | ... | Bible Reader | |
Myles Sharpe | ... | Bible Reader | |
Valma Pratt | ... | Barbara | |
Takao Nakazawi | ... | Wedding Photographer | |
Lachlan Macdonald | ... | Radio Announcer | |
Joshua Martin | ... | George & Stan's Baby |
Produced by
Margot McDonald | ... | producer |
Music by
Michael Atkinson |
Cinematography by
Ray Argall |
Editing by
Edward McQueen-Mason |
Casting By
Gregory Apps | ||
Liz Mullinar |
Production Design by
Daryl Mills |
Costume Design by
Rose Chong |
Makeup Department
Kirsten Veysey | ... | make-up and hair |
Production Management
Leigh Ammitzboll | ... | unit manager |
Lesley Parker | ... | production manager |
Second Unit Director or Assistant Director
Paul Healey | ... | first assistant director |
Stephen Saks | ... | second assistant director |
Art Department
Murray Kelly | ... | property buyer |
Daryl Porter | ... | stand-by props |
Sound Department
Craig Beggs | ... | boom operator |
Steve Burgess | ... | sound mixer |
Lloyd Carrick | ... | sound recordist |
Edward McQueen-Mason | ... | sound effects editor |
Livia Ruzic | ... | dialogue editor |
Roger Savage | ... | sound mixer |
Steve Burgess | ... | foley recordist (uncredited) |
Special Effects by
Jeff Little | ... | special effects technician |
Peter Stubbs | ... | special effects |
Stunts
Ed McShortall | ... | safety officer |
Camera and Electrical Department
Warik Lawrance | ... | clapper loader |
David Lindsay | ... | focus puller / second unit camera |
Jennifer Mitchell | ... | still photographer |
Ian Park | ... | key grip |
Nick Payne | ... | gaffer |
Daryl Pearson | ... | best boy |
Alistair Reilly | ... | grip |
Editorial Department
Warick Crane | ... | assistant editor |
Paul Cross | ... | negative matcher |
Ian Letcher | ... | color grader |
Location Management
Leigh Ammitzboll | ... | location manager |
Marcus Hunt | ... | location scout |
Script and Continuity Department
Ann Beresford | ... | continuity |
Additional Crew
Amanda Crittenden | ... | production coordinator |
John Fox | ... | armorer |
Andrew Power | ... | runner |
Malcolm Thompson | ... | titles design |
Robert Threadgold | ... | production accountant |