Directed by
| Simon Target | ||
Writing Credits
| Simon Target | ... | (screenplay) & |
| Ross Wilson | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
| Charles Target | ... | executive producer |
| Simon Target | ... | executive producer |
| Sue Wild | ... | producer |
Music by
| Nigel Westlake | ||
Cinematography by
| Tom Cowan | ||
Editing by
| Nicholas Holmes | ||
Production Design by
| Ross Major | ||
Art Direction by
| Michael Thomas | ||
Costume Design by
| Andrea Hood | ||
Production Management
| Vanessa Brown | ... | production manager |
| Charles Kiroff | ... | unit manager |
Second Unit Director or Assistant Director
| Michael Bourchier | ... | first assistant director |
| Emma Schofield | ... | second assistant director |
| Martin Williams | ... | third assistant director |
Art Department
| Tony Cronin | ... | props buyer / set dresser |
| Robert Moxham | ... | stand-by props |
| Vicki Niehus | ... | props buyer |
| Stuart Polkinghorne | ... | art department runner |
| Deborah Wilde | ... | art department coordinator |
Sound Department
| Steve Burgess | ... | foley mixer |
| Benita Carey | ... | assistant sound editor |
| Elle Glasson | ... | assistant sound editor |
| Catherine Gross | ... | boom operator (as Cathy Gross) |
| Phil Heywood | ... | re-recording mixer |
| Carryl Irik | ... | assistant sound editor |
| Ross Linton | ... | sound recordist |
| Gerry Long | ... | foley artist |
| James Manché | ... | dialogue and adr editor (as James Manche) |
| Martin Oswin | ... | re-recording mixer |
| Paul Pirola | ... | foley recording |
| Andrew Plain | ... | supervising sound editor |
| Angus Robertson | ... | a.d.r. mixer |
Special Effects by
| Kahli Gaskin | ... | special effects assistant |
| Paul Gorrie | ... | special effects technician |
| Chris Murray | ... | special effects supervisor |
Visual Effects by
| Roger Cowland | ... | visual effects |
Stunts
| Dean Bennett | ... | stunt performer |
| Glenn Boswell | ... | stunt coordinator |
Camera and Electrical Department
| David Foreman | ... | second camera |
| Jon Goldney | ... | key grip |
| Trevor Grantham | ... | assistant grip |
| Mike Kelly | ... | focus puller |
| Leith Klaffer | ... | electrician |
| Tom Moody | ... | gaffer |
| Dave Smith | ... | best boy (as David Smith) |
| Jim Townley | ... | still photographer |
| Lyddy Van Gyen | ... | clapper loader |
Costume and Wardrobe Department
| Andrea Hood | ... | wardrobe supervisor |
| Tracey Hyde-Moxham | ... | assistant wardrobe |
| Blaize Major | ... | assistant standby wardrobe |
Editorial Department
| Carryl Irik | ... | assistant editor |
| Tony Manning | ... | color grading |
| Karen Psaltis | ... | negative matching |
| Denise Wolfson | ... | laboratory liaison |
Location Management
| David Lightfoot | ... | location manager |
Script and Continuity Department
| Larraine Quinnell | ... | continuity |
Additional Crew
| Basil Appleby | ... | production executive |
| John Brousek | ... | production accountant |
| Regina Lauracella | ... | production coordinator |
| Ross Wilson | ... | creative consultant |
