Roller Coaster Rabbit (1990)
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- PG
- 7min
- Animation, Short
- 15 Jun 1990 (USA)
- Short
Roger Rabbit struggles to keep wandering Baby Herman safe in an amusement park where the usual havoc ensues.
Directors:
Writers:
Photos and Videos
Complete, Cast awaiting verification
| Charles Fleischer | ... |
Roger Rabbit (voice)
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| Kathleen Turner | ... |
Jessica Rabbit (voice)
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| April Winchell | ... |
Young Baby Herman / Mrs. Herman (voice)
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| Lou Hirsch | ... |
Adult Baby Herman (voice)
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| Corey Burton | ... |
Droopy Dog (voice)
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| Frank Welker | ... |
Bull (voice)
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| Damian London | ... |
Fritz
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Joni Barnes | ... |
Secretary
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Jim Bracken | ... |
Cameraman
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Ancel Cook | ... |
Fireman
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| Rest of cast listed alphabetically: | |||
| Charlie Adler | ... |
Carnival Barker (uncredited) (voice)
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Directed by
| Frank Marshall | ... | (live action director) |
| Rob Minkoff | ... | (animation director) |
Written by
| Gary K. Wolf | ... | (characters) |
| Bill Kopp | ... | (story) & |
| Kevin Harkey | ... | (story) & |
| Lynne Naylor | ... | (story) & |
| Patrick A. Ventura | ... | (story) |
Produced by
| Thom Enriquez | ... | associate producer |
| Donald W. Ernst | ... | producer |
| Kathleen Kennedy | ... | executive producer |
| Frank Marshall | ... | executive producer |
| Steven Spielberg | ... | executive producer |
Music by
| Bruce Broughton | ||
Editing by
| Chuck Williams | ||
Editorial Department
| Beth Ann Collins | ... | assistant editor |
| Beth Collins-Stegmaier | ... | assistant editor (as Beth Ann Collins) |
| Sharon Smith Holley | ... | first assistant editor |
| Bill Wilner | ... | assistant editor |
| Raymond Grabowski | ... | colorist (uncredited) |
Art Direction by
| Kelly Asbury | ... | (as Kelly A. Asbury) |
Production Management
| Tim O'Donnell | ... | production manager |
| Scott Thaler | ... | unit production manager: live-action sequence |
| Jeffrey Katzenberg | ... | executive in charge of production (uncredited) |
Second Unit Director or Assistant Director
| Bruce Cohen | ... | second assistant director: live action photography unit |
| J. Michael Haynie | ... | first assistant director: live action photography unit |
Art Department
| William J. Durrell Jr. | ... | art director: live action photography unit |
| Robert Lucas | ... | set decorator: live action photography unit (as Bob Lucas) |
| Doug Sieck | ... | set dresser (uncredited) |
Sound Department
| Louis L. Edemann | ... | sound effects editor |
| Richard C. Franklin | ... | sound effects editor (as Richard C. Franklin Jr.) |
| Ellen Heuer | ... | foley artist |
| David J. Hudson | ... | sound mixer |
| Mel Metcalfe | ... | sound mixer |
| Drew Neumann | ... | sound designer (as Drew Neuman) |
| Terry Porter | ... | sound mixer |
| John Roesch | ... | foley artist |
| Greg Orloff | ... | foley mixer (uncredited) |
| Carolyn Tapp | ... | foley recordist (uncredited) |
Special Effects by
| Calvin Joe Acord | ... | special effects: live action sequence (as Calvin Joe Accord) |
Visual Effects by
| Rob Bekuhrs | ... | special effects animator |
| Christine Blum | ... | special effects animator (as Christine Harding) |
| Allen Blyth | ... | special effects animator (as Wm. Allen Blyth) |
| Dave Bossert | ... | special effects animator |
| Dan Chaika | ... | special effects animator |
| Susan Adele Colletta | ... | visual effects producer: ILM |
| Barry Cook | ... | special effects animator |
| Jeff Dutton | ... | special effects animator |
| Michael Gleason | ... | visual effects editor: ILM |
| Ed Jones | ... | visual effects supervisor: ILM (as Ed L. Jones) |
| Brad Kuehn | ... | optical photography supervisor: ILM (as Brad C. Kuehn) |
| Dorse A. Lanpher | ... | special effects animator |
| Steve Starr | ... | special effects animator |
| James Tooley | ... | special effects animator (as James R. Tooley) |
| Eusebio Torres | ... | special effects animator |
| Kevin Turcotte | ... | special effects animator |
| David J. Rowe | ... | compositor (uncredited) |
| Tony West | ... | effects inbetween artist (uncredited) |
Camera and Electrical Department
| Mary Lescher | ... | camera operator (as Mary E. Lescher) |
| Hiro Narita | ... | director of photography: live action photography unit |
| Gary W. Smith | ... | camera operator |
Animation Department
| Jo Anne Adams | ... | ink and paint artist (as Jo Anne Tzuanos) |
| Kathy Altieri | ... | background artist (as Katherine Altieri) |
| Laurie Ashbourne | ... | ink and paint artist (as Laurie A. Sacks) |
| Tom Bancroft | ... | assistant animator |
| Tony Bancroft | ... | assistant animator |
| Philo Barnhart | ... | assistant animator |
| James Beihold | ... | layout artist |
| Aaron Blaise | ... | assistant animator |
| Philip S. Boyd | ... | inbetween artist |
| Jason Buske | ... | ink and paint artist (as Jason L. Buske) |
| Irma Cartaya-Torre | ... | ink and paint artist (as Irma Cartaya) |
| Greg Chin | ... | ink and paint artist |
| Pam Darley | ... | ink and paint artist (as Pamela Manes) |
| Lou Dellarosa | ... | assistant animator |
| Janet English | ... | ink and paint artist |
| Sam Ewing | ... | assistant animator |
| Christine Lawrence Finney | ... | inbetween artist (as Christine Lawrence) |
| Trey Finney | ... | inbetween artist |
| Susan Gal | ... | inbetween artist |
| Daniel A. Gracey | ... | assistant animator |
| Bridgitte Hartley | ... | animator (as Brigitte Hartley) |
| Mark Henn | ... | animator |
| Ken Hettig | ... | inbetween artist |
| Mark Kausler | ... | animator |
| Robert Kerr | ... | ink and paint artist |
| Al Kirsten | ... | ink and paint artist |
| Fran Kirsten | ... | ink and paint artist |
| Alex Kupershmidt | ... | animator |
| Tracy Mark Lee | ... | inbetween artist (as Tracy M. Lee) |
| Michael D. Lusby | ... | ink and paint artist (as Michael Lusby) |
| Monica Mendez | ... | ink and paint artist |
| Matt Novak | ... | inbetween artist |
| Victoria Novak | ... | ink and paint artist (as Victoria L. Winner) |
| Jennifer Oliver | ... | inbetween artist |
| Lisa Reinert | ... | ink and paint artist (as Lisa A. Reinert) |
| Lynn Rippberger | ... | ink and paint artist (as Laura Lynn Rippberger) |
| Elsa Sesto | ... | ink and paint artist (as Elsa V. Sesto) |
| Andrew Simmons | ... | ink and paint artist |
| Alan Simpson | ... | assistant animator |
| Ric Sluiter | ... | background artist |
| Robert E. Stanton | ... | background artist |
| Paul Steele | ... | animation checker |
| David Stephan | ... | animator (as David P. Stephan) |
| Barry Temple | ... | animator |
| Jane Tucker | ... | assistant animator |
| Pam Vastbinder | ... | ink and paint artist |
| Sharon Vincent | ... | ink and paint artist (as Sharon K. Vincent) |
| Robert Walker | ... | layout artist |
| Mark Wallace | ... | layout artist |
| Dan Wawrzaszek | ... | inbetween artist (as Daniel Wawrzaszek) |
| Loretta Weeks | ... | ink and paint artist |
| Alexander Williams | ... | animator |
Music Department
| Don Nemitz | ... | orchestrator |
| Craig Pettigrew | ... | music editor |
| Tom Brown | ... | music preparation (uncredited) |
| Malcolm McNab | ... | musician: trumpet (uncredited) |
| Armin Steiner | ... | scoring mixer (uncredited) |
Additional Crew
| Darrell Brown | ... | production accountant (as Darrell L. Brown) |
| Matthew Garbera | ... | production runner |
| Janet McLaurin | ... | production assistant |
| Barbara J. Poirier | ... | production secretary (as Barbara Poirier) |
| Steve Starkey | ... | toon wrangler: live action photography unit |
| Hollis Trainer | ... | production secretary |
| Burke Mattsson | ... | title designer (uncredited) |
Production Companies
- Amblin Entertainment
- Silver Screen Partners IV
- Touchstone Pictures
- Walt Disney Animation Studios
- Walt Disney Feature Animation Florida (produced at)
- Walt Disney Feature Animation
- Walt Disney Pictures
Distributors
- Buena Vista Pictures Distribution (1990) (United States) (theatrical) (as Buena Vista Pictures Distribution Co., Inc.)
- Buena Vista International (1990) (India) (theatrical)
- Warner Bros. Pictures (1990) (Argentina) (theatrical)
- Warner Bros. (1990) (Germany) (theatrical)
- Warner Bros. (1990) (Ireland) (theatrical)
- Warner Bros. Transatlantic (1990) (France) (theatrical)
- Warner Bros. (1990) (Italy) (theatrical)
- Warner Española S.A. (1990) (Spain) (theatrical)
- Warner Bros. Entertainment Finland (1990) (Finland) (theatrical)
- Warner Bros. (1990) (Netherlands) (theatrical)
- Buena Vista Home Entertainment (2003) (United States) (DVD)
- Buena Vista International (2003) (Finland) (DVD)
- Buena Vista International (Spain)
- Disney+ (2020) (Australia) (video) (VOD)
- Touchstone Pictures Home Entertainment (2003) (Mexico) (DVD) (included as bonus in "Who Framed Roger Rabbit")
- Walt Disney Home Video (1996) (United States) (VHS)
- Walt Disney Studios Home Entertainment (2013) (Finland) (Blu-ray)
Special Effects
Other Companies
- Buena Vista Visual Effects (titles and opticals)
- Dolby Stereo (in selected theatres)
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurisdiction of)
- TAJ Soundworks (foley)
- Technicolor (color)
- Turner Entertainment ("Droopy Dog" is a trademark of)
Storyline
| Plot Summary |
Roger has to watch over Baby at a fair while Mother Herman goes off to have her palm read. Baby Herman wanders off in pursuit of his prized red balloon, and Roger dutifully tries to help.
Written by Renee Ann Byrd |
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| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Trivia | Originally a special in-joke was planned. It was to have taken place when Roger and Baby Herman reached the top of the roller coaster's ridiculously high first lift hill. At the top would have been a crossroads with a traffic light that turned red, pausing the pair's car. At this point, the "Long Car" was have zoomed through the intersection in front of them. Riding in this roller coaster train was supposed to have been every single animated character that has ever appeared in a Disney film. Mickey and Minnie were to have been seated in the front car, while Monstro the Whale from Pinocchio (1940) would have been towering over everyone from his seat at the very back of the train. Disney animators worked for weeks to get this brief flash of a scene just right. Ancient model sheets pulled from the studio's animation research library, to make sure every single character looked perfect. Where each character should go on the train was endlessly debated. However, despite all the effort put into the gag, it had to eventually be cut. If the "Long Car" zoomed through the scene as fast as it was originally supposed to, none of the audience would have been able to recognize any of the characters. But if it was slowed down, it threw off the frantic pace of the rest of the short. So the joke was left on the cutting room floor. See more » |
| Movie Connections | Edited into The Best of Roger Rabbit (1996). See more » |
| Soundtracks | Orange Blossom Special See more » |
| Crazy Credits | Toon Wrangler: Steve Starkey See more » |
| Quotes |
Fritz:
My first film! My masterpiece is ruined! You clumsy idiot! Roger Rabbit: But you don't understand! Fritz: You call yourself an actor! Roger Rabbit: It's not my fault! Fritz: Now, you go back and do this entire scene again! Roger Rabbit: Not this hare, cue ball. [Runs into a Maroon Cartoon title card with the words "THE END" on top of it] See more » |