Buried Alive (1989) Poster

(1989)

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4/10
Edgar Allan Poe's Buried Alive: a stupid horror movie with practically nothing to do with Poe
FieCrier11 July 2005
A woman leaves the Raven Croft Mental Facility, which for some reason is filled with only women who do not seem insane, but more like juvenile delinquents (played by women in their 20s and 30s, to be sure). Outside, she's attacked by a short person in a Ronald Reagan mask and pushed through a trapdoor down a very long chute. Mr. Reagan shows up at the bottom of the chute seconds later, suggesting he has his own chute nearby or an express elevator. It was lucky for him her escape route passed by his trapdoor anyway.

The late Reagan is infamous for (among many other things!) being responsible for the closing of federally funded mental institutions, essentially kicking many patients out onto the streets. I wonder if this movie was trying to comment on that, in its own stupid way. The "Ronald Reagan Home for the Mentally Ill" in Airplane II may have been making a jab at the same thing. Anyway, a Reagan mask isn't really scary-looking. Even though it seems to be painted a solid color, suggesting the William Shatner mask in Halloween, it still looks like a caricature of Reagan, and thus, silly.

The next day a young woman shows up at the facility to be a teacher. On the way she has a Psycho moment when a sunglasses-wearing cop (Vosloo, years before the Mummy!) finds her asleep in her car. At the institution, she has some odd hallucinations relating to people falling down the chute (which she's never seen) or being walled up behind bricks.

And about those bricks - the killer walls people up behind a single row of red bricks which he does not appear to cement together. Even though he puts his prisoners in straitjackets, they could still simply push against the wall and have it fall down.

Donald Pleasance has a character that is ridiculous and serves practically no purpose except to be weird. John Carradine shows up for all of about ten seconds. I understand in his later years people would film him doing something, before even having an idea of what to do with it, just so they could put him in their movie. Perhaps this fits in with that.

Robert Vaughn looks, sounds, and dresses the same in this as in everything else I've seen him in. C'mon, an accent, some facial hair, and different haircut, do something to make your character superficially different! Or is it the director's fault?

The movie is definitely not adapted directly from Poe. It suggests The Black Cat, The Premature Burial, The Fall of the House of Usher, The System of Doctor Tarr and Professor Fether among others, without really having much to do with any of them except superficially.
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4/10
Watch it for the old, crazy actors
Leofwine_draca19 December 2015
Warning: Spoilers
One of a slew of Edgar Allen Poe adaptations released in the late 1980s/early 1990s by cheapo producer Harry Alan Towers, which also included THE HOUSE OF USHER and THE PIT AND THE PENDULUM. To be kind, we could have done without these films but they did offer something in the way of atmosphere and also included ageing movie stars overacting as madmen (Oliver Reed, Donald Pleasence, Robert Vaughn to name but three). This one was filmed in South Africa (due to budget costs perhaps?) and is not based on any one Poe story, instead using devices such as bricking up alive and burying alive (really?) from some of the author's stories. BURIED ALIVE is actually not that bad, and it passes the time amiably enough, with occasional flashes of inspiration. However the film is lifted by a single factor which I'll discuss later. Firstly, though, the bad points.

The film is incredibly clichéd. Most of the deaths are standard slasher fare - trowel in the head (remember NIGHT OF THE LIVING DEAD folks? It was innovative there, not here.), a girl getting her hair torn out by a blow dryer gone mad. The main actors in BURIED ALIVE are a group of high school girls, and let's just say that these girls are not the best of actors. All have big '80s hair, all are incredibly obnoxious and seem to have been chosen for their ability to stand around in revealing clothes rather than any depth or insight for their roles. I don't know but I'm pretty much sick and tired of seeing obnoxious American teenagers like these who seem to permeate every single horror film of the 1980s and 1990s. The main heroine too is a peroxide blonde who is annoyingly bubble headed and screams a lot. I find this kind of portrayal sexist and hey, I'm not even a girl!

However bad the acting on show here, it's countered by enlivened performances from three stars whose names should mean something even to those who are not horror fans: these are John Carradine, Donald Pleasence and Robert Vaughn. Carradine has only a tiny role as a wheelchair bound, long haired psycho but he's pretty effective in a lunatic, giggling madly kind of way. Interestingly this was Carradine's last performance in a film before he died of natural causes, the film is dedicated to his memory accordingly. Also on hand we have Donald Pleasence, another actor nearing the end of his career. While his performance isn't as over the top as in THE HOUSE OF USHER, he's pretty cool as a weirdo doctor bloke who wears a spooky toupee and eats from a bag of sweets all the time. In fact his role is a lot of fun and he is his usual creepy self. However Carradine and Pleasence have relatively minor roles whereas the brunt of the overacting lies on Robert Vaughn, the Man from UNCLE himself! Although Vaughn starts off as a dignified scientist, by the end he is an axe wielding maniac! Yes, this is the only film which has the dubious distinction of Robert Vaughn running amok with an axe. And it certainly is a sight to see.

Apart from Vaughn's frenzied performance, there is a palpable air of Gothic menace hinted at in a few scenes (although not nearly enough), especially in the dungeons below the school. The nightmare scenes with the bulging wall are also good, the special effects here are tremendous. Ants feature prominently in the horrific areas, and they do pretty much make your spine tingle, I hate insects and their use here is an effective one, creating real feelings of repulsion. There is an excellent scene where two dead characters are buried with only their heads showing, and Janet finds the rotted heads crawling with ants! Another classroom scene is not for the squeamish and involves sheep's eyeballs and yep, you guessed it, more ants. Altogether this film is quite average and nothing special, yet it's not as bad as it could have been and it is elevated by Robert Vaughn's hysterical performance.
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4/10
Seen Worse
glenmatisse22 July 2021
Pleasence, Vaughn, and porn queen Allen are entertaining trying to make sense of a silly script that's like a cross between a cruddy Euro gialli and a made for TV suspenser. Most of the other actors appear to be phoning in their performances from another planet. Some of the cinematography has some thought and care put into it and there's one death scene via hand mixer that's a tad inspired, but it's not enough to make it worth sitting through this again.
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Buried Alive 1990
lazarillo20 April 2014
This movie is supposedly based on Edgar Allen Poe, but aside from a cat and some people being entombed behind a wall, I'm not so sure. (And it also seems to involve ants, lots and lots of ants). It takes place at some kind of institute for sexy, delinquent, orphaned female mental patients. (I would gladly work as the unpaid janitor at one of these places, but they only seem to exist in the movies). The name actors in this movie are Robert Vaughn, Donald Pleasance, and John Carradine (in what would be his final film). You may question the judgment of these actors in appearing in this film, but when did any of these guys ever show any judgment? I would question the judgment of the producers in their choice of the female cast. The lead is Karen Witter, a former Playboy Playmate. Very few Playmates are known for their acting abilities and Witter is definitely NOT doing what she does best here. You could probably say the same thing about Ginger Lynn Allen, at that time in a hiatus period of her XXX porn career. But at least she has brief nude scenes (well, sort of) and is not very convincing, but still somewhat entertaining as the tough "queen bee" of the institution.

The French director of this, Gerard Kinkoine, is also an interesting choice. He WAS technically a porn director, but he was one of the more talented "softcore" directors like Just Jaeckin, Jean Rollin, Walerian Borozyx, and Max Pecas rather than simply a hardcore hack. Almost all these European directors ended up working in off-Hollywood American co-productions like this at the end of their careers, but it was actually a step down for them (whereas for Ginger Allen it was a definite step-up from "servicing" the likes of Ron Jeremy and Jerry Butler).

This is OK I guess overall. I probably won't sue to get the 90 minutes of my life back. . .
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4/10
Bore Gore
wilvram23 June 2020
A pedestrian, confusing and inadequately constructed horror, whose only connections to Poe are the theme of premature burial and the arbitrary appearances of a black moggy. Stars Robert Vaughn and Donald Pleasence were hardly noted as being discriminatory in their choice of roles, while Karen Witter's lack of acting experience is all too evident. Ginger Lynn Allen who displays more spirit would have been a better bet for the part. There are probably not quite enough gory murders and sadism for those who relish such carnage, and more than sufficient for the rest of us. John Carradine is glimpsed only fleetingly towards the end.
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3/10
And this has WHAT to do with Poe?
larsgorzelak21 June 2002
Compared to some of the other films based on Poe short stories that were made during the late eighties - Alan Birkinshaw's "The House of Usher" and Fred Olen Ray's "Haunting Fear" to name a couple - former porn director Gerard Kikoine's "Buried Alive" isn't all that bad ... but then again, that's not saying much. In fact, it is extremely difficult to make sense of it, and I for one couldn't help being annoyed by Donald Pleasance's character Dr. Scheffer. He has the obligatory German accent and a fake looking wig to boot, and for some reason he is presented in closeups most of the time. A real pity that this turned out to be horror legend John Carradine's last picture. I don't know whether he died during filming or after the film had been made, but for his sake I hope that he left before he got a chance to see it. Watch Stuart Gordon's "The Pit and the Pendulum" - or even better, Dario Argento's contribution to 1991's "Two Evil Eyes" - instead.
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2/10
Awful! Do not waste your money.
mm-396 September 2002
This film is awful. I rented it because at our store it was $0.99 Thursday rental. The movie was very slow paced and did not keep one's attention. Robert Vaughn has got to be one of the worst actors. Has he ever done anything other than B movies. No. He is that bad. Donald Pleasence was casted, but had such a small role that one could not judge his abilities. The only part I did like was the brick work which is movie is loosely based on. 2/10
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2/10
mildly amusing garbage
ThrownMuse8 March 2007
Is this Poe or a sequel to "Reform School Girls"?! The plot has something to do with a young teacher who arrives at a girls' mental facility (or is it a home for delinquent girls?) to discover that some of them are disappearing without a trace. It turns out they're being sucked through the ground into little tubes for whatever ominous reason. My favorite scene is when a teen girl (who looks 35) is curling her hair in the kitchen with a mixer (!) and ends up getting scalped with it. There's something fabulously trashy about this movie, but it has no right to carry the Edgar Allen Poe moniker before it's title. It has about as much to do with Poe as it does with Shakespeare.
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1/10
Edgar ALLEN Poe, not Edgar Allan Poe!
pmicocci-1890814 August 2021
Warning: Spoilers
Apparently the inspiration for this woof fest was a story or stories by some obscure person called Edgar Allen Poe (guy probably drove a DeLorian), not the Poe you thought they meant... not by a long shot.

There is no connection with the more famous Poe beyond the two words, Edgar and Poe, and the idea of walling up a living victim. Full stop.

I can't find one redeeming feature in this howlingly bad piece of dreck, except perhaps that Pleasance was a little more restrained than in some of his more lamentable efforts.
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6/10
Edgar Allan Poe Is Turning Over In His Grave!
Mvpkinger11 June 2014
The movie boasts a fine cast, with Robert Vaughn, Donald Pleasence, and John Carradine (in his final film appearance). Playboy Playmate Karen Witter is very beautiful, and might make a passable supporting character. However, she is not a good enough actress play a teacher convincingly, not to mention being the main character in this film. On the other hand, adult movie star Ginger Lynn Allen does a very good job of playing the rebellious student Debbie. Robert Vaughn chews the scenery, Donald Pleasence acts goofy, and poor John Carradine is in a wheelchair, and looking every bit as old as he was. The story is only slightly connected to Edgar Allan Poe's writings at most. The DVD has no theatrical trailer or bonus features of any kind. All in all, it's a little disappointing, but watchable.
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4/10
Nutty early '90s nonsense.
BA_Harrison8 April 2018
Warning: Spoilers
Before now, if you had told me that Donald Pleasance had starred alongside '80s hardcore porn-star Ginger Lynn Allen, I might not have believed it; my mind would have certainly boggled at the many sordid and potentially upsetting possibilities. But here it is... Buried Alive, which sees the ageing bald horror actor as kooky Dr. Schaeffer, employee at Ravenscroft, a reform school where the girls (whose number includes Ginger Lynn as Debbie) start to disappear in mysterious circumstances. There are, thankfully, no XXX scenes between Pleasance and Allen.

The film starts with the capture of one of the girls by a masked maniac. The next day, the school's beautiful new teacher Janet (Karen Witter) arrives at the institution, but quickly becomes confused by goings on (but not as much as me), and thereafter suffers from hallucinations in which a hand grabs her from the ground and out of a toilet bowl while ants crawl everywhere. Meanwhile, the school's director Gary Julian (Robert Vaughn) professes his love for Janet (having made her acquaintance only a few days earlier), which turns out to be a big problem for the lovely lady when it transpires that he is the deranged lunatic who has been walling up the missing girls in the basement.

To be brutally honest, the film's plot is a colossal mess, but the whole thing still manages to be fairly entertaining nonsense nevertheless, with a few gore effects (the rotting corpses of Debbie and her boyfriend are particularly grisly) and the requisite nudity (a group shower scene ticking that particular box). The film also features John Carradine in one of his last roles, as Julian's crazy coot of a father, who may or may not be a ghost; by this point in his career, I'm not sure if Carradine even knew what his films were about.
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6/10
Quite decent, but falls short
acidburn-1029 January 2015
Warning: Spoilers
I remember viewing this many years ago and thought that given the colourful descriptions and taglines, that this was gonna be a zombie flick, but know what it turned out to be is a pure cheesy slasher flick through and through, with a masked killer stalking young girls at an all girls boarding school.

The opening we get gloomy shots of a foggy night sky and an eerie Gothic building called Raven's croft reform school, where one of the girls plans her escape while the others are asleep. But as she heads out into the woods she is attacked by a masked stranger and is knocked out and dragged underground to a underground cell, where she awakens in a strait jacket and the stranger begins to brick and cement her in, effectively leaving her buried alive.

While that premise is creepy and very unsettling and this does boast a decent cast in veteran actors including Robert Vaughn, Donald Pleasance and John Carradine. All this should have made this an all-time classic entry, but sadly it does kinda fall short and bland at times, while none of the characters are fleshed out enough and the mystery element wasn't up too much, I figured the identity of the killer within 20 minutes and therefore became much too predictable. While the deaths are quite inventive, they are just poorly staged and on the whole this movie lacks thrills and tension and the performances even from the well known stars was quite disappointing.

All in all "Buried Alive" was quite decent and has all the right ingredients, but just doesn't quite hit the mark, but it's still good.
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2/10
So bad they misspelled Poe's name!
udar5516 October 2012
Janet (Karen Witter) is the new biology teacher at Ravenscroft, a school for troubled young girls (including former porn star Ginger Lynn Allen and debuting Nia Long) run by Gary (Robert Vaughn). This odd, isolated place seems to bring out the worst in Janet as she keeps having hallucinations about hordes of ants, a pulsating brick wall, and a arm that keeps grabbing her. Staff quack Dr. Schaeffer (Donald Pleasence) tells her she just might be seeing different layers of reality (!?!). To make matters worse, the student population keeps dwindling as girls are offed by some guy in a mask. You know you are in for some true class when the opening credits misspell Poe's name (as "Edgar Allen Poe"). Another of Towers' South African lensed Poe "adaptations," this has about as much to do with his short story "Buried Alive" as Fred Olen Ray's THE HAUNTING FEAR does. I'd probably rate this one above USHER just because director Gerard Kikoine (EDGE OF SANITY) manages to pull off some interesting camera moves. He isn't concerned with such trickery in terms of plot though as the villain is exactly who you think it is. Oddly enough, the T&A factor is limited to one scene and former X-rated queen Ginger Lynn does not get nude. Arnold Vosloo and Bill Butler have small supporting roles. John Carradine has 30 seconds of screen time and this was to be his last film. The end credits dedicate it to his memory. Poor John.
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Great awful movie
slouchingpoet8 October 2004
I love this movie to death. Its b-grade schlock of the highest caliber. My mother rented it around '95 or somewhere around that time, thinking it was a made-for-TV movie with the same title. I would've sworn it had been made in the early '80s for its pure b-movie quality. I honestly can't say if the overall effect was intended, but it succeeds effortlessly to capture the last days of the slasher film (cum Poe inspired imagery) genre. Long story short, a new teacher arrives at the Ravenscroft Institute, a girl-school staffed with lunatics. Not surprisingly she begins having hallucinations/nightmares as her pupils disappear one by one--in laughingly inventive ways. The only complaint I have is with Robert Vaughn who I absolutely can't stand. But even so I wouldn't have changed a thing. Get some friends (or develop multiple personalities) together, get a pizza and watch this movie. Its the essence of life.
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5/10
I expected more.....
face_of_terror16 July 2006
Warning: Spoilers
A woman goes to teach at the Ravenscroft Institute , finding that some secrets better stay buried....

This movie has a pretty good cast which includes Donal Pleasence, Robert Vaughn, Nia Long , and even John Carradine. There are even early appearances by Arnold Vosloo (The Mummy),and William Butler ( NOTLD'90). Donald Pleasence is a very versatile actor, but is wasted in this movie. Carradine appears for only 10-15 seconds. The lead actress Karen Witter doesn't do anything at all , except for screaming.

The plot is OK, but i expected more gore. Though, there is one good death scene, the movie lacks the intence, and is very boring at times. There's enough suspense, but its not compensated with enough action.

I wasn't satisfied. Maybe someone will. 5/10
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4/10
A black cat, bricks, cement and... a reform school for girls.
Vomitron_G8 June 2008
Warning: Spoilers
Pheeeew.... An Edgar Allan Poe story in some sort of slasher format...? A concept like this only could have been thought up during the late 80's...

The movie does try but fails to convince because the script offers no surprises whatsoever. It's basically an average horror effort where angry women in a reform school meet their demise at the hands of a mad psychiatrist and his insane curing methods.

It's not impossible to sit through, mainly because of the mildly entertaining death-scenes and it does have a certain style to it. In my opinion, you can tell this was directed by a Frenchman (Gérard Kikoïne), because his way of mise-en-scène at moments is just a bit more imaginative than your run-of-the-mill slasher/horror director from the 80's. At times he chooses quite original angles and camera movements to portray the events (unusual framing, profile close-ups of the actors with action going on in the background, inventive travels & crane-shots,...). But like I said, the story is extremely predictable and lacks suspense, and that's what basically kills the movie.

The acting was overall acceptable (though the angry woman did get a bit on my nerves after a while - thankfully there was a group shower scene!), and Donald Pleasance, again, provides a very weird role. He's completely wasted on this movie, has almost nothing to do but it was fun seeing him play another out-of-place weirdo (who's also a notable member of the school's staff, by the way, wears a fake toupée and has some sort of German accent). For some reason you can often see him munching on stuff - I couldn't quite make out if it were peanuts or ants...

An added value could come from Robert Vaughn, leading the cast as the mad psychiatrist, and John Carradine (in nothing more but a cameo). The climactic scene near the end (in which they're both featured) was somewhat amusing. But leading girl Karen Witter, although sweet eye-candy, wasn't really capable of carrying the film, as her performance came off as too generic to me. I did chuckle when I spotted a young Arnold Vosloo in a supporting role. All this made me enjoy the movie a bit more than I should have. And you can add a nonsensical frozen surprise-shot at the end to the mix.

A rather weird film. Incompetent too. But as far as raping Edgar Allan Poe goes, they did a good job.
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3/10
Big-time horror flop.
gridoon3 July 2004
Although the overall plot is obvious, the details are baffling; characters have dreams/visions/hallucinations that are never explained; most exposition parts seem to have been cut out; the film moves from one warped scene to another instead of trying to build some atmosphere. Robert Vaughn is utterly unconvincing in the first half of the film (though he improves later on), and Donald Pleasence is irritating as the doctor/possible suspect who mostly comes across as just a senile old man. (*1/2)
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4/10
It had potential
nick12123527 September 2023
Warning: Spoilers
When the movie first started I was simply very let down. First of all, this girl walks out to the highway where she immediately gets attacked by a guy in what appears to be a Ronald Reagan mask and she almost gets away but, very conveniently, there is a random chute right there under the grass that he pushes her into which leads to his underground bunker... where he bricks her up to die? Who would take the time to create an entire underground bunker in order to get away with murder just to brick someone up behind a way so they can slowly starve to death? It honestly just seems like they wanted SO badly to shove Poe references into the movie that they were willing to do anything.

Them comes the psychoanalysis and my opinion improves. It reminds me of the reason I got into psychoanalysis in the first place, because of how dated it sounds, specifically to the era of 40s and 50s film noir dime store psychology. It is so fun and campy. I'm more into it now so I can see the obvious ways they misuse analytic concepts but it is still highly enjoyable for me because they make it so much more FUN. But I digress, because the usage here is actually not far off. The idea of the internalized other, the superego, is what underlies this film in part, and it is most certainly an interesting concept. By the way, what exactly is "viewing the world as a warped projection of your own superego" as one psychiatrist, played by Donald Pleasance (his acting is amazing in this movie btw- as always) says about a particularly troubled girl? Do we not all do this? The superego, or Lacanian Imaginary in another sense perhaps, is a filter, a mediator through which we all view the world in part. Isn't it impossible to see the world for what it really is? Only someone completely lacking a conscience could possibly see the world without this filter and their own ego is so large that it completely warps their understanding of society and the world. There is no objective view of the world, we are all born already into a social context and personal context that completely colors our perception of society, of reality, and of our own selves. Perhaps this is one of their playful jokes using analytic terminology.

This is not a great movie but it really does try with the noir references, for instance the scene at the beginning where our main character falls asleep on the side of the road in her car and is awoken by a police officer (I absolutely adore the car she's driving by the way, it is incredibly late 80s-early 90s). I like how they chose to make him knock on the other side of the door, however. It's also worthy of note that the idea of the superego is something that references Marion Crane in Psycho and her decision to go back and return the money she stole- but also, more obliquely but more importantly- Norman's motivation for killing. After his mother's death, his internalized voice of her's, his superego, became so much stronger that it took on the form of a new personality, punishing him, and other people, for the desires he held; something we all do in much smaller ways in our own daily lives. But I'll save the Psycho analysis for a viewing of that film.

This movie really is interesting because it seems like the writer wanted to make a piece of art, the director didn't care, the studio couldn't really get that much money and forced in rewrites and new scenes, and the actors are just bad at their job. There's a much better movie hidden in here somewhere. It's also bizarre that I decided to go in depth on a random cheap movie but give two sentence reviews for movies I like much more. That's just how I am I guess.
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1/10
Instead of sunshine I say 'bunshine'
jessegehrig3 October 2022
Brought to you by the makers of rape culture comes this miserable movie. Buried Alive is about men who should not have been allowed to make a movie. It features women but only because the script said so. I don't know it wasn't fun to watch the movie, no character mattered and no one says anything cool, y'know how the movie Casablanca has memorable scenes unforgettable characters and super quotable dialogue- yeah, in Buried Alive remembering anything is actually a bad thing, forgetting this movie is great I try to do it all the time. If you have access to money, cast, script and director, may I recommend not making a movie like this.
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7/10
Chicks galore in fun thriller
djderka4 May 2011
Warning: Spoilers
Come on folks, this is a really good B type thriller.

If you don't like seeing the teacher Janet (Karen Witter), former Playboy gal) in sexy professional outfits being chased by the evil doctor (Vaughn) through the dark basement, you need to pop a Viagra pill.

I enjoyed seeing the girl school atmosphere and the hot, saucy, petulant chicks trying to get "reformed".

Sure there are some faults, like the brick wall, undeveloped love interest with the cop. More mayhem, no nudity, etc. Although the brick wall is the Poe reference as Vaughn 'bricks in' people he thinks need time to 'think about things"

But as a fun movie with some popcorn and beer. It can't be beat. I will gladly buy this for a couple of bucks, if I could find it. It seems to be one of the later or last films of the director's career.

Can't believe this genre isn't made again and again. This is one of the better horror films in the 90s. This seems to be some tongue in cheek horror too.

Unlike Wrong Turn which is pure horror and mayhem.

Plot: hot girls in various sexy outfits in a girls school are menaced by the evil controllers of the reform school. Ya' got the green light on this one.

You will love the guest appearance of Donald Pleasance in close ups while munching on peanuts as he quietly observes everything that is going on in the girls school. Good direction, production values (lighting) moves this movie way about cheaper films.
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6/10
Oh man!
BandSAboutMovies10 September 2022
Warning: Spoilers
21st Century Film Corporation put out several Edgar Allan Poe films and why not? They're all well-known names from a well-regarded horror author and best of all, you don't have to pay to use them. All four 21st Century Poe movies were produced by Harry Alan Towers and having him teamed up with Menahem Golan is like when the X-Men and Teen Titans united to fight Dark Phoenix and Darkseid.

New teacher Janet Pendleton (Karen Witter, Playboy's March 1982 Playmate of the Month) has come to Ravenscroft Reform School, which also has head doctor Gary Julian (Robert Vaughn) and Doctor Schaeffer (Donald Pleasence in really bad wig and worse accent) in the faculty, so certainly nothing bad can happen, like a Reagan-masked killer walling young women into the basement, right?

You don't remember that time when Poe wrote about guys in Reagan masks?

How about when he had a girl using a mixer to curl her hair and scalping herself?

Arnold Vosloo from The Mummy plays a cop, Ginger Allen plays the worst of the bad girls, Nia Long plays Fingers who gives her friends switchblades, Gary's father is John Carradine in his last role and guys from the all boys' school head down to the dungeon to party with the girls and that's how murder happens.

Director Gerard Kikoine also made Edge of Sanity and Master of Dragonard Hill - as well as plenty of adult films and editing Jess Franco's Countess Peverse and Lorna the Exorcist - while writers Jake Chesi and Stuart Lee have only this movie to their credit. Most of the music from Frederic Talgorn is taken from Edge of Sanity. The song "Love Bites" from Ninja 3: The Domination is also in this which makes me wonder if Menahem also got the rights to a bunch of music when he left Cannon.
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Oh dear Mr. Pleasence, what were you thinking?
RareSlashersReviewed1 February 2004
The taglines that were sprawled across the colourful cover of this movie would lead you to believe that it was some sort of a bizarre zombie flick! ‘Some secrets are best left buried. But will they stay there?' and ‘The dead return!' make this sound as if it's yet another attempt at a DAWN OF THE DEAD rip-off! I bought it anyway, as it was one of those titles, which I had seen many times on my travels, and I often wondered what it was like. (Stalk and slash films aren't my only vice, you know!) I was pleasantly surprised to find that it's pure slasher/whodunit right down to a masked killer preying on young female students in an all girl reform school! Another point that also first attracted me was the fact that it claims to be adapted from the works of Edgar Allan Poe. By that I'm sure they must mean his short story ‘The premature burial'. There's a TV movie with exactly the same name, that funnily enough was also released in the same year (although this was made two years earlier) that also ‘based itself' on that novel! To be thoroughly honest, apart from the odd black cat popping up here and there, it looks as if director Gerard Kikoine – who started out in the business filming porn – had only added the homage to that renowned horror author as a smart publicity stunt to put bums on seats! I couldn't have seen Poe writing a script for a silly slasher, no matter how insane he was!

It opens with some gloomy shots of an eerie looking building silhouetted by the foggy night sky. The sign outside reads ‘Ravenscroft Reform School' and Inside we see a group of teenage girls all deeply sleeping, except for one dark-haired youngster who looks as if she's packing her things to make a daring escape. She puts her rucksack on her back and heads towards the exit. Just before she leaves, her friend calls her back and gives her a leaving present - a blue switchblade – and then she says her goodbyes and heads out into the misty night sky. (Cushty security for a reform school don't ya think!) She hotfoots it through the woods, until she spots a car driving along a road in the distance. She takes a break for just a second, and all of a sudden a masked assailant jumps out from within the bushes and violently knocks her on to the floor. He picks her up and drops her into a man made pothole and she falls into a corrugated steel tube that leads into a dank and spooky underground chamber. She awakes to see the grisly psycho standing menacingly above her. He injects her with a sedative, puts her in a straight jacket and then drags her by the feat to a cramped cell-like room. Once inside the assassin begins to brick and cement up the doorway, effectively leaving her ‘Buried Alive'…(Hence the title!) Next we meet a young science teacher named Janet Pendleton (Karen Witter) who has just got a job teaching at the college. We also see the head doctor Gary Julian (Robert Vaughn), his twitchy assistant Dr. Schaeffer (Donald Pleasence) and a group of bitchy female co-eds who enjoy nothing more than pulling each others hair out! (Literally!) When another girl goes missing from the campus, Janet becomes suspicious and investigates the history of Ravenscroft, only to find a sincere and shocking secret. But who is it that is violently killing the young helpless girls?

With a cast including Robert Vaughn, Donald Pleasence, John Carradine as well as porn star Ginger Allen, and plot that pits a group of saucy female co-eds against a vicious psychopath, BURIED ALIVE seemed like a dead cert for a decent splatter flick. Director Kikoine attempts to seduce you with his claim that it's adapted from the twisted mind of Edgar Allan Poe, but sadly he fails to deliver on most accounts. For a start, what the hell was wrong with Donald Pleasence here? He plays arguably the most obnoxious character ever set to the silver screen, - a million miles away from his legendary Sam Loomis - complete with phoney looking toupee and an overly dodgy German accent! The dialogue is also laughable. In one scene Miss Pendleton has another of her strange nightmares, which begin plaguing her as soon as she arrives on campus. She ends up lying on the floor, panting, sweating and chillingly screaming. Dr Julian witnesses her strange ‘fit' and instead of rushing to her aid, calmly asks ‘is something wrong?' I expected her to say sarcastically ‘nah, I'm just hysterical for the fun of it' (!) but instead she quickly recovers and mutters ‘I'm fine'…Hmmm! Also at one point the doctor asks the shaky ‘scream queen' if she'll marry him. The funny thing is, the two of them only met a couple of days earlier and haven't even shared so much as a date yet? I kept wondering if I missed something when I blinked or sipped on my warm cup of tea!

There are some creative ways to kill of the cast on offer here. These include a painful looking electrocution; a trough in the side of the head and a young girl gets buried up to her waste in wet cement! When she screams for help, she gets a mouthful of the soggy muck to shut her up! There are also those victims who get bricked up in a cold room and effectively ‘buried alive', which are the main ingredients of the feature. The director at least shows promise with a couple of decent ideas. There are some morbid shots of each rotten corridor of the creepy chamber accompanied by victim's screams as they get dragged to their demise. Each unlucky individual spots a black cat before they are dispatched, which is clearly the only real noticeable element lifted from Poe. There's also at least one pretty gory scene to liven you up if you're nodding off. A female teen is curling her hair on a food mixer (?) when she's scared by an unseen menace (presumably the masked killer), and ends up drilling into her head and pulling her hair completely off…Ouch!

This was the last film that John Carradine worked on before his unfortunate death in 1988, which sadly wasn't the greatest flick to finish off a 5-decade career in the movies with. It's not that it doesn't try; it's just that it never really manages to go anywhere. It's occasionally interesting but mostly dull and un-atmospheric. To be honest, you're better of taking a look at the other made for TV flick with the same moniker…it's a much stronger effort!
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Edgar Poe demeaned
dbdumonteil13 March 2002
They've got a lot of nerve to call that "Edgar Allan Poe's buried alive".It does not look like the writer's works to the slightest extent -unless the presence of a black cat counts-Located in a luxury reform school for girls (?) ,this piece of garbage casts Robert Vaughn as the director and D.PLeasance as a doctor(?)A young female teacher arrives:she is to teach here-but we never see her working or so little.In the basements ,a man with a Ronald Reagan mask(??) is burying alive the girls who try to escape.

This is a completely failed horror film,borrowing now from"shining",now from Dario Argento's "suspiria" and "phenomena".This is a cock-and -bull story with the obligatory final trick:it's not over when you think it is,now roll on "Buried alive 2" :but the movie,proving that sometimes there's justice in the universe ,was a flop,preserving the spectators from it.It's the movie scenarists that should be buried alive.
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Laughably Bad Direct-to-VHS Trash
Michael_Elliott29 April 2011
Buried Alive (1990)

* (out of 4)

This was one of three Edgar Allan Poe movies to be filmed in South Africa and while none of the three are very highly remembered today this one here at least can say it features the last screen appearance by John Carradine who would die of mysterious circumstances shortly after finishing work on this. While Carradine had a few others films to be released after this one, all of them were just footage shot by Fred Olen Ray in the early 80s.

A teacher (Karen Witter) goes to a school for troubled women where she finds that things aren't all they seem to be. Not only does she have to put up with constant fights between the girls but she soon realizes that they are terrified and one by one they start to runaway. Being a horror film you know that they haven't actually ran away but instead someone in a mask is taking them into the basement and burying them alive. The principle (Robert Vaughn) and doctor (Donald Pleasence) at the school might know a few things as well. BURIED ALIVE is a pretty poor movie that doesn't work on many levels and today is only of interest for it being Carradine's swan song and there's some mild interest in the fact that Harry Alan Towers produced this with Menahem Golan who was just out at Cannon. This film is pretty much like the typical junk you'd find at rental stores back in the day as we get a confusing story, horrible acting and of course a little gore thrown in so that horror fans would have something to talk about. The film borrows from Poe's "The Cask of Amontillado", "The Black Cat" and "The System of Dr. Tarr and Professor Fether" to name just a few. I'm really not sure what the filmmakers intended but the story is all over the place as it's never quite clear if they're wanting some women-in-peril slasher flick or if they want it to be some sort of psychological terror. The psychological stuff is poorly done and the ultra-cheap acting doesn't help matters much. The supporting group who play the "teenage" girls are just downright awful and their cussing and fighting at one another is downright hilarious and it's these unintentional laughs that help keep the film moving. The special effects are all rather bland but you have to give them credit because one scene has a girl trying to curl her hair with a blender, which ends up scalping her to death. Vaughn is clearly just picking up a paycheck but you can't blame him too much. Pleasence at least adds some nice comic timing and manages to get a few laughs. Witter isn't too bad but then again this isn't Hamlet. The great Carradine has very little to do here and only appears in a few sequences terrorizing the teacher. BURIED ALIVE was coming in just as the horror-on-VHS cycle was starting to cool off and you could point your finger at films like this for the reason why it began to die off. The film is a complete mess from start to finish and there's very little to recommend.
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Poe mishmash from South Africa
lor_5 June 2023
My review was written in October 1990 after watching the movie on RCA/Columbia video cassette.

Lensed in South Africa, this horror pic runs through several themes fro Edgar Allan Poe (his name misspelled in the credits) stories with dull results.

As with three other Harry Alan Towers productions ina Poe vein, it's a direct-to-video release in the U.s. (Item should not be confused with last year's USA Network pic "Buried Alive", starring Jennifer Jason Leigh, Tim Matheson and William Atherton).

Though of historical footnote as John Carradine's final assignment, film disappoints because there's only a few seconds of blurry Carradine footage. He plays evil doctor Robert Vaughn's dad, holed up in his mansion/asylum for wayward girls.

Carradine supposedly experimented on his son, resulting in the nutcase who now preys on the young women who live in at his asylum Ravens Croft.

Karen Witter narrated the tale as the beautiful new teacher who suffers from hallucinations. Psychological horror mixes elements from Poe's "Cask of Amontillado" and "The Black Cat" among other tales. Overall, pic resembles an earlier South African effort "The Stay Awake", especially when the girls have an after-hours party in the basement with some boys.

Witter's fans will probably be disappointed because she remains clothed throughout this one, unlike "Midnight", a pic she also made in 1988. Former porn star Ginger Lynn Allen has one of her best mainstream jobs as a tough-talking inmate who proves to be an excellent screamer.

There's plenty of gore on display. Former porn director Gerard Kikoine keeps the sex content down, even having the gals' requisite shower scene stage with their bikini bottoms on.
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