| Photos (see all 32 | slideshow) | Videos |
| Michael Douglas | ... | Oliver Rose | |
| Kathleen Turner | ... | Barbara Rose | |
| Danny DeVito | ... | Gavin D'Amato | |
| Marianne Sägebrecht | ... | Susan | |
| Sean Astin | ... | Josh at 17 | |
| Heather Fairfield | ... | Carolyn at 17 | |
| G.D. Spradlin | ... | Harry Thurmont | |
| Peter Donat | ... | Jason Larrabee | |
| Dan Castellaneta | ... | Man in Chair | |
| Gloria Cromwell | ... | Mrs. Marshall | |
| Harlan Arnold | ... | Mr. Dell | |
| Mary Fogarty | ... | Mrs. Dell | |
| Rika Hofmann | ... | Elke | |
| Patricia Allison | ... | Maureen | |
| Peter Brocco | ... | Elderly Mourner | |
| Philip Perlman | ... | Bidder at Auction | |
| Susan Isaacs | ... | Auctioneer's Assistant | |
| Trenton Teigen | ... | Josh at 10 | |
| Bethany McKinney | ... | Carolyn at 10 | |
| Shirley Mitchell | ... | Mrs. Dewitt | |
| Ellen Crawford | ... | Nurse #1 | |
| Michael Adler | ... | Dr. Hillerman | |
| Lisa Howard | ... | Nurse #2 | |
| Jeff Thomas | ... | Orderly | |
| Jacqueline Cassell | ... | Gavin's Secretary | |
| Vickilyn Reynolds | ... | Nancy, Oliver's Secretary | |
| Eunice Suarez | ... | Latin Woman | |
| Julia Elliott | ... | Latin Assistant | |
| Tony Crane | ... | Teenage Boy | |
| Ryan Wickers | ... | Josh at 3 | |
| Shaun Wickers | ... | Josh at 3 | |
| Catherine Donohue | ... | Carolyn at 3 | |
| Mary Donohue | ... | Carolyn at 3 | |
| Sue Palka | ... | Anchorwoman | |
| Morris Jones | ... | Anchorman | |
| Roy Brocksmith | ... | Mr. Fisk | |
| Peter Hansen | ... | Mr. Marshall | |
| Robert Harper | ... | Heath | |
| Prince Hughes | ... | Bleeding Man | |
| Danitra Vance | ... | Manicurist Trainee | |
| David Wohl | ... | Dr. Gordon | |
| rest of cast listed alphabetically: | |||
| Popeye | ... | Benny | |
| Tyler | ... | Kitty Kitty | |
Directed by | |||
| Danny DeVito | |||
Writing credits(WGA) | ||
| Warren Adler | (novel) | |
| Michael Leeson | (screenplay) | |
Original Music by | |||
| David Newman | |||
Cinematography by | |||
| Stephen H. Burum | (director of photography) | ||
Film Editing by | |||
| Lynzee Klingman | |||
Production Design by | |||
| Ida Random | |||
Art Direction by | |||
| Mark W. Mansbridge | |||
Set Decoration by | |||
| Anne D. McCulley | |||
Costume Design by | |||
| Gloria Gresham | |||
Makeup Department | |||
| Stephen Abrums | .... | makeup supervisor | |
| Audrey L. Anzures | .... | hair stylist | |
| Kathryn Blondell | .... | hair stylist | |
| John M. Elliott Jr. | .... | makeup artist (as John Elliott) | |
| John M. Elliott Jr. | .... | makeup artist: Kathleen Turner | |
| Bunny Parker | .... | hair stylist (as Bunny Parker-Adamson) | |
| Gina Rylander | .... | makeup artist | |
Production Management | |||
| Robert Latham Brown | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Matt Bearson | .... | second assistant director | |
| Jeffrey M. Ellis | .... | second assistant director | |
| Thomas Lofaro | .... | first assistant director | |
Art Department | |||
| Steven Braund | .... | property maker | |
| Oscar Delgadillo | .... | set dresser | |
| Mark Fabus | .... | set designer | |
| Perry Gray | .... | set designer | |
| Sherman Labby | .... | production illustrator | |
| Robert Misetich | .... | set paint foreman | |
| Stan Tropp | .... | set designer | |
| Butch West | .... | construction coordinator | |
| Steven Westlund | .... | property master | |
Sound Department | |||
| Christopher E. Bennett | .... | apprentice sound editor | |
| Bill W. Benton | .... | sound re-recordist | |
| Marty Church | .... | adr mixer | |
| Marty Church | .... | foley mixer | |
| Don Coufal | .... | boom operator | |
| John Duvall | .... | foley editor | |
| Matthew Iadarola | .... | sound re-recordist | |
| Michael J. Kohut | .... | sound re-recordist | |
| Elliott Koretz | .... | sound editor | |
| Michael Magill | .... | sound editor | |
| Chuck Michael | .... | foley editor | |
| Dan Sharp | .... | sound re-recordist | |
| Leslie Shatz | .... | sound re-recordist | |
| Leslie Shatz | .... | supervising sound editor | |
| David E. Stone | .... | sound editor | |
| Renee Tondelli | .... | adr supervisor | |
| Jennifer L. Ware | .... | sound recordist | |
| Jeff Wexler | .... | sound mixer | |
Special Effects by | |||
| John Frazier | .... | special effects | |
Stunts | |||
| M. James Arnett | .... | stunts (as Jim Arnett) | |
| Janet Brady | .... | stunts | |
| Richard Drown | .... | stunts | |
| Jon H. Epstein | .... | stunts | |
| Marcia Holley | .... | stunts | |
| Tracy Keehn-Dashnaw | .... | stunts (as Tracy Keehn) | |
| Patricia M. Peters | .... | stunts (as Trisha Peters) | |
| Chuck Picerni Jr. | .... | stunts | |
| Michael Runyard | .... | stunt coordinator (as Mike Runyard) | |
| Cris Thomas-Palomino | .... | stunts (as Chris Palomino) | |
| Sammy Thurman | .... | stunts | |
| Scott Wilder | .... | stunts | |
| Lane Leavitt | .... | stunts (uncredited) | |
| Keith Tellez | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| Bob Apger | .... | second assistant camera | |
| Alan S. Blauvelt | .... | assistant camera | |
| Dustin Blauvelt | .... | camera operator | |
| François Duhamel | .... | still photographer | |
| Clyde Hart | .... | key grip | |
| Steven C. Hodge | .... | film lighting technician | |
| Alex Skvorzov | .... | gaffer | |
| Scott C. Williman | .... | lamp operator | |
Casting Department | |||
| David Rubin | .... | casting | |
Costume and Wardrobe Department | |||
| Oda Groeschel | .... | costumer | |
| Janis Mekaelian | .... | costumer | |
| G. Tony Scarano | .... | costumer | |
Editorial Department | |||
| John Ganem | .... | assistant editor | |
| Lawrence Jordan | .... | associate editor | |
| L. James Langlois | .... | assistant editor | |
| Maria Lee Silver | .... | assistant editor | |
| Nicholas C. Smith | .... | additional editor | |
Music Department | |||
| Tim Boyle | .... | score mixer | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Tom Villano | .... | music editor | |
Transportation Department | |||
| Gina August | .... | driver | |
| James Nordberg | .... | transportation | |
Other crew | |||
| Elaine Bass | .... | title designer | |
| Saul Bass | .... | title designer | |
| Thomas R. Burman | .... | body double creator: Michael Douglas and Kathleen Turner | |
| Mary Courtney | .... | production coordinator | |
| Wendy Davies | .... | stand-in | |
| Bari Dreiband-Burman | .... | body double creator: Michael Douglas and Kathleen Turner | |
| Wilma Garscadden-Gahret | .... | script supervisor | |
| Jane Hamsher | .... | production assistant | |
| Cindy Lasher | .... | nurse | |
| Taman McCall | .... | location manager | |
| Heather Murphy | .... | production coordinator: Washington | |
| Julie Offer | .... | location projectionist | |
| Paul Rahmes | .... | personal assistant to director | |
| Errol Reichow | .... | assistant location manager | |
| Mark Reilly | .... | stand-in | |
| David Ian Salter | .... | production intern | |
| Fred Scialla | .... | stand-in | |
| Jill Simpson | .... | special assistant to producers | |
| Mark Suveg | .... | craft service | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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I just saw this on telly again after a long time, and, having quickly browsed through user comments, I realise pretty much everything has been said about this film - in some cases to nauseating detail too - including all sorts of social and psychological analysis of the "battle of the sexes", etc etc....what people forget is that this is essentially a story about how love turns into blinding hate and that everything else that goes on is completely incidental, including the characters' backgrounds, sexes, social status, the milieu they live in, or the current sign of the times. From that point of view this is primarily a study of characters (and a fascinating one too) rather than anything else.
Turner and Douglas wrap up a brilliant script and a sparkling dialogue with what seems to be considerable ease and an impressive attention to detail, no doubt guided along by De Vito, whose direction is firm and playful at the same time, and in many instances even inspiring - he gets the mood just right, the tone constantly on an uncomfortable edge between a mordantly funny comedy and an ugly human conflict. In fact, the whole length of the film film ticks exceptionally well - slowed here and there, possibly, by the lack of strength of secondary characters - Sagerbrecht is a bit uneasy in this, at least to my liking, and the kids are completely bypassed -the scenes involving them are perhaps the weakest. The ending moral finger-wagging given by De Vito's character is also a bit heavy handed - but then this is Hollywood after all. It could have easily been much worse, we could have been fed a happy ending, god forbid. Instead, De Vito calls his own sweet wife and says he's coming home. Well, I can live with that, although some European director would have just left Oliver and Barbara laying there smashed under the chandelier and that would have been it. But I shouldn't complain....
Overall very funny and enjoyable. Check it out.