Licence to Kill (1989)

Director:

John Glen

Writers (WGA):

Michael G. Wilson (written by) and
Richard Maibaum (written by) ...

Release Date:

14 July 1989 (USA)

Genre:

Action | Adventure | Crime | Thriller

Tagline:

His bad side is a dangerous place to be.

Plot:

James Bond leaves Her Majesty's Secret Service to stop an evil drug lord and avenge his best friend, Felix Leiter.

Plot Keywords:

Gambling Casino | U Boat | Tense | Deal | Weapon

Awards:

1 nomination

Cast

Timothy Dalton	...	James Bond
Carey Lowell	...	Pam Bouvier
Robert Davi	...	Franz Sanchez
Talisa Soto	...	Lupe Lamora
Anthony Zerbe	...	Milton Krest
Frank McRae	...	Sharkey
David Hedison	...	Felix Leiter
Wayne Newton	...	Professor Joe Butcher
Benicio Del Toro	...	Dario
Anthony Starke	...	Truman-Lodge
Everett McGill	...	Ed Killifer
Desmond Llewelyn	...	Q
Pedro Armendáriz Jr.	...	President Hector Lopez (as Pedro Armendariz)
Robert Brown	...	M
Priscilla Barnes	...	Della Churchill

Also Known As:

Bond XVI (UK) (original script title)
Licence Revoked (UK) (working title)

MPAA:

Rated PG-13 for action violence and drug content. (2006 video version)

Runtime:

133 min

Country:

UK | USA

Language:

English | Spanish

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby SR

Certification:

Canada:AA (Ontario) | Germany:16 (re-release) (uncut) | South Korea:15 | Canada:PA (Manitoba) | West Germany:16 (video rating) (cut) | USA:R (original rating) | Canada:13+ (Quebec) | Ireland:15 | Canada:A (Nova Scotia) | USA:PG-13 (edited for re-rating) | Brazil:12 | Argentina:13 | Australia:M | Finland:K-16 | Iceland:12 | Norway:15 | Peru:14 | Sweden:15 | UK:15 | Singapore:PG

Filming Locations:

707 South Street, Key West, Florida Keys, Florida, USA

Company:

Danjaq

Trivia:

When Truman-Lodge (Anthony Starke) says that the set up cost them $32 million dollars, that is an inside joke, a reference to the film's $32 million dollar budget.

Goofs:

Continuity: After Bond pushes the tanker against the cliff walls, Sanchez's henchmen take aim with the Stinger rocket launcher. We see a) the henchman's POV taking aim through the viewfinder - Bond's tanker in straight road with no cliffs and no second tanker in background, then b) Stinger fired, c) crashed tanker's driver reacts to Stinger launch (so evidently sees it), d) Bond getting the tanker he's driving up on one side with ramp (no background tanker nor close cliffs in sight), e) Stinger missing Bond, f) Stinger colliding and blowing up crashed tanker near cliff walls (which was nowhere in sight when POV was from Stinger launcher sights) - evidently henchmen and crashed tanker not on same line of fire.

Quotes:

[first lines]
AWACS radar operator: We have a mid-course deviation. Target heading 036, 126 miles, bearing 062, Havana VOR.
Voice of DEA agent: He's landing at Crab Key. Advise Key West Drug Enforcement.
AWACS radar operator: Roger, sir. AWACS to Key West. Key West Drug Enforcement, please come in.
Voice of DEA agent: If they hurry, they just might be able to grab the bastard.

Movie Connections:

Referenced in James Bond 007: Yesterday and Today (1996) (V)

Soundtrack:

Dirty Love

A criminally underrated Bond picture

Licence To Kill is one of the most underrated Bond movies since On Her Majesty's Secret Service. Slipping easily back into 007's shoes with style after his previous role as Bond, Timothy Dalton embodies the character. With a break away from the comic-book villains and fantastical locations, the filmmakers decide to focus instead on a very adult and contemporary story about drug smuggling and revenge. Michael G. Wilson and Richard Maibaum's story is engaging and exciting, with a steadfast confidence in their leading man. This is a Bond movie that took risks -- it was the first 15-rated Bond film in the UK -- and surely deserves kudos for doing so. Make no mistake; this is not a family Bond picture. Its themes require a more mature perspective than its predecessors, and the violence is certainly stronger than anything that had come before. Unfortunately, these factors seem to be what critics of Licence To Kill call 'faults'. But why is change so bad, I ask? Casino Royale is getting major appreciation from critics for its grittiness and its darker edge. So why not Licence To Kill? After all, this is the movie that started the current trend, with Dalton's mature portrayal of Bond paving the way for Pierce Brosnan and, without doubt, Daniel Craig. It always amazes me that people do not give Dalton more respect for what he did with the character. This guy started the ball rolling. And boy did he give it a hard push.

The characters in Licence To Kill are one of it's major plus points. James Bond is the most human we have seen him in 20 years, as Dalton brings a real sense emotional depth to the character; a tortured man full of hurt and pain and vengeance, his determined and stony face almost cracking with the burning hatred that is barely contained inside of him. We also get a strong female lead with Carey Lowell, whose portrayal of Pam Bouvier is at once intelligent, sexy, and funny. On the flip side of the coin, we have a genuinely terrifying villain in the shape of Robert Davi, playing his role deadly straight with not a hint of camp. It's a rare scenario where you feel Bond has met someone of equal competence. The Sanchez character is a frightening presence, and an early role from Benicio Del Toro is just as effective; his chilling grin a fear-inducing sight.

Technically speaking, John Glen's direction is taught and assured, with the pace never really letting up for the 130+ minutes running time, save at the very end of the movie where the spectacular truck chase sequence perhaps drags just a little. The brilliant Michael Kamen also supplies us with an elegant, sensual and brooding score that is a vital player unto itself, complimenting the visuals excellently.

In spite of these pluses, there are some minor quibbles. As I said before, the truck finale is perhaps a bit long, even though the stunt work is amazing, but it does slow the pace a bit. Talisa Soto is indeed beautiful as Sanchez' girlfriend but, bless her, she isn't exactly the most talented actress on the planet. She plays her part well enough, but the role isn't exactly Oscar-worthy, and it's not helped by the fact that the script tends to relegate her to the sidelines. Everett McGill's cigar-chomping Killifer is rather too pantomime for me - he just doesn't stand up to the characters of Sanchez or Anthony Zerbe's Krest but he doesn't stick around long so doesn't get in the way too much.

With a striking leading man in Bond's shoes, Licence To Kill deserves a lot more credit than it gets. This is the film that broke the mould, opening the doors to a more adult, violent Bond world that continued briefly with some of the Brosnan films and certainly with Daniel Craig's portrayal of the character. In Timothy Dalton we have a brilliant actor in the starring role who brought us a more human and believable Bond, yet it is Daniel Craig who is currently getting the credit for these exact traits. Don't get me wrong, his characterisation is superb. But Dalton is the one who started it off, and it is a shame that he only made the two films.

John Glen says that from all of the Bond movies that he directed, Licence To Kill is the one he is most proud of. And rightly so. Not only do we get a more fleshed-out character in Bond than previous outings, we get a more believable and mature storyline, with great characters and competent direction. Definitely one of the most underrated Bond movies, this engaging film is a great piece of entertainment, and one that I hope will gather praise with time. See it.

4 stars.