Directed by
| Michael Thornhill | ||
Writing Credits
| Frank Moorhouse | ... | (written by) |
| Frank Moorhouse | ... | (adaptation) |
Cast (in credits order) verified as complete
Produced by
| Sue Carleton | ... | co-producer |
| Antony I. Ginnane | ... | executive producer |
| Michael Thornhill | ... | producer |
Music by
| Tony Bremner | ||
Cinematography by
| Julian Penney | ||
Editing by
| Pamela Barnetta | ||
Casting By
| Hilary Linstead | ||
Production Design by
| Peta Lawson | ||
Art Direction by
| Peta Lawson | ||
Costume Design by
| Graham Purcell | ||
Makeup Department
| Lynette Harding | ... | makeup department: associate |
| Noriko Watanabe | ... | make-up and hair stylist (as Noriko Spencer) |
Production Management
| Paul Fenton | ... | unit manager |
| Elizabeth Symes | ... | production manager |
Second Unit Director or Assistant Director
| Keith Heygate | ... | assistant director |
| Linda Pavilack | ... | third assistant director |
| John Titley | ... | second assistant director |
Art Department
| Peter Collias | ... | scenic artist |
| Judith Ditter | ... | art department administrator |
| Cathy Finlay | ... | art department associate |
| Brian Hocking | ... | construction manager |
| Eugene Intas | ... | props buyer: and set dresser |
| Karan Monkhouse | ... | standby props |
| Tom Overton | ... | carpenter |
| Rodney Pople | ... | paintings |
| Anthony Reid | ... | carpenter |
| Ian Smith | ... | paintings |
| David Tuckwell | ... | set finisher |
Sound Department
| Peter Fenton | ... | re-recording |
| Phil Heywood | ... | re-recording |
| Andrew Plain | ... | sound editor |
| John Schiefelbein | ... | sound |
| Grant Stuart | ... | sound |
Camera and Electrical Department
| Lester Bishop | ... | grip |
| Craig Bryant | ... | best boy |
| Sally Eccleston | ... | first assistant camera: second camera |
| Reg Garside | ... | gaffer |
| Gary Hill | ... | electrician |
| Gary Lincoln | ... | assistant grip |
| Barry Peake | ... | stills photographer |
| Garry Phillips | ... | focus puller |
| Susan Stitt | ... | clapper loader (as Susi Stitt) |
| Geoffrey Wharton | ... | steadicam operator |
Casting Department
| Siobhan Hannan | ... | casting assistant |
| Gabrielle Healy | ... | extras casting |
Costume and Wardrobe Department
| Anthony Jones | ... | costumer: for Heather Mitchell and Beth Child |
| Devina Maxwell | ... | standby wardrobe |
| Heather McLaren | ... | wardrobe supervisor |
Editorial Department
| Arthur Cambridge | ... | colour timer |
| Miriam Cortes | ... | negative matching |
| Liz Irwin | ... | assistant editor (as Elizabeth Irwin) |
| Adrienne Parr | ... | dubbing editor: assistant |
| Andrew Plain | ... | dubbing editor |
| Duncan Taylor | ... | assistant editor |
| Lynne Williams | ... | dubbing editor: assistant |
Location Management
| Robin Clifton | ... | additional locations |
| Paul Manos | ... | location manager |
Music Department
| Barbara Albertini | ... | soprano soloist |
| Neil McEwan | ... | choir director |
| Ian McLoughlin | ... | music re-recordist |
| Nina Veretnnikova | ... | choreographer |
Script and Continuity Department
| Judy Whitehead | ... | continuity |
Additional Crew
| Libby Blainey | ... | titles |
| Lynn Gailey | ... | production consultant |
| Stefan Laguna | ... | unit runner |
| Perry Stapleton | ... | production coordinator |
| Rosemary Stephenson | ... | production accountant |
| Juliette Van Heyst | ... | production assistant |
| Denise Wolfson | ... | liaison (as Denise Wolfsen) |
| Gemma Rawsthorne | ... | production accountant (uncredited) |
Thanks
| Ron Cobb | ... | special thanks |
| Dorothy Dundas | ... | special thanks |
| Lloyd Hart | ... | special thanks |
| Anthony James | ... | special thanks |
| Robin Love | ... | special thanks |
| Malcolm Olivestone | ... | special thanks |
