| Photos (see all 68 | slideshow) | Videos |
| Arnold Schwarzenegger | ... | Dutch | |
| Carl Weathers | ... | Dillon | |
| Elpidia Carrillo | ... | Anna | |
| Bill Duke | ... | Mac | |
| Jesse Ventura | ... | Blain | |
| Sonny Landham | ... | Billy | |
| Richard Chaves | ... | Poncho | |
| R.G. Armstrong | ... | General Phillips | |
| Shane Black | ... | Hawkins | |
| Kevin Peter Hall | ... | The Predator / Helicopter Pilot | |
| rest of cast listed alphabetically: | |||
| Steve Boyum | ... | Hostage Executed by the Russian (uncredited) | |
| William H. Burton | ... | Guerilla Soldier Shot Down from Tree (uncredited) | |
| Henry Kingi | ... | Guerilla Soldier Blown Up in Van (uncredited) | |
| Sven-Ole Thorsen | ... | Russian Officer (uncredited) | |
Directed by | |||
| John McTiernan | |||
Writing credits | ||
| Jim Thomas | (written by) & | |
| John Thomas | (written by) | |
Produced by | |||
| John Davis | .... | producer | |
| Lawrence Gordon | .... | producer | |
| Beau Marks | .... | associate producer (as Beau E.L. Marks) | |
| Laurence Pereira | .... | executive producer (as Laurence P. Pereira) | |
| Joel Silver | .... | producer | |
| Jim Thomas | .... | executive producer | |
| John Vallone | .... | associate producer | |
Original Music by | |||
| Alan Silvestri | |||
Cinematography by | |||
| Donald McAlpine | (director of photography) | ||
Film Editing by | |||
| Mark Helfrich | |||
| John F. Link | |||
Casting by | |||
| Jackie Burch | |||
Production Design by | |||
| John Vallone | |||
Art Direction by | |||
| Frank Richwood | |||
| Jorge Sainz | (as Jorge Saenz) | ||
Set Decoration by | |||
| Enrique Estévez | (as Enrique Estevez) | ||
Costume Design by | |||
| Marilyn Vance | (as Marilyn Vance-Straker) | ||
Makeup Department | |||
| Bertha Chiu | .... | hair stylist | |
| Jeff Dawn | .... | mud makeup artist (as Jefferson Dawn) | |
| Scott H. Eddo | .... | makeup designer and creator (as Scott Eddo) | |
| Adam Hill | .... | moldmaker/body impressions: Boss creature/victims effects crew | |
| Carlos Horcasitas | .... | hair stylist | |
| Elvira Oropeza | .... | additional makeup artist | |
| John Rizzo | .... | additional makeup artist | |
| James R. Scribner | .... | additional makeup artist | |
Production Management | |||
| Beau Marks | .... | production manager (as Beau E.L. Marks) | |
| Anna Roth | .... | unit manager | |
| Antonio Rubio | .... | unit manager (as Tony Rubio) | |
| Art Seidel | .... | production manager | |
Second Unit Director or Assistant Director | |||
| J. Tom Archuleta | .... | second assistant director | |
| Craig R. Baxley | .... | second unit director | |
| K.C. Colwell | .... | second assistant director | |
| Michael Katleman | .... | assistant director: second unit | |
| Beau Marks | .... | first assistant director (as Beau E.L. Marks) | |
| José Luis Ortega | .... | assistant director: Mexico (as Jose Luis Ortega) | |
Sound Department | |||
| Vanessa Theme Ament | .... | foley artist (as Vanessa Ament) | |
| George H. Anderson | .... | supervising dialogue editor | |
| Richard L. Anderson | .... | supervising sound effects editor | |
| Don J. Bassman | .... | sound re-recording mixer (as Don Bassman) | |
| David Bifano | .... | audio programming | |
| Kevin E. Carpenter | .... | adr mixer (as Kevin Carpenter) | |
| Kevin F. Cleary | .... | sound re-recording mixer | |
| Gene Corso | .... | sound effects editor | |
| Phyllis Drury | .... | assistant re-recordist | |
| Jorge Gómez | .... | boom operator (as Jorge Gomez) | |
| David W. Gray | .... | stereo sound consultant: Dolby Stereo (as David Gray) | |
| Robin Harlan | .... | foley artist | |
| Craig Heath | .... | sound re-recordist | |
| Bill Henderson | .... | sound re-recording engineer | |
| Cindy Marty | .... | dialogue editor | |
| Richard Overton | .... | sound re-recording mixer | |
| Mark Pappas | .... | assistant sound effects editor | |
| John Pospisil | .... | special sound effects (as John P.) | |
| Robert Renga | .... | sound re-recordist | |
| Steve Richardson | .... | foley editor | |
| Christy Richmond | .... | dialogue assistant | |
| Hank Salerno | .... | adr editor | |
| Jesús Sánchez | .... | cable operator (as Jesus Sanchez) | |
| Corinne Sessarego | .... | adr editor | |
| Catherine Shorr | .... | sound effects editor | |
| Richard Shorr | .... | sound effects editor | |
| David E. Stone | .... | supervising sound effects editor (as David Stone) | |
| Manuel Topete | .... | sound mixer | |
| Bill Voigtlander | .... | adr editor | |
| Jo Von Metoyer | .... | assistant sound effects editor | |
| J.R. Westen | .... | foley mixer | |
| Rosemarie Wheeler | .... | dialogue assistant | |
| Gary Wright | .... | sound effects editor | |
| Vic Zaslav | .... | adr recordist | |
| Richard Brassaw | .... | adr assistant (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Special Effects by | |||
| Grant Arndt | .... | creature effects crew | |
| Howard Berger | .... | creature effects crew | |
| James Camomile | .... | special effects | |
| Daniel Cordero | .... | special effects | |
| Laurencio Cordero | .... | special effects supervisor | |
| Manuel Cordero | .... | special effects | |
| Al Di Sarro | .... | special effects supervisor | |
| Adrián Durán | .... | special effects (as Adrian Duran) | |
| Alejandro Durán | .... | special effects (as Alejandro Duran) | |
| Fermín Durán | .... | special effects (as Fermin Duran) | |
| Jesús 'Chuco' Durán | .... | special effects (as Jesus Duran) | |
| Screaming Mad George | .... | creature effects crew | |
| Emilio M. Gonzales | .... | creature effects crew (as Emilio E. Gonzalez) | |
| Pedro González | .... | special effects (as Pedro Gonzalez) | |
| Robert Kurtzman | .... | creature effects crew | |
| Jacki Lancette | .... | creature effects crew | |
| Margarito López | .... | special effects (as Margarito Lopez) | |
| Lindsay MacGowan | .... | mold department: Stan Winston Studio | |
| Shane Mahan | .... | creature effects crew | |
| Javier Moreno Buzzo | .... | special effects (as Javier Moreno) | |
| Leslie Neumann | .... | creature effects crew | |
| Steve Patino | .... | creature effects crew | |
| Magdaleno Rodriguez | .... | special effects | |
| Matt Rose | .... | art department coordinator: creature effects unit | |
| John Rosengrant | .... | creature effects crew | |
| Shannon Shea | .... | art department coordinator: creature effects unit | |
| Brian Simpson | .... | creature effects crew | |
| Paul Stewart | .... | special effects | |
| Mitch Suskin | .... | concept artist: creature effects unit | |
| Michiko Tagawa | .... | creature effects crew | |
| Jackie Tichenor | .... | creature effects crew (as Jackie Tischner) | |
| Bruno Van Zeebroeck | .... | special effects (as Bruno Vanzeebroeck) | |
| Steve Wang | .... | art department coordinator: creature effects unit | |
| Steve Wang | .... | concept artist: creature effects unit | |
| Stan Winston | .... | special effects | |
| Eddie Yang | .... | creature effects crew | |
| Steve Johnson | .... | special effects (uncredited) | |
| Gregory Nicotero | .... | creature effects crew (uncredited) | |
Visual Effects by | |||
| James Balsam | .... | motion control technician | |
| Scott Beattie | .... | motion control technician | |
| Michael Bigelow | .... | visual effects supervisor | |
| Jeff Burks | .... | design consultant | |
| Russell Calabrese | .... | effects animator | |
| Eric Chamberlain | .... | special equipment | |
| Rich Champa | .... | optical camera (as Richard Champa) | |
| B. David Green | .... | location motion control | |
| Richard Greenberg | .... | visual consultant | |
| Robert M. Greenberg | .... | visual effects producer | |
| Robert Hall | .... | optical supervisor | |
| Joel Hynek | .... | visual effects supervisor | |
| Paul D. Johnson | .... | animation and rotoscope (as Paul Johnson) | |
| Laurel Klick | .... | optical line-up | |
| J.W. Kompare | .... | visual effects editor | |
| Richard Lorenzo | .... | optical camera | |
| Marco Maldonado | .... | motion control assistant | |
| Eugene Mamut | .... | camouflage co-developer | |
| Patrick McDonough | .... | optical camera | |
| Jim Mini | .... | optical lineup | |
| Terry Moews | .... | design consultant | |
| Bryon Moore | .... | inker | |
| Bruce Morosohk | .... | animation camera | |
| Robert Mrozowski | .... | animation supervisor | |
| Scott Nicholas | .... | optical camera | |
| David Núñez | .... | motion control assistant (as David Nunez) | |
| Don Poynter | .... | animation and rotoscope (as Donald Poynter) | |
| Kenny Price | .... | optical lineup (as Ken Price) | |
| Stuart Robertson | .... | thermal vision effects supervisor | |
| David Satin | .... | location video (as Dave Satin) | |
| Robert Scifo | .... | matte artist | |
| Keith Shartle | .... | production manager: additional visual effects | |
| Mike Smithson | .... | fabricator: Boss Film | |
| James Valentine | .... | rotoscope supervisor | |
| Harry Venezia | .... | animation and rotoscope | |
Stunts | |||
| Gerardo Albarrán | .... | additional stunts (as Gerardo Moreno) | |
| Gregory J. Barnett | .... | stunts (as Gregory Barnett) | |
| Bobby Bass | .... | stunts | |
| Craig R. Baxley | .... | stunt coordinator | |
| Gary Baxley | .... | stunts | |
| Manuel Benítez | .... | additional stunts | |
| Steve Boyum | .... | stunts | |
| Jophery C. Brown | .... | stunts (as Jophery Brown) | |
| Tony Brubaker | .... | stunts | |
| William H. Burton | .... | stunts (as Bill Burton) | |
| Steven Chambers | .... | stunts | |
| Doug Coleman | .... | stunts | |
| Leon Delaney | .... | stunts | |
| Alejandro de la Peña | .... | additional stunts (as Alejandro De La Pena) | |
| Ángel de la Peña García | .... | additional stunts (as Angel De La Pena) | |
| David Drazes | .... | stunts | |
| David Efron | .... | stunts (as Dave Efron) | |
| Norman Howell | .... | stunts | |
| Richard Humphreys | .... | stunts | |
| Peter Kent | .... | stunts | |
| Henry Kingi | .... | stunts | |
| Joel Kramer | .... | stunts | |
| Mauricio Martínez | .... | additional stunts | |
| Raúl Martínez | .... | additional stunts (as Raul Martinez) | |
| Gabriela Moreno | .... | additional stunts | |
| Noe Rolando Smith | .... | additional stunts | |
| Eric Valdez | .... | additional stunts | |
| Jack Verbois | .... | stunts | |
| Monty Jordan | .... | stunt double: Jesse Ventura (uncredited) | |
| Monty Jordan | .... | stunt pilot (uncredited) | |
| Brian Simpson | .... | stunt double (uncredited) | |
| Eddie L. Watkins | .... | stunts (uncredited) | |
Casting Department | |||
| Guillermo Castillo | .... | extras casting | |
| Billy DaMota | .... | casting assistant | |
| Humberto Johnson | .... | extras casting | |
Costume and Wardrobe Department | |||
| María Antonieta Esquivel | .... | assistant costumer | |
| Robert B. Harris | .... | costume supervisor: men (as Bob Harris) | |
| Ismael Jardon | .... | assistant costumer | |
| Jaime Ortiz | .... | assistant costumer | |
| Gary Sampson | .... | costumer: men | |
| James W. Tyson | .... | costume supervisor: men (as James Tyson) | |
| Enrique Villavicencio | .... | costumer: men | |
Editorial Department | |||
| Kimberley Bennett | .... | assistant film editor (as Kim Bennett) | |
| Bryan H. Carroll | .... | assistant film editor (as Bryan Carroll) | |
| Mark Elson | .... | assistant film editor | |
| Julie Feiner | .... | assistant film editor | |
| Carol Fitzgerald | .... | assistant film editor | |
| Rudy Freeman | .... | assistant film editor | |
| Dale E. Grahn | .... | color timer | |
| Bob Hagans | .... | color timer | |
| John Henzel | .... | assistant film editor | |
| Jack Hooper | .... | negative cutter | |
| Patricia Kudish | .... | apprentice film editor (as Patty Kudish) | |
| William J. Meshover | .... | assistant film editor (as Billy Meshover) | |
| Willie Navarro | .... | assistant film editor | |
Music Department | |||
| Michael John Bateman | .... | vocal effects editor (as Michael Bateman) | |
| Walt Borchers | .... | scoring crew | |
| Terry Brown | .... | scoring crew | |
| James B. Campbell | .... | orchestrator (as James Campbell) | |
| Peter Cullen | .... | special vocalization | |
| Chuck Garsha | .... | scoring crew | |
| Dennis S. Sands | .... | music scoring mixer | |
| Norman B. Schwartz | .... | vocal effects supervisor | |
| Michael Tronick | .... | music editor | |
Transportation Department | |||
| Charles Enzen | .... | transportation coordinator | |
| Margarito Fuentes Gutiérrez | .... | transportation co-captain (as Margarito Guttierez) | |
| Mayaya Gonzalez | .... | transportation secretary | |
| James Nordberg | .... | driver | |
| Mario Ramariz | .... | transportation co-captain | |
| Benito Villapondo | .... | transportation co-captain | |
| Alfonso Paredes | .... | driver (uncredited) | |
Other crew | |||
| Alex Algarin | .... | dubbing projectionist | |
| Eduardo Apellaniz | .... | animal trainer | |
| Emilia Arau | .... | production office liaison: Mexico City | |
| Todd Arnow | .... | production auditor | |
| Alejandro Madrid Bonilla | .... | helicopter pilot | |
| Brooke Brooks | .... | assistant: Mr. Davis | |
| Patti Calhoun | .... | production coordinator: USA | |
| Guillermo 'Memo' Carreno | .... | production assistant (as Guillermo Carreno) | |
| Craig Caton | .... | creature crew | |
| Jack Crain | .... | knife design/production (as Jack W. Crain) | |
| Efren del Moral | .... | production assistant (as Efren Del Moral) | |
| Riley Kathryn Ellis | .... | development executive | |
| Alejandro Ferrer | .... | union head of production | |
| Emily Gamboa | .... | production coordinator: Mexico | |
| Gary Goldman | .... | technical advisor | |
| Gabriela Gurrola | .... | script supervisor | |
| Miguel Gurza | .... | animal trainer | |
| David Kindlon | .... | mechanical department: creature effects unit | |
| Carol Land | .... | assistant: Mr. McTiernan | |
| Richard J. Landon | .... | mechanical department: creature effects unit (as Richard Landon) | |
| George Luis | .... | assistant: Mr. Silver (as George Luis Rodriguez) | |
| Dr. Robert Madding | .... | infrared consultant | |
| Peter McKernan | .... | helicopter pilot (as Peter J. McKernan Jr.) | |
| Katherine Ann Moore | .... | publicity coordinator (as Katherine Moore) | |
| Elizabeth Norton | .... | script supervisor | |
| Suzanne Nupoff | .... | assistant: Mr. Gordon | |
| Michael Perkal | .... | production auditor | |
| Rodolfo Lopez Real | .... | production assistant | |
| Carlos Renero | .... | animal trainer | |
| Guillermo Saavedra | .... | helicopter pilot | |
| Brent Scrivener | .... | mechanical department: creature effects unit (as Brent Scrivner) | |
| Tamara Smith | .... | assistant: Mr. Silver | |
| Ken Stone | .... | maintenance engineer | |
| Wayne Sturm | .... | mechanical department: creature effects unit | |
| Charles A. Tamburro | .... | aerial coordinator | |
| Charles A. Tamburro | .... | helicopter pilot | |
| Michael Tamburro | .... | helicopter pilot (as Michael E. Tamburro) | |
| Dana Lynne Taylor | .... | production coordinator: USA (as Dana Taylor) | |
| Elaine K. Thompson | .... | production associate | |
| Marion Tumen | .... | script supervisor | |
| Gerardo Yubero | .... | assistant auditor (as Gerard Yubero) | |
| Sandi Yunt | .... | assistant: Mr. Gordon | |
| Hector Zurita | .... | animal trainer | |
| Humberto Gurza | .... | animal wrangler (uncredited) | |
| Harry Kopoian | .... | airport liaison: Mexico (uncredited) | |
| William Stout | .... | creature designer (uncredited) | |
| Kellett Tighe | .... | assistant: Lawrence Gordon (uncredited) | |
Thanks | |||
| Brad Naples | .... | special thanks | |
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Consider that so many of the roles that Arnold Schwarzenegger takes on are so similar, including Predator, and yet this film is so much better than most of the others. I enjoy watching his movies just because he's such a watch-able guy, even in his bad movies (which are many), but I think the thing that really makes Predator stand out is its simplicity. The movie starts, the guys get dropped in the jungle, lots of blood and carnage flies across the screen, and the movie simply ends. No romance, no complex back story, no soldier struggling with problems in his past or even trauma caused by the horrible things he experiences during the movie. This is one of the things that made First Blood so good. It may turn out to be a movie about a lot of muscle-bound meatheads in the woods, but it doesn't insult the audience or try to apply complexity to a story that can't support it.
Interestingly, the movie features two eventual governors. Jesse Ventura even wrote a book which was released while he was the governor of Minnesota and he used his favorite line in this movie as the title. And the book's actually pretty interesting; there are some funny stories in it about things that went on while they were filming this movie. Arnold, on the other hand, is actually (and thankfully) given a relatively small amount of stupid one-liners, which are an idiotic byproduct of hard action movies that I've never really understood the necessity for. They don't reveal anything about the characters who say them, they don't add to the story or further the plot, and with rare exceptions, they're not funny. But I guess comic relief has to come from somewhere, and since complexity is not a requisite for movies like this, I can't really expect a lot of thought being put into the comedic content either.
I watched Predator having never seen it from beginning to end and having just re-watched the original Alien. I am currently in the process of re-watching both series', for obvious reasons. One thing that I notice about both of them is the way they take their time in introducing the enemies which, in both films, are aliens. Predator doesn't waste much time dwelling on the origin of the alien, we pretty much assume it came from a space ship that flashed across the screen at the opening of the movie. Alien, on the other hand, went into remarkable detail about where its alien came from. What Predator does do, very effectively, I think, is that it has the guys fighting some very human enemies, which allows the movie to later take its sweet time in having them realize that the new enemy is not human at all. This is also, incidentally, weakly rehashed in the sequel, using the secrecy of this mission and team as an excuse to have more guys who don't know what's going on.
The death scenes are actually pretty tasteful, given the genre. They are just gory enough to illustrate the violence of the enemy without being gratuitous. Just enough is shown to show how vicious the alien is, and there are some strange things done to and with the bodies that make you wonder about the alien's intentions or needs. The first deaths suggest vengeance if not some sort of ritual, but later ones suggest that the alien may be feeding off of his (or her) victims. Oddly enough, it is not until the awful Predator 2 that we learn that it kills for sport.
Yes, the movie occasionally gets embarrassingly macho, but the skill with which it is put together far overshadows any tough-guy goofiness. Consider, for example, the ease with which the movie switches from showing the guys hunting the alien to their realization that they are the ones being hunted. In some cases, this transition takes place during a single shot and with virtually no movement in the shot at all except a change in someone's expression. It is truly a fight between a group of predators, which we understand because they are human like us, and a single predator whose powers and weaknesses are unknown. It's not Oscar material, needless to say, but it's a great action movie in part because it already knows that.