Star Trek IV: The Voyage Home

The Voyage Home is the Star Trek film that had the highest box office gross. It captured the imagination of the public who were eager to see Kirk and the crew in present day (1986) San Francisco. Luckily, the film was solid in all aspects and was enjoyed by long-time fans of the series as well. Although the outcome of the film is never in doubt, it never loses the attention of the viewer and entertains throughout. It actually felt fresh and original despite the fact that time travel had been done before (in the TV series) and it was the fourth film in the franchise. Recommended, 8/10.

I saw the Special Collector's Edition of this(which I understand doesn't have any additional scenes that weren't in the original). Ah, 'the funny one'. There is a theory that after a few heavy or dark episodes in a row, they'd have a fun one. This is the movie version of said lighter one. And yet, it's smart, dramatic and, well, a blast. Again directed by Nimoy, and this also partially penned by him, this is superior to the one before it. This could be absolutely lousy, given the concept, but it's... not. It's marvelous. The humor is genuinely well-done, timing, material, it all works. Most of it is verbal, with a little bit of silly, with none of it being childish or worse. The prerequisites to "getting" it, apart from knowing the series, are simply understanding American culture and slang, specifically that of the period. The plot is good. The situations are resolved in a satisfying manner, albeit certain aspects might benefit from more seriousness. The dialog is excellent, possibly the best of any of these I've seen thus far. The language is pervasive, to a greater extent than earlier(and harsher, as well), though some of it is there for a purpose(namely, hilarity). There is another minor offensive thing in this. If viewers can tolerate or look past them, they're likely to thoroughly enjoy this. This has a moral, but it isn't preachy. I recommend this to fans of Star Trek and/or sci-fi, and will suggest that the second film be watched first(the third is perhaps optional). 8/10

This one is great-I remember laughing my butt off the first time I saw it, and it still works now. Very well done, the time travel angle was better handled here then it has been in other Trek films, shows, etc.-and one thing that makes this work is that they didn't take themselves too seriously. What a romp! The crew come back to save the whales so they can save themselves in the future-and make some commentary on 1986, too.

Personally I donno if this is the best of the run-Undiscovered Country and Khan are its main competition-but I applaud them for doing this; and hope they can lighten up the newer generation too now. It is needed.

*** outta ****, good stuff.

"The Voyage Home" (a.k.a Star Trek 4) ranks as my most loved "Original Series" based film. The other Kirk and Co adventures were good but just not as good as this. The comic value of this film is just great and I think that this was what made the film so loved by some and hated by others. For me however, the crazy adventures of the ever aging cast placed a smile on my face and a laugh in my mouth. This deserves at least 7 out of 10.

The fourth entry in the "Star Trek" movie series is the most popular and unarguably the best-liked of these entertaining movies. It has a fine variety of scenes, intelligent comedy to leaven the more serious adventures. it is fast paced, beautifully directed by Leonard Nimoy who also plays "Spock". What prevented it from being even better perhaps appreciated is a deliberate attempt by the writers to write short, choppy-sentence dialogue that in some scenes does not work as well as more formally-structured words might have worked. The film is bright, the art direction is very good, the music by Leonard Rosenmann is outstanding. And the story line is one of the best that sci-fi filmmakers have yet devised, in my judgment, because it has everything. As Captain James T. Kirk of the 23rd century starship Enterprise, William Shatner acts with unusual intelligence and even strength to get by. As his half-alien First Officer Spock, just recovering from a traumatic experience that caused him to have to be reeducated from ground zero, Leonard Nimoy is even better. Everyone of Jim Kirk's crewmen, including James Doohan as Engineer Montgomer Scott, De Forest Kelley as CMO Leonard McCoy, Nichelle Nichols as Lt. Uhura of Communications, talented George Takei as Helmsman Sulu, and Walter Koenig as Navigator Pavel Chekhov, have good scenes to perform and do them seamlessly and with professional style. Others in the cast including Brock Peters, Jane Wyatt, Mark Lenard, Grace Lee Whitney, Alen Henteloff, Robert Ellenstein and a relative unknown as the earthwoman who becomes enmeshed in the Enterprise officers' mission,are given telling moments. There are many memorable visual moments, including the departure of a stolen Klingon warbird from the planet Vulcan, the near-wreckage of Starfleet Headquarters, the landing of an invisible vessel in Golden Gate Park, a slingshot run around the sun, a descent from the invisible craft to the ground, scenes around the Alameda Navy Yards, a chase in a hospital and scenes at the cetacean Institute all make themselves hard-to-forget. It is the sheer fun and adventure of the storyline--sending a starship back in time to rescue two hump-backed whales and save the earth from alien destruction--that sets this film apart. Ignored by critics who have nearly always ignored sci-fi achievements, this cinematic attainment set a standard for future sci-fi to which hardly any film's maker has yet approached. The revelation of character could have been deeper, but the relevance of every moment to the plot line could hardly have been bettered. Harve Bennett deserves some of the credit for this script's excellences; so do the special-effects creators, since for once in Hollywood, every such effects serve to further the progress the central character and his helpers are making. This is probably a film to be watched over and over; I wish there were more such adult sci-fi efforts that eschew pretension and present so much intelligent dialogue, acting and intriguing "differences".