Sugar Goop.
We kicked off August discussing the ins and outs of the photography industry in the American giallo Eyes of Laura Mars before getting serious with a discussion on the afterlife and religion in queer director Alejandro Amenábar‘s The Others. Now we’re somewhere in between drama and comedy with writer/director Emma Seligman‘s raucous comedy slash anxiety-driven Jewish horror film, Shiva Baby.
In the film, Rachel Sennott stars as Danielle, a young woman who is secretly doing sex work on the side of her College degree. As the film opens, Danielle is meeting with her married lover Max (Danny Deferrari) before heading to a Shiva, a week of Jewish mourning, where she meets her parents Debbie (Polly Draper) and Joel (Fred Melamed).
Danielle’s lies about her financial status and career plans quickly begin to surface when Max arrives with his wife Kim (Dianna Agron) and baby in tow.
We kicked off August discussing the ins and outs of the photography industry in the American giallo Eyes of Laura Mars before getting serious with a discussion on the afterlife and religion in queer director Alejandro Amenábar‘s The Others. Now we’re somewhere in between drama and comedy with writer/director Emma Seligman‘s raucous comedy slash anxiety-driven Jewish horror film, Shiva Baby.
In the film, Rachel Sennott stars as Danielle, a young woman who is secretly doing sex work on the side of her College degree. As the film opens, Danielle is meeting with her married lover Max (Danny Deferrari) before heading to a Shiva, a week of Jewish mourning, where she meets her parents Debbie (Polly Draper) and Joel (Fred Melamed).
Danielle’s lies about her financial status and career plans quickly begin to surface when Max arrives with his wife Kim (Dianna Agron) and baby in tow.
- 8/21/2023
- by Joe Lipsett
- bloody-disgusting.com
Writer, director and actor Michael Showalter joins hosts Josh Olson and Joe Dante to discuss his favorite movies.
Show Notes: Movies Referenced In This Episode
Wet Hot American Summer (2001)
The Eyes of Tammy Faye (2021)
The Baxter (2005)
Hello, My Name Is Doris (2015)
Runaway Daughters (1994)
Clueless (1995)
Bagdad Cafe (1987)
Coda (2021)
The Long Goodbye (1973) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Jaws (1975) – Josh Olson’s trailer commentary
Do The Right Thing (1989)
Sugarbaby (1985)
City Slickers (1991)
Attack! (1956) – Glenn Erickson’s Blu-ray review
Paris, Texas (1984) – Karyn Kusama’s trailer commentary
Pee-Wee’s Big Adventure (1985)
Pretty In Pink (1986)
Escape From New York (1981) – Neil Marshall’s trailer commentary
Hamburger: The Motion Picture (1986)
The Warriors (1979)
The Thing (1982) – Jesus Treviño’s trailer commentary, Glenn Erickson’s Blu-ray review
Innerspace (1987) – Glenn Erickson’s Blu-ray review
Christine (1983)
Crossing Delancey (1988)
Annie Hall (1977) – Robert Weide’s trailer commentary
When Harry Met Sally… (1989)
The Fugitive (1993)
The Big Sick (2017) – Glenn Erickson’s Blu-ray review
Between The Lines...
Show Notes: Movies Referenced In This Episode
Wet Hot American Summer (2001)
The Eyes of Tammy Faye (2021)
The Baxter (2005)
Hello, My Name Is Doris (2015)
Runaway Daughters (1994)
Clueless (1995)
Bagdad Cafe (1987)
Coda (2021)
The Long Goodbye (1973) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Jaws (1975) – Josh Olson’s trailer commentary
Do The Right Thing (1989)
Sugarbaby (1985)
City Slickers (1991)
Attack! (1956) – Glenn Erickson’s Blu-ray review
Paris, Texas (1984) – Karyn Kusama’s trailer commentary
Pee-Wee’s Big Adventure (1985)
Pretty In Pink (1986)
Escape From New York (1981) – Neil Marshall’s trailer commentary
Hamburger: The Motion Picture (1986)
The Warriors (1979)
The Thing (1982) – Jesus Treviño’s trailer commentary, Glenn Erickson’s Blu-ray review
Innerspace (1987) – Glenn Erickson’s Blu-ray review
Christine (1983)
Crossing Delancey (1988)
Annie Hall (1977) – Robert Weide’s trailer commentary
When Harry Met Sally… (1989)
The Fugitive (1993)
The Big Sick (2017) – Glenn Erickson’s Blu-ray review
Between The Lines...
- 4/5/2022
- by Kris Millsap
- Trailers from Hell
As new Covid protocols bedeviled travel to the U.K. and other parts of Europe, 3,000 lucky souls, including several hundred execs from Europe, were able to enjoy summer sun and post-lockdown reunions at Buenos Aires’ Ventana Sur. Latin America’s biggest film and TV market and forum, it wrapped Friday Dec. 3 with an humungous, though thankfully rapid, awards ceremony. Following, 10 takeaways from the hybrid event:
The Way the Market’s Going
Is this the shape of things to come? At least in the short-term?Big films and deals were announced at or during Ventana Sur: Vis revealed it’s teaming with El Estudio and Infinity Hill on the Rob Schneider-directed “Love Is Love,” now a Paramount Plus Original; Pantelion Films unveiled its “most ambitious undertaking to date,” “Usurpadora, the Musical,” a modern movie adaptation of the Televisa classic; FilmSharks confirmed deals with Netflix and HBO Max on Veronica Chen’s “High Tide.
The Way the Market’s Going
Is this the shape of things to come? At least in the short-term?Big films and deals were announced at or during Ventana Sur: Vis revealed it’s teaming with El Estudio and Infinity Hill on the Rob Schneider-directed “Love Is Love,” now a Paramount Plus Original; Pantelion Films unveiled its “most ambitious undertaking to date,” “Usurpadora, the Musical,” a modern movie adaptation of the Televisa classic; FilmSharks confirmed deals with Netflix and HBO Max on Veronica Chen’s “High Tide.
- 12/4/2021
- by John Hopewell
- Variety Film + TV
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