En la Kenia colonial del siglo XX, una baronesa danesa, propietaria de una plantación, mantiene una apasionada relación amorosa con un cazador de espíritu libre.En la Kenia colonial del siglo XX, una baronesa danesa, propietaria de una plantación, mantiene una apasionada relación amorosa con un cazador de espíritu libre.En la Kenia colonial del siglo XX, una baronesa danesa, propietaria de una plantación, mantiene una apasionada relación amorosa con un cazador de espíritu libre.
- Dirección
- Guión
- Reparto principal
- Ganó 7 premios Óscar
- 30 premios y 31 nominaciones en total
Reseñas destacadas
Fifty years ago I was living in the Kenya highlands, only a few miles from the old Blixen farm. Not a great deal had changed since the 1920s, the period of the movie, which manages a reasonable re-creation. However, the background is unlikely to mean much to Americans, only confirming unreal stereotypes of the colonial British. Meryl Steep, as we have come to expect, is superb in the part; and in 2003 she co-narrated a wonderful documentary on the remarkable Karen Blixen (Isak Dinesen), to whom in fact she bears some physical resemblance. Robert Redford is badly miscast, and why the producers didn't get one of many superb English actors for the part I can't imagine. As a love story well told in what to most people will be an exotic setting, beautifully photographed, it should be highly rated, justifying its many awards.
a film with Meryl Streep and Robert Redford could not be more than a good one. the African landscapes, the music, the cast are virtues in same measure. but the real surprise is the wise balance between emotions, love story, decisions of the lead characters. the science to use a book for explore the nuances of a form of survive far to well- known places. the precise - delicate portrait of relationship and about the status/roots in a different society. and, sure, the high poetry of images - parts of inspired music. a film for remind and discover. small, seductive, bitter details. and for understand a part from a non ordinary biography. more than a good film, a surprising one. for a kind of magic who rebuild a lost form of romanticism and adventure.
What a memorable gem of a movie!! I thought this film deserved every one of its seven Academy Awards it got. After viewing this film again I'm just stupefied why didn't Meryl Streep win Best Actress in this movie. The role of Karen Blixen was very complex and she performed it beautifully. This is probably right up there with "Sophie's Choice" and "Kramer vs. Kramer" both Award winning performances for her and this is right there with "Bridges of Madison County" and "A Cry in the Dark".
Syndey Pollock hit the nail right on the head with this classic beautiful cinematography. The acting is excellent by Streep, Redford, and Klaus Maria Brandeur. I liked the scene when Karen (Streep) wants her servant to address her by her name and he said "You are Karen, Sabu". I also loved the owl that she had in her room - it was a small one, but it was so cute and I loved it.
If you have a chance to rent this movie, please do - it is a classic. I love the beginning line "I had a farm in Africa" it was so moving!!
Syndey Pollock hit the nail right on the head with this classic beautiful cinematography. The acting is excellent by Streep, Redford, and Klaus Maria Brandeur. I liked the scene when Karen (Streep) wants her servant to address her by her name and he said "You are Karen, Sabu". I also loved the owl that she had in her room - it was a small one, but it was so cute and I loved it.
If you have a chance to rent this movie, please do - it is a classic. I love the beginning line "I had a farm in Africa" it was so moving!!
I had heard of this film quite alot but had never seen it. Today I did and was amazed. It is based on the life of a danish female author who moves to Africa. Meryl Streep is exellent as the lead role and keeps a believable danish accent all the way through the film. Robert Redford is also excellent as. But of course the best feature of this film is the beautiful African scnery. It captivates the viewer and I think even if the acting was poor the scenery would still make you like the film. I cannot think of any other film I have seen that has matched this one. I recommened it to anyone. This truly is a touching, marvellous film
What makes a good film? It's funny I lent my DVD of this to a mate recently and although she didn't hate it she didn't get it either. Which surprised me because, to me, there has never been any doubt in my mind about the beauty and quality of this film. Anyway I was surfing IMDb and decided to look at this page. There is (or was) a thread on the discussion board about whether this was a good or bad film, I clicked on it. I have never (in my modest surfing of this site) seen such a big thread. Surely a film that evokes that much passion (the majority of which was positive and defencive) has achieved something.
I'm not saying that Out of Africa is the best film I've ever seen (I've yet to see that one!) but I think I can safely say that it has secured a place for itself both in cinematic history and the future of entertainment. You see at it heart it is a well made, timeless epic.
Yes there will always be the people who take exception to the accents, dislike the ending or believes it drags on for too long, but that's their lost, I can't help thinking they haven't been patient enough (and this annoys me).
You see the thing is in many ways the endless beauty of this film lies in its subtleties. Yes you have Meryl Streep and Redford flanked by the scenery and music, but for me it's the things like Pollock's direction, Michael Kitchen's performance and Karen's interaction with member's of the tribe that make the film.
Part of me wants to tie my mate to a chair and make her sit and watch this until she gets it. The other half is slightly relieved, because I feel that with her rejection this film is ever so slightly more exclusively mine, and I know that although I'm still only young I will always have time a space for it!
I'm not saying that Out of Africa is the best film I've ever seen (I've yet to see that one!) but I think I can safely say that it has secured a place for itself both in cinematic history and the future of entertainment. You see at it heart it is a well made, timeless epic.
Yes there will always be the people who take exception to the accents, dislike the ending or believes it drags on for too long, but that's their lost, I can't help thinking they haven't been patient enough (and this annoys me).
You see the thing is in many ways the endless beauty of this film lies in its subtleties. Yes you have Meryl Streep and Redford flanked by the scenery and music, but for me it's the things like Pollock's direction, Michael Kitchen's performance and Karen's interaction with member's of the tribe that make the film.
Part of me wants to tie my mate to a chair and make her sit and watch this until she gets it. The other half is slightly relieved, because I feel that with her rejection this film is ever so slightly more exclusively mine, and I know that although I'm still only young I will always have time a space for it!
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
¿Sabías que...?
- CuriosidadesEarly in the film, Baroness Karen Blixen is introduced to her servants. Although the scene is inter-cut with close-ups and other inserts in the film, the first take was filmed as one long shot that required Meryl Streep to meet and exchange dialogue with several other characters. As soon as director Sydney Pollack yelled "Cut", Streep, wearing a high-collared shirt and snug jacket, yelled "get this thing off of me!" and ripped open her jacket. A large beetle had crawled down the front of the jacket moments after the camera rolled, yet she continued filming the scene. Much of it remains in the final film.
- PifiasDuring the lion attack, Denys pulls an additional two spare cartridges from his belt as a ready reload. However, he carries them with his right hand, his trigger hand, which also is the hand needed to break the action to reload. No experienced double-gun hunter would do this. The two reload cartridges must be carried in the left hand, leaving the right hand free to manipulate the rifle.
- Citas
Karen Blixen: It's an odd feeling, farewell. There is such envy in it. Men go off to be tested, for courage. And if we're tested at all, it's for patience, for doing without, for how well we can endure loneliness.
- Créditos adicionalesEpilogue: "Karen Blixen published her first stories in 1934 under the name Isak Dinesen. She never returned to Africa."
- Versiones alternativasNetwork TV version features additional footage not included in theatrical release.
- ConexionesEdited into Canción de África (2000)
- Banda sonoraConcerto for clarinet and orchestra in A (K.622)
Written by Wolfgang Amadeus Mozart
Performed by Jack Brymer Clarinet, The Academy of St. Martin-in-the-Fields
Directed by Neville Marriner
Used Courtesy of Philips Classic Productions, The Netherlands
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- How long is Out of Africa?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Memòries d'Àfrica
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 31.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 87.071.205 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 3.637.290 US$
- 22 dic 1985
- Recaudación en todo el mundo
- 227.514.205 US$
- Duración2 horas 41 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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By what name was Memorias de África (1985) officially released in India in Hindi?
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