Directed by
Gavin Millar |
Writing Credits
Dennis Potter | ... | (written by) |
Cast (in credits order)
Produced by
Verity Lambert | ... | executive producer |
Rick McCallum | ... | producer |
Dennis Potter | ... | executive producer |
Kenith Trodd | ... | producer |
Music by
Stanley Myers |
Cinematography by
Billy Williams | ... | director of photography |
Editing by
Angus Newton |
Production Design by
Roger Hall |
Art Direction by
Marianne Ford | ||
Len Huntingford |
Costume Design by
Jane Robinson |
Makeup Department
Carole Bennett | ... | hairdresser |
Stevie Hall | ... | chief hairdresser |
Eddie Knight | ... | chief makeup |
Jenny Shircore | ... | supervising make up |
Production Management
Donald Toms | ... | production supervisor |
Second Unit Director or Assistant Director
Peter Heslop | ... | co-third assistant director |
Trevor Puckle | ... | third assistant director |
Chris Thompson | ... | second assistant director |
Guy Travers | ... | assistant director |
Art Department
Gerry Bourke | ... | props |
Dave Coldham | ... | HOD plasterer |
Dean Coldham | ... | plaster department |
David Coley | ... | standby |
Steve Cooper | ... | set designer |
Bob Devine | ... | assistant construction manager (as Robert Devine) |
Derek Howarth | ... | sculptor |
Geoff Kingsley | ... | construction manager (as Geoffrey Kingsley) |
Michael G. Ploog | ... | sketch artist (as Mike Ploog) |
Adrian Start | ... | supervisor painter |
Sound Department
Christopher Ackland | ... | footsteps editor |
Brian Blamey | ... | sound editor |
John Blunt | ... | re-recording mixer (as Jon Blunt) |
Debbie Kaplan | ... | sound assistant |
Godfrey Kirby | ... | sound |
Clive Osborne | ... | boom operator |
Lionel Strutt | ... | adr supervisor (uncredited) |
Special Effects by
Lyle Conway | ... | creature effects supervisor |
Chris Eveleigh | ... | special effects |
Duncan Kenworthy | ... | creature effects producer |
Lesja Liber | ... | creature cable controls |
Sean McCormick | ... | foam lab assistant |
Constance Peterson | ... | creature effects workshop supervisor |
Allan Croucher | ... | mould maker (uncredited) |
Stunts
Hubie Kerns Jr. | ... | stunts |
Camera and Electrical Department
Chic Anstiss | ... | camera operator |
Albert Clarke | ... | still photographer |
George Cole | ... | gaffer |
Jamie Harcourt | ... | focus puller |
Keith Sewell | ... | 2nd grip |
Danny Shelmerdine | ... | clapper/loader |
Derek Sheriff | ... | best boy |
Malcolm Smith | ... | camera grip |
Jimmy Worley | ... | electrician (uncredited) |
Costume and Wardrobe Department
Terry Smith | ... | wardrobe supervisor |
Editorial Department
Kevin Brazier | ... | assistant editor |
Michael Parkinson | ... | assistant editor (as Mike Parkinson) |
Martin Roche | ... | assistant editor |
Mark Sale | ... | trainee assistant editor |
Location Management
Mark Bentley | ... | location manager |
Richard Dobson | ... | location manager |
Rupert Walters | ... | location manager |
Music Department
Simon Bainbridge | ... | orchestrations |
Brian Gulland | ... | music associate |
Max Harris | ... | composer: additional music / music arranger: additional music |
Sidney Margo | ... | music fixer (as Sid Margo) |
Stanley Myers | ... | conductor |
Script and Continuity Department
Jean Bourne | ... | script supervisor |
Additional Crew
David Alan Barclay | ... | puppet maker |
Jill Bender | ... | production coordinator |
Amanda Bragg | ... | unit publicist |
Marcus Clarke | ... | runner |
Gates McFadden | ... | choreographer |
Brian McMillan | ... | head animal trainer |
Alan Miller | ... | assistant to director |
Patricia Poole | ... | assistant accountant |
Mike Quinn | ... | puppeteer |
Carol Sharpe | ... | producer's secretary |
Duncan Stewart | ... | production accountant |
Lyle Conway | ... | puppeteer (uncredited) |
Thanks
Jo Burn | ... | thanks |