New Orleans single dad and cop Wes Block goes after a serial rapist-killer, but when he gets too close the hunter suddenly becomes the hunted.New Orleans single dad and cop Wes Block goes after a serial rapist-killer, but when he gets too close the hunter suddenly becomes the hunted.New Orleans single dad and cop Wes Block goes after a serial rapist-killer, but when he gets too close the hunter suddenly becomes the hunted.
- Awards
- 1 nomination
- Penny Block
- (as Jennifer Beck)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaActor Clint Eastwood's housemate since 1975, Sondra Locke, who had co-starred with him in six previous films, was not cast in the lead female role in this movie or any of the five others Eastwood made during the remainder of their relationship. Sudden Impact (1983) was the last Eastwood film in which Locke appeared and reportedly, WB studio execs told Eastwood that the public had tired of seeing movies of him teamed with Locke and not to make any more pictures with her.
- GoofsDespite shooting on location in New Orleans, not one person in this movie has a regional Louisiana, New Orleans, or Cajun accent.
- Quotes
Wes Block: Twenty-eight years ago I borrowed 40 dollars from my father, packed up an old, beat up suitcase, took a bus and came here. I was seventeen at the time. While I walked through the French Quarter, I looked out over the Mississippi and swore I'd never leave.
Beryl Thibodeaux: Ever come close?
Wes Block: Only once. When I looked down and saw that the suitcase was missing.
- Alternate versionsABC edited 16 minutes from this film for its 1987 network television premiere.
Eastwood's character is very well fleshed out and his desire to provide a safe and normal home life for his daughters and later to establish a relationship with a rape defence adviser he is attracted to, is very believable. While this is happening, he is drawn deeper and deeper into the dark world of bondage and sado-masochism and there is for a long time some doubt as to which way he will fall and even that he may know more about the killings than he admits.
All this is very compellingly handled.
Unfortunately the villain is straight out of central casting. A one-dimensional cardboard cut-out who the film makers attempt to give some mystery to by having him wear masks. Yawn. Unlike Eastwood, this villain is poorly drawn and apart from an uncharacteristic appearance at the start, is completely silent. He just swans around in the shadows a-la the phantom of the opera and has little of the sense of personality even of Scorpio in Dirty Harry.
There is no real reason why he should be masked, actually, since he is an undistinguished looking character, and stalking around with an assortment of facial coverings is more likely to draw attention to himself if anything. One must believe that this oddly disguised person can enter and leave buildings (such as brothels - highly security conscious in the real world) without anyone noticing. Or perhaps he goes in unmasked and whips out his disguise later? Who knows? If the latter, why bother with the disguise at all? It certainly has not been thought out and is a very cheap attempt to create a sense of intrigue and danger.
Its a pity because the constant appearance of this silly villain actually detracts from the menace and darkness of this film. Without him, there would be real doubt as to whether Eastwood was really the killer himself, for instance. I do not think I give anything away in saying this, since the clunking villain is seen stalking Eastwood from quite early on, hovering behind him or looking in the skylight, so much so that you feel like shouting "He's behind you!" in a pantomime sort of way.
Other details do not ring true, such as Eastwood telling a young male hooker to go to a warehouse to be paid by the killer then going there himself to find (surprise! Surprise!) the hooker hanging by his neck. Cheap and unrealistic writing like this add to the schlock horror feel.
All this leads to a routine and unnecessarily gory finale. However, a touching moment with his girlfriend shows that the film makers do understand subtlety.
- son_of_cheese_messiah
- Oct 18, 2010
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Details
Box office
- Gross US & Canada
- $48,143,579
- Opening weekend US & Canada
- $9,156,545
- Aug 19, 1984
- Gross worldwide
- $48,143,579
- Runtime1 hour 54 minutes
- Color
- Sound mix